Part One of Eight (KV 1 - KV 74c)
|
KV6 |
KV1 |
ENTRY TITLE |
WORK TITLE OR NICKNAME |
KEY |
# |
SHORT DESCRIPTION FROM KV6 |
ADDITIONAL INFORMATION SINCE K6 |
|
001a |
-- |
Andante f/Kybd |
-- |
C |
-- |
Composed end of Jan or beginning Feb 1761 in Salzburg; originally in Nannerl's notebook. |
|
|
001b |
-- |
Allegro f/Kybd |
-- |
C |
-- |
Composed end of Jan or beginning Feb 1761 in Salzburg; originally in Nannerl's notebook. |
|
|
001c |
-- |
Allegro f/Kybd |
-- |
F |
-- |
Dated Dec 11, 1761 in Salzburg; originally in Nannerl's notebook. |
|
|
001d |
-- |
Minuet f/Kybd |
-- |
F |
-- |
Dated Dec 16, 1761 in Salzburg; originally in Nannerl's notebook. |
|
|
001e |
001 |
Minuet f/Kybd |
-- |
G |
-- |
Composed probably end 1761 or 1762 in Salzburg; originally in Nannerl's notebook. |
|
|
001f |
-- |
Minuet f/Kybd |
-- |
C |
-- |
Composed probably end 1761 or 1762 in Salzburg; originally in Nannerl's notebook. |
|
|
002 |
002 |
Minuet f/Kybd |
-- |
F |
-- |
Composed Jan 1762 in Salzburg; probably from Nannerl's notebook. |
|
|
003 |
003 |
Allegro f/Kybd |
-- |
Bb |
-- |
Dated Mar 4, 1762, Salzburg; probably from Nannerl's notebook. |
|
|
004 |
004 |
Minuet f/Kybd |
-- |
F |
-- |
Dated May 11, 1762, Salzburg; in Nannerl's notebook; in Leopold Mozart's handwriting. |
|
|
005 |
005 |
Minuet f/Kybd |
-- |
F |
-- |
Dated Jul 5, 1762, Salzburg; probably from Nannerl's notebook. |
|
|
005a |
(K2) 009a |
Allegro f/Kybd |
-- |
C |
-- |
Composed summer 1763 in Salzburg; in Nannerl's notebook. |
Plath (NMA 1982) re-dates piece before second half of 1764. |
|
005b |
(K2) 009b |
Andante f/Kybd |
-- |
Bb |
-- |
Composed probably between Jun-Oct 1763 in Salzburg; originally in Nannerl's notebook. |
Tyson (Music & Letters 1979) reported 6 additional measures found; Plath (NMA 1982) re-dated piece before second half of 1764. |
|
006 |
006 |
Sonata f/Kybd & Vn [or f/Kybd] |
-- |
C |
-- |
Composed 1762,1763,1763 in Salzburg, Brussels, Paris; published as Op 1/1 Feb 1764 with dedication to "Louise-Marie-Therese de Bourbon, Madame Victoire de France"; Allegro in Nannerl's notebook with note composed Oct 14, 1763 in Brussels. |
|
|
007 |
007 |
Sonata f/Kybd & Vn [or f/Kybd] |
-- |
D |
-- |
Composed end 1763/beginning 1764 in Paris; published as Op 1/2, (see KV 6); Keyboard version of Minuet in Nannerl's Notebook with note composed Nov 30,1763 in Paris. |
|
|
008 |
008 |
Sonata f/Kybd & Vn |
-- |
Bb |
-- |
Allegro in Keybaord version in Nannerl's notebook with note Nov 23, 1763 in Paris; published Paris Apr 1764 as Op 2/1 with dedication to "Comtesse de Tesse, Dame Madame in Dauphine". |
|
|
009 |
009 |
Sonata f/Kybd & Vn |
-- |
G |
-- |
Composed beginning 1764 in Paris; published as Op 2/2, (see KV 8). |
|
|
010 |
010 |
Sonata f/Kybd & Vn or Fl |
-- |
Bb |
-- |
Composed 1764 in London; published as Op 3/1 on Jan 13,1765 with dedication "A Sa Majeste Charlotte Reine de la Grande Bretagne". |
|
|
011 |
011 |
Sonata f/Kybd & Vn or Fl |
-- |
G |
-- |
Composed in autumn 1764 in London; published as Op 3/2, (see KV 10). |
|
|
012 |
012 |
Sonata f/Kybd & Vn or Fl |
-- |
A |
-- |
Composed in autumn 1764 in London; published as Op 3/3, (see KV 10). |
|
|
013 |
013 |
Sonata f/Kybd & Vn or Fl |
-- |
F |
-- |
Composed 1764 in Paris; published as Op3/4, (see KV 10). |
|
|
014 |
014 |
Sonata f/Kybd & Vn or Fl |
-- |
C |
-- |
Composed in autumn 1764 in London; published as Op 3/5, (see KV 10). |
|
|
015 |
015 |
Sonata f/Kybd & Vn or Fl |
-- |
Bb |
-- |
Composed in autumn 1764 in London; published as Op 3/6, (see KV 10). |
|
|
015a |
(K2) A109b/1 |
[Allegro f/Kybd] |
-- |
F |
-- |
Composed 1764 in London; from Mozart's "London Sketchbook". |
|
|
015b |
(K2) A109b/2 |
[Andantino f/Kybd] |
-- |
C |
-- |
Composed 1764 in London; from Mozart's "London Sketchbook". |
|
|
015c |
-- |
[Minuet f/Kybd] |
-- |
G |
-- |
Composed 1764 in London; from Mozart's "London Sketchbook". |
|
|
015d |
-- |
[Rondo f/Kybd] |
-- |
D |
-- |
Composed 1764 in London; from Mozart's "London Sketchbook". |
|
|
015e |
-- |
[Country Dance f/Kybd] |
-- |
G |
-- |
Composed 1764 in London; from Mozart's "London Sketchbook". |
|
|
015f |
-- |
[Tempo di Minuetto f/Kybd] |
-- |
C |
-- |
Composed 1764 in London; from Mozart's "London Sketchbook". |
|
|
015g |
-- |
[Prelude f/Org (?)] |
-- |
G |
-- |
Composed 1764 in London; from Mozart's "London Sketchbook". |
|
|
015h |
-- |
[Country Dance f/Kybd] |
-- |
F |
-- |
Composed 1764 in London; from Mozart's "London Sketchbook". |
|
|
015i |
-- |
[Minuetto f/Kybd] |
-- |
A |
-- |
Composed 1764 in London; from Mozart's "London Sketchbook". |
|
|
015k |
-- |
[Minore f/Kybd] |
-- |
a |
-- |
Composed 1764 in London; from Mozart's "London Sketchbook". |
|
|
015l |
-- |
[Country Dance w/Minore f/Kybd] |
-- |
A |
-- |
Composed 1764 in London; from Mozart's "London Sketchbook". |
|
|
015m |
(K2) A109b/4 |
[Minuetto f/Kybd] |
-- |
F |
-- |
Composed 1764 in London; from Mozart's "London Sketchbook". |
|
|
015n |
-- |
[Andante f/Kybd] |
-- |
C |
-- |
Composed 1764 in London; from Mozart's "London Sketchbook". |
|
|
015o |
-- |
[Andante f/Kybd] |
-- |
D |
-- |
Composed 1764 in London; from Mozart's "London Sketchbook". |
|
|
015p |
(K2) A109b/3 |
[Sonata Mvmt f/Kybd] |
-- |
g |
-- |
Composed 1764 in London; from Mozart's "London Sketchbook". |
|
|
015q |
-- |
[Andante f/Kybd] |
-- |
Bb |
-- |
Composed 1764 in London; from Mozart's "London Sketchbook". |
|
|
015r |
(K2) A109b/7 |
[Andante f/Kybd] |
-- |
g |
-- |
Composed 1764 in London; from Mozart's "London Sketchbook". |
|
|
015s |
-- |
[Rondeau w/Minore f/Kybd] |
-- |
C |
-- |
Composed 1764 in London; from Mozart's "London Sketchbook". |
|
|
015t |
(K2) A109b/5 |
[Sonata Mvmt f/Kybd] |
-- |
F |
-- |
Composed 1764 in London; from Mozart's "London Sketchbook". |
|
|
015u |
-- |
[Siciliano f/Kybd] |
-- |
d |
-- |
Composed 1764 in London; from Mozart's "London Sketchbook". |
|
|
015v |
-- |
[Sonata Final Mvmt] |
-- |
F |
-- |
Composed 1764 in London; from Mozart's "London Sketchbook". |
|
|
015w |
-- |
[Allemande f/Kybd] |
-- |
Bb |
-- |
Composed 1764 in London; from Mozart's "London Sketchbook". |
|
|
015x |
(K2) A109b/6 |
[Finale to a Sonata] [Symph Sketch] |
-- |
F |
-- |
Composed 1764 in London; from Mozart's "London Sketchbook". |
|
|
015y |
-- |
[Minuetto f/Kybd] |
-- |
G |
-- |
Composed 1764 in London; from Mozart's "London Sketchbook". |
|
|
015z |
-- |
[Gigue f/Kybd] |
-- |
c |
-- |
Composed 1764 in London; from Mozart's "London Sketchbook". |
|
|
015aa |
-- |
[Final Mvmt to a Sonata f/Kybd] |
-- |
Bb |
-- |
Composed 1764 or 1765 in London; from Mozart's "London Sketchbook". |
|
|
015bb |
-- |
[Final Mvmt to a Sonata f/Kybd] |
-- |
D |
-- |
Composed 1764 or 1765 in London; from Mozart's "London Sketchbook". |
|
|
015cc |
-- |
[Tempo di Minuetto f/Kybd] |
-- |
Eb |
-- |
Composed 1764 or 1765 in London; from Mozart's "London Sketchbook". |
|
|
015dd |
-- |
[Andante f/Kybd] |
-- |
Ab |
-- |
Composed 1764 or 1765 in London; from Mozart's "London Sketchbook". |
|
|
015ee |
-- |
[Minuetto f/Kybd] |
-- |
Eb |
-- |
Composed 1764 or 1765 in London; from Mozart's "London Sketchbook". |
|
|
015ff |
(K2) A109b/8 |
[Minuetto f/Kybd] |
-- |
Ab |
-- |
Composed 1764 or 1765 in London; from Mozart's "London Sketchbook". |
|
|
015gg |
-- |
[Country Dance in Rondo f/Kybd |
-- |
Bb |
-- |
Composed 1764 or 1765 in London; from Mozart's "London Sketchbook". |
|
|
015hh |
-- |
[Rondo f/Kybd] |
-- |
F |
-- |
Composed 1764 or 1765 in London; from Mozart's "London Sketchbook". |
|
|
015ii |
-- |
[Andante f/Kybd] |
-- |
Bb |
-- |
Composed 1764 or 1765 in London; from Mozart's "London Sketchbook". |
|
|
015kk |
-- |
[Sonata Mvmt] |
-- |
Eb |
-- |
Composed 1764 or 1765 in London; from Mozart's "London Sketchbook". |
|
|
015ll |
(K2) A109b/9 |
[Final Mvmt to a Sonata f/Kybd] |
-- |
Bb |
-- |
Composed 1764 or 1765 in London; from Mozart's "London Sketchbook". |
|
|
015mm |
-- |
[Andante f/Kybd] |
-- |
Eb |
-- |
Composed 1764 or 1765 in London; from Mozart's "London Sketchbook". |
|
|
015nn |
-- |
[Sontata Mvmt] |
-- |
F |
-- |
Composed 1764 or 1765 in London; from Mozart's "London Sketchbook". |
|
|
015oo |
-- |
[Tempo di Minuetto f/Kybd] |
-- |
F |
-- |
Composed 1764 or 1765 in London; from Mozart's "London Sketchbook". |
|
|
015pp |
-- |
[Minuetto f/Kybd] |
-- |
Bb |
-- |
Composed 1764 or 1765 in London; from Mozart's "London Sketchbook". |
|
|
015qq |
-- |
[Minuetto f/Kybd] |
-- |
Eb |
-- |
Composed 1764 or 1765 in London; from Mozart's "London Sketchbook". |
|
|
015rr |
-- |
[Minuetto f/Kybd] |
-- |
C |
-- |
Composed 1764 or 1765 in London; from Mozart's "London Sketchbook". |
|
|
015ss |
-- |
[Fugue f/4 Voices] |
-- |
a |
-- |
Composed end 1764 or beginning 1765 in London; from Mozart's "London Sketchbook". |
|
|
016 |
016 |
Symphony |
-- |
Eb |
-- |
Composed 1764 or 1765 in London . |
|
|
016a |
A220 |
Symphony |
-- |
a |
01 |
Composed probably 1765 in London . |
Copy discovered in Odense in 1982; considered very doubtful (Zaslaw/Eisen-Journal of Musicology 1985). |
|
019 |
019 |
Symphony |
-- |
D |
04 |
Composed beginning 1765 in London. |
Possibly composed Sept 1765-Jan 1766 in Holland (Zaslaw-Symphonies 1989). |
|
019a |
A223 |
Symphony |
-- |
F |
-- |
Composed beginning 1765 in London. |
Full set of parts discovered in Munich in 1980 with note written in his 9th year (Allroggen-NMA 1981); possibly composed between Sept 1765 & Jan 1766 in Holland (Zaslaw- Symphonies 1989). |
|
019b |
A222 |
Symphony |
-- |
C |
-- |
Composed beginning 1765 in London. |
Possibly composed between Sept 1765 & Jan 1766 in Holland (Zaslaw-Symphonies 1989). |
|
019c |
021 |
Aria f/T |
Va, dal furor portata |
C |
-- |
Composed 1765 in London. |
Most likely composed for tenor Ciprandi to be sung in one of Wolfgang's concerts; exists in two versions (Kunze-NMA 1972). |
|
019d |
-- |
Sonata f/Kybd 4-Hands |
-- |
C |
-- |
Composed probably beginning May 1765 in London; dating based on newspaper announcement that Mozart and sister played together in concert. |
Considerable doubt on authenticity due to unclear source history and musical content (Plath/Rehm-NMA 1993). |
|
020 |
020 |
Motet f/SATB (Sacred Madrigal) |
God is our Refuge |
g |
-- |
Composed in Jul 1765 in London and presented to British Museum. |
|
|
021a |
A206 |
Variations f/Kybd |
-- |
A |
-- |
Only known from incipit in B&H catalogue with remark composed in London. |
Plath (NMA-Crit Report 1982) believes possibly Kybd part to a Vn/Kybd piece. |
|
022 |
022 |
Symphony |
-- |
Bb |
05 |
Composed end of Dec 1765 in Hague, for Concert of Jan 22, 1766. |
|
|
023 |
023 |
Aria f/S |
Conservati fedele |
A |
-- |
Composed Oct 1765 and then reworked in Jan 1766 in the Hague. Most likely for festivities of Prince Wilhelm V coming of age. |
|
|
024 |
024 |
8 Variations f/Kybd |
-- |
G |
-- |
Composed probably Jan 1766 in the Hague. |
Fischer (NMA-1962) expands dating to Jan 1766 in the Hague, or Feb 1766 in Amsterdam. |
|
025 |
025 |
7 Variations f/Kybd |
Willem von Nassau |
D |
-- |
Composed probably Feb 1766 in Amsterdam. |
Fischer (NMA-1962) expands dating to Jan 1766 in the Hague, or Feb 1766 in Amsterdam. |
|
026 |
026 |
Sonata f/Kybd & Vn |
-- |
Eb |
-- |
Composed Feb 1766 in the Hague; Leopold Mozart wrote on May 16, 1766 Wolfgang wrote 6 sonatas for Princess Karoline von Nassau-Weilburg for festitivies in the Hague; Published in Apr 1766 with dedication to her as Op 4/1. |
|
|
027 |
027 |
Sonata f/Kybd & Vn |
-- |
G |
-- |
Composed Feb 1766 in the Hague; published as Op 4/2, (see KV 26). |
|
|
028 |
028 |
Sonata f/Kybd & Vn |
-- |
C |
-- |
Composed Feb 1766 in the Hague; published as Op 4/3, (see KV 26). |
|
|
029 |
029 |
Sonata f/Kybd & Vn |
-- |
D |
-- |
Composed Feb 1766 in the Hague; published as Op 4/4, (see KV 26). |
|
|
030 |
030 |
Sonata f/Kybd & Vn |
-- |
F |
-- |
Composed Feb 1766 in the Hague; published as Op 4/5, (see KV 26). |
|
|
031 |
031 |
Sonata f/Kybd & Vn |
-- |
Bb |
-- |
Composed Feb 1766 in the Hague; published as Op 4/6, (see KV 26). |
|
|
032 |
032 |
Galimathias musicum (Quodilibet) |
-- |
D |
-- |
Composed in Mar 1766 in the Hague for festivities around installation of Prince of Orange in the the Hague. |
Plath (NMA-1970) believes probably composed while Mozarts were still in Amsterdam, between Jan & early Mar 1766. |
|
032a |
-- |
The Third Sketchbook |
Capricci (so called by Constanze) |
unk |
-- |
Originated in winter 1765/66 in Holland;Constanze mentions a third notebook as "Capricci" in letters to B&H in 1799 and 1800 that date from 1764/65; Leopold Mozart in List of works by 12-year old son lists a book of Kybd pieces composed in Holland. |
Possibly pieces survive from this notebook: Sonatas f/Kybd KV 33d, 33e, 33f, 33g, Piece in F KV 33B, and Variations KV 21a and Anh 207 (Zaslaw-Essay in Honor of Barry Brook 1985). |
|
033 |
033 |
Kyrie |
-- |
F |
-- |
Dated Jun 12, 1766 in Paris. |
|
|
033a |
-- |
Soli f/Fl |
-- |
unk |
-- |
Composed middle Sep 1766 in Lausanne; listed in Leopold Mozart's List of works by 12-year son as solo for Duke Louis von Würtemberg. |
No doubt a Sonata f/Fl & Bs instrument (Zaslaw-Essay in Honor of Barry Brook 1985). |
|
033B |
-- |
Kybd Piece |
-- |
F |
-- |
Composed beginning Oct 1766 in Zurich; written on back of minutes of a meeting. |
Manuscript page is minutes to meeting of Zurich Collegium Musicum from Sept 30, 1766; most likely played by Mozart at concert of this organization on Oct 6 and 9. |
|
033b |
-- |
Soli f/Fl |
-- |
unk |
-- |
Composed in Oct 1766 in Donaueschingen; listed in Leopold Mozart's List of works by 12-year old son as solo for Prince von Fürstenburg. |
No doubt a Sonata f/Fl & Bs instrument (Zaslaw-Essays in Honor of Barry Brook 1985). |
|
033c |
-- |
Stabat mater |
-- |
unk |
-- |
Supposedly composed in 1766 on trip from Paris to Salzburg; listed in Leopold Mozart's List of works by 12-year old son. |
|
|
033d |
A199 |
Sonata f/Kybd |
-- |
G |
-- |
Composed supposedly 1766 in Salzburg. |
Probably composed in Salzburg between autumn 1773 & autumn 1774; for use by Mozart and sister; refered to by Leopold Mozart in letter of Dec 21, 1774 (Plath-Acta Mozartiana 1974, and Himes-W.A.Mozart's Sonatas for Solo Clavier 1988). |
|
033e |
A200 |
Sonata f/Kybd |
-- |
Bb |
-- |
Composed supposedly 1766 in Salzburg. |
Probably composed in Salzburg between autumn 1773 and autumn 1774; for use by Mozart and sister; refered to by Leopold Mozart in letter of Dec 21, 1774 (Plath-Acta Mozartiana 1974, and Himes-W.A.Mozart's Sonatas for Solo Clavier 1988). |
|
033f |
A201 |
Sonata f/Kybd |
-- |
C |
-- |
Composed supposedly 1766 in Salzburg. |
Probably composed in Salzburg between autumn 1773 and autumn 1774; for use by Mozart and sister, refered to by Leopold Mozart in letter of Dec 21, 1774 (Plath-Acta Mozartiana 1974 and Himes-W.A.Mozart's Sonatas for Solo Clavier 1988). |
|
033g |
A202 |
Sonata f/Kybd |
-- |
F |
-- |
Composed supposedly 1766 in Salzburg. |
Probably composed in Munich Dec 1774 or Jan 1775; for Baron Dürnitz as sample of his work before commission of KV 279-284 (Himes-W.A. Mozart's Sonatas for Solo Clavier 1988). |
|
033h |
-- |
Piece f/Forest Horn |
-- |
unk |
-- |
Composed probably 1766 in Salzburg; on Feb 16, 1778, Leopold Mozart mentioned death of Grassl Martini for whom Wolfgang composed a little piece for the French horn; possbily this is the piece referred to. |
Possibly also one of 2 Hn pieces within KV 41b (Zaslaw-Essay in Honor of Barry Brook 1985). |
|
033i |
036 |
Rec & Aria (Licenza) f/T |
Or che il dover/Tali e cotanti sono |
C |
-- |
Composed in Dec 1766 in Salzburg; performed on anniversary of Consecration of Archbishop Sigismund von Schrattenbach on Dec 21, 1766. |
|
|
034 |
034 |
Offertorium in Festo Sti Benedicti |
Scande coeli limina |
C |
-- |
Composed between end Dec 1766 and Mar 21, 1767 supposedly in Seeon; supposedly monks had no Offertory and Mozart wrote out out quickly in pencil. |
|
|
035 |
035 |
Sacred Singspeil (1st Part) |
Die Schuldigkeit des ersten Gebots |
C |
-- |
Composed most likely between end of 1766 and beginning Mar 1767 in Salzburg; Mozart composed first section of sacred Singspiel performed on Mar 12, 1767 (2nd and 3rd part composed by Michael Haydn and Anton Adlgasser, both lost). |
|
|
035a |
042 |
Cantata on the Holy Grave of Christ |
Grabmusik |
C |
-- |
Composed for Holy Week 1767 in Salzburg; Recitative and final chorus composed between 1773 and 1775/76. |
Handwriting shows dating of beginning of 1772; chorus is not part of Grabmusik (Rehm-Ruknke Fest. 1986). |
|
037 |
037 |
Concerto f/Kybd |
-- |
F |
01 |
Dated on autograph by Leopold Apr 1767 in Salzburg: orchestration added to Sonatas of HF Raupach (1st mvmt), anonymous (2nd mvmt), and L Honauer (3rd mvmt). |
|
|
038 |
038 |
Latin Comedy |
Apollo et Hyacinthus |
D |
-- |
Performed May 13, 1767 in Salzburg; performed at Salzburg University before and between 5 acts of school play "Clementia Croesi" by Rufinus Wolff. |
|
|
039 |
039 |
Concerto f/Kybd |
-- |
Bb |
02 |
Dated on autograph by Leopold Mozart Jun 1767 in Salzburg; orchestration added to Sonatas of HF Raupach (1st & 3rd mvmts), and J Schobert (2nd mvmt). |
|
|
040 |
040 |
Concerto f/Kybd |
-- |
D |
03 |
Dated on autograph by Leopold Mozart Jul 1767 in Salzburg; orchestration added to Sonatas of L Honauer (1st mvmt), JG Eckert (2nd mvmtt), and CPE Bach (3rd mvmt). |
|
|
041 |
041 |
Concerto f/Kybd |
-- |
G |
04 |
Dated on autograph by Leopold Mozart Jul 1767 in Salzburg; orchestration added to Sonatas of L Honauer (1st & 3rd mvmts), and HF Raupach (2nd mvmt) |
|
|
041a |
-- |
6 Divertimenti f/Orch |
-- |
unk |
-- |
Composed 1767 in Salzburg; listed in Leopold Mozart's List of works by 12-year old son. |
Possibly identical to entry in Breitkopf Catalogue for 1767 of "Diverti di Mozart"; thought to be by Leopold Mozart (Zaslaw-Essays in Honor of Barry Brook 1985). |
|
041b |
-- |
Wind Pieces of different Settings |
-- |
unk |
-- |
Composed 1767 in Salzburg; listed in Leopold Mozart's List of works by 12-year old son. |
The 2 pieces for Bthn; possibly written down in Sept 1762, when Mozarts visted Passau, where inventors of the instrument Anton & Michael Mayrhofer resided; one of Hn pieces could be by Leopold Mozart; mentions having been for Grassl Martini, (see KV 33h) (Zaslaw-Essay in Honor of Barry Brook 1985). |
|
041c |
-- |
Marches of Various Settings |
-- |
unk |
-- |
Composed 1767 in Salzburg;listed in Leopold Mozart's List of works by 12-year old son; perhaps incipit of Mar for winds in Gleissner Catalogue belongs to these. |
|
|
041d |
-- |
Minuets of Various Settings |
-- |
unk |
-- |
Composed 1767 in Salzburg; listed in Leopold Mozart's List of works by12-year old son. |
Lost fragmentary manuscript listed in KV6 under 626b/43, possibly one of these (Zaslaw-Essay in Honor of Barry Brook 1985). |
|
041e |
-- |
Fugue f/Kybd |
-- |
unk |
-- |
Composed 1767 in Salzburg; listed in Leopold Mozart's List of works by 12-year old son. |
Possibly one of the works from Feb 26, 1766 concert in Amsterdam, where Mozart performed "fugues and other pieces…on the organ". (Zaslaw-Essay in Honor of Barry Brook 1985). |
|
041f |
-- |
4-Voice Fugue |
-- |
unk |
-- |
Composed 1767 in Salzburg; listed in Leopold Mozart's List of works by 12-year old son. |
|
|
041g |
-- |
Night Music |
-- |
unk |
-- |
[KV6 gives no dating.] In 1800 letter to B&H Constanze Mozart mentions a Nachtmusik for 2 Violins and Basso from Wolfgang's very early years. |
|
|
041h |
067 |
Church Sonata |
-- |
Eb |
-- |
Composed end of 1766 or beginning 1767 in Salzburg; one of the 3 (KV 67, 68 or 69) was already performed on Dec 8, 1766 in Cathedral. |
Autograph (at Mills College, CA), together with KV 68, 69, 144, & 145; handwriting studies place the 3 Sonatas KV 67, 68, 69 in 1771/72, in near proximity of "Il sogno di Scipione" (Plath-MJB 1976/77). |
|
041i |
068 |
Church Sonata |
-- |
Bb |
-- |
Composed end of 1766 or beginning 1767 in Salzburg, (see KV 67/41i). |
See KV 67/41i. |
|
041k |
069 |
Church Sonata |
-- |
D |
-- |
Composed end of 1766 or beginning 1767 in Salzburg, (see KV 67/41i). |
See KV 67/41i. |
|
042a |
076 |
Symphony |
-- |
F |
43 |
Composed supposedly in autumn 1767 in Vienna. |
Questionable, possibly by Leopold Mozart (Allroggen-NMA 1984, Zaslaw Symphonies-1989). |
|
043 |
043 |
Symphony |
-- |
F |
06 |
Composed in autumn or Dec 1767 in Olmütz and Vienna. |
Drafted in Vienna, completed or revised in Olmütz (Zaslaw-Symphonies 1989) |
|
043a |
(K2) A024a |
Duet f/2S |
Ach, was müßen wir erfahren? |
F |
-- |
Composed probably shortly after Oct 15, 1767 in Vienna; stated on autograph by his sister composed when 7 years old; no doubt written on death of bride of King of Naples, Princess Josepha; manuscript in Leopold Mozart's hand (Plath-MJB 1960/61). |
|
|
045 |
045 |
Symphony |
-- |
D |
07 |
Dated Jan 16, 1768; later reworked into Overture to La finta simplice. |
|
|
045a |
A221 |
Symphony |
-- |
G |
-- |
Composed supposedly beginning 1768 in Vienna; set of parts dated "Jan 4, 1769". |
Set of parts discovered in Munich in 1980, dated "the Hague 1767"; possbily written for investiture of Prince William; Symphony revised before delivery to Lambach, probably while still in the the Hague (Allroggen-NMA 1984). |
|
045b |
A214 |
Symphony |
-- |
Bb |
55 |
Composed supposedly beginning 1768 in Vienna. |
Possibly composed earlier than 1768 (Allroggen-NMA 1984); possibly from 1767 in Salzburg and of questionable authorship (Zaslaw-Symphonies 1989). |
|
046a |
051 |
Opera buffa in 3 atti |
La finta semplice |
D |
-- |
Composed between Apr and Jul 1786 in Vienna; not performed in Vienna, probably performed in Salzburg on May 1, 1769. |
|
|
046b |
050 |
Singspiel in 1 Act |
Bastien et Bastienne |
G |
-- |
Composed in late summer 1768 in Vienna; story of first performance in Dr. Mesmer's garden theater is untenable as it was not finished at this time. |
Leopold Mozart's remarks, in addition to paper studies, show opera finished before "La finta semplice", thus before July 1768; operetta possibly performed in a large room in Mesmer's house (Tyler-Journal of Musicology 1990). |
|
046c |
052 |
Song f/1 Singer w/Kybd |
Daphne, deine Rosenwangen |
A |
-- |
Composed probably in summer 1768 in Vienna; Kybd reduction of Nr.11 from "Bastien und Bastienne" with new text (Angermüller-NMA 1973) |
Keybd reduction by Leopold Mozart with new text by anonymous poet (Angermüller-NMA 1973). |
|
046d |
-- |
Sonata f/Vn & Bs [or Kybd] |
-- |
C |
-- |
Dated Sep 1, 1768 in Vienna. |
Most likely set for Vn and Bs (Vc) (Berke-NMA 1974). |
|
046e |
-- |
Sonata f/Vn & Bs [or Kybd] |
-- |
F |
-- |
Dated Sep 1, 1768 in Vienna. |
Most likely set for Vn and Bs (Vc) (Berke-NMA 1974). |
|
047 |
047 |
Veni Sancte Spiritus |
-- |
C |
-- |
Dated Apr 25, 1770 in Rome; most likely for a concert. |
|
|
047a |
139 |
Missa [solemnis] |
"Waisenhaus Messe" |
c |
-- |
Composed most likely Dec 7, 1768 in Vienna for dedication of Orphanage in Renneweg. |
|
|
047b |
-- |
Offertorium |
-- |
unk |
-- |
Composed probably in Oct/Nov 1768 in Vienna for dedication of Orphanage in Renneweg on Dec 7, 1768; listed in Leopold Mozart's List of works by 12-year old son as "Large Offertorium for 4 voices etc.1768". |
Not identical to KV66a, as that Offertory is on paper used by Mozart in 1769 (Zaslaw-Essays in Honor of Barry Brook 1985). |
|
047c |
-- |
Concerto f/Trumpet |
-- |
unk |
-- |
Composed probably Oct or beginning Nov 1768 in Renneweg, performed on Dec 7 in Orphanage church; known from Leopold Mozart's letter of Nov 12, 1768. |
Pfannhauser (MJB 1958) believes perhapsit could be reworked Church Sonata. |
|
047d |
049 |
Missa brevis |
-- |
G |
-- |
Composed most likely in Oct/Nov 1768 in Vienna. |
KV 626b/25 is altered version of mm.182-195 of Credo (Senn-NMA 1967). |
|
047e |
053 |
Song f/1 Singer w/Kybd |
An die Freude |
F |
-- |
Composed probably end of Oct or Nov 1768 in Vienna. |
From appearance of text in printing in Vienna, song originated "with a certainity bordering on probability" in Nov 1768 (Ballin-NMA Critical Rep 1963). |
|
048 |
048 |
Symphony |
-- |
D |
08 |
Dated Dec 13, 1768, Vienna. |
|
|
061a |
065 |
Missa brevis |
-- |
d |
-- |
Dated Jan 14, 1769 Salzburg; first performed Feb 5, 1769 at Salzburg University church; there are 3 disgarded versions of the Benedictus in autograph. |
Senn (NMA-1967) does not think this Mass was performed on Feb 5, 1769 at Salzburg University Chruch. |
|
061b |
(K2) 065a |
7 Minuets w/Trio |
-- |
var |
-- |
Dated (by Leopold Mozart) Jan 26, 1769 in Salzburg. |
|
|
061c |
070 |
Rec & Aria (Licenza) f/S |
A Berenice/Sol nascente |
G |
-- |
Composed probably before Feb 28, 1769 in Salzburg; this date is the birthday of Archbishop Sigismund von Schrattenbch. |
Handwriting and paper speak for earlier time, perhaps 1767, in a production of Sarti's or Jommelli's "Vologeso" (Kunze-NMA 1972). |
|
061d |
103 |
19 Minuets, some with/without Trio |
-- |
var |
-- |
Composed supposedly during Carnival 1769 in Salzburg. |
Handwriting shows composed in early summer/summer 1772 (Plath-MJB 1976/77). Lindmayr-Brandl ( MJB 1995) shows there are 20 Minuets that Mozart worked on at different times. Some Minuets were interchanged with intention to form a group of 12. |
|
061e |
104 |
6 Minuets (5 w/Trio) |
-- |
var |
-- |
Composed supposedly during Carnival 1769 in Salzburg. |
All 6 Minuets copied by Mozart from 3 different cycles of Minuets by Michael Haydn, with changes of instrumentation and improvements in Winds (Lindmayr-MJB 1991); only page preserved is dated by Plath (MJB 1976/77) as autumn 1770 to spring 1771. |
|
061f |
105 |
6 Minuets w/Trio |
-- |
var |
-- |
Composed supposedly during Carnival 1769 in Salzburg. |
All 6 Minuets copied by Mozart from Michael Haydn dance cycle; Kybd reduction by Nannerl Mozart also exists; no doubt these are Minuets Mozart asked his sister to send in letter of July 7, 1770, from Naples (Lindmayr-MJB 1991). |
|
061g/1 |
-- |
1st of 2 Minuets |
-- |
A |
-- |
Composed supposedly during Carnival 1769 in Salzburg. |
Handwriting shows dating in spring 1770 (Plath-MJB 1976/77), and paper appears to have been purchased in Lodi in Mar 1770 (Tyson-NMA 1992); in no way connected with Symphony KV 114 (Zaslaw-Mozart's Symphonies 1989). |
|
061g/2 |
-- |
2nd of 2 Minuets |
-- |
C |
-- |
Composed supposedly during Carnival 1769 in Salzburg. |
No doubt is the Minuet Mozart stated he send to Nannerl on May 19, 1770; Kybd reduction by Mozart of Michael Haydn Minuet MH.136/1 (Lindmayr-MJB 1991); Autograph, (in Mozart's hand, not his father's as reported in KV6) dates it in spring 1770 (Plath-MJB 1976/77), and paper appears to have been purchased in Lodi in Mar 1770 (Tyson-NMA 1992). |
|
061h |
-- |
6 Minuets (4 w/Trio) |
-- |
var |
-- |
Composed supposedly during Carnival 1769 in Salzburg . |
Lindmayr-Brandl (MJB 1995) dates Minuets ca.1772; Minuet #3 (with added Winds) found in copy by Salzburg copyist Matthias Kracher added to Overture to "Lucio Silla" to make 4-mvmt Symphony (Hintermaier-Mozart Studien 1992). |
|
062 |
062 |
Cassation (March) |
-- |
D |
-- |
Composed probably in summer 1769 in Salzburg; known only by incipt in Mozart letter of Aug 4, 1770. |
No doubt March to Cassation KV62a (Haußwald-NMA 1970 and Plath-MJB 1978). |
|
062a |
100 |
Serenade f/Orch (End-of-Term Music) |
-- |
D |
-- |
Composed probably in summer 1769 in Salzburg; probably for Finalmusik at University on Aug 6 and 8, 1769 |
Most likely composed after KV 63 and KV 63a, perhaps homage to Archbishop acknowledging appointment to unpaid Concertmaster post on Oct 27, 1769 (Haußwald-NMA 1970). |
|
063 |
063 |
Cassation (End-of-Term Music) |
-- |
G |
-- |
Composed probably in summer 1769 in Salzburg; probably performed as Finalmusik at University on Aug 8, 1769 |
Either for Finalmusik on Aug 6 or 8, 1769 (see KV 63a) (Haußwald-NMA 1970). |
|
063a |
099 |
Cassation |
-- |
Bb |
-- |
Composed probably in summer 1769 in Salzburg; only placed in vicinity of KV 63 and KV 62a |
Either for Finalmusik on Aug 6 or 8, opposite occasion of KV 63 (Haußwald-NMA 1970). |
|
064 |
064 |
Minuet |
-- |
D |
-- |
Composed supposedly beginning 1769 in Salzburg; autograph in Leopold Mozart's hand and doubted by Asow and Plath. |
Numerous corrections in music show Leopold is the composer as well as copyist of work (Berke-NMA 2000). |
|
066 |
066 |
Missa |
Dominicus Mass |
C |
-- |
Composed Oct 1769 in Salzburg; performed at St. Peter's church Salzburg on Oct 1, 1769 for first Mass celebrated by Cajetan Hagenauer, who took name Dominicus on ordination; Oboes, Horns, Trumpets added in 1776. |
Added wind parts are actually from same time of Mass (Senn-NMA 1967). |
|
066a |
117 |
Offertorium [pro omni tempore] |
-- |
C |
-- |
Composed probably in Sep or Oct 1769 in Salzburg; as Offertory to Mass KV 66. |
Original setting has timpani part, now lost (Pfannhauser-NMA 1962). |
|
066b |
141 |
Te Deum |
-- |
C |
-- |
Composed supposedly end of 1769 in Salzburg. |
|
|
066c |
A215 |
Symphony |
-- |
D |
-- |
Composed supposedly end 1769 in Salzburg. |
Possibly one of 13 on Leopold Mozart's list of works of 12-year Wolfgang, thus prior to Sept 21, 1768 (Zaslaw-Symphonies 1989). |
|
066d |
A217 |
Symphony |
-- |
Bb |
-- |
Composed supposedly end 1769 in Salzburg. |
Possibly one of 13 on Leopold Mozart's list of works of 12-year Wolfgang, thus prior to Sept 21, 1768 (Zaslaw-Symphonies 1989). |
|
066e |
A218 |
Symphony |
-- |
Bb |
-- |
Composed supposedly end 1769 in Salzburg. |
Possibly one of 13 on Leopold Mozart's list of works of 12-year Wolfgang, thus prior to Sept 21, 1768 (Zaslaw-Symphonies 1989). |
|
071 |
071 |
Aria f/T |
Ah (O), più tremar non voglio |
F |
-- |
Composed supposedly end 1769 or beginning 1770 in Salzburg; or possibly beginning of Italian trip. |
No doubt Aria completed and remainder lost (Kunze-NMA 1972); Plath (MJB 1976/77) states composed during Milan trip. |
|
072a |
-- |
Allegro f/Kybd |
-- |
G |
-- |
Composed most likely between Dec 27, 1769 and Jan 6, 1770 in Verona; music on Kybd in painting of Mozart by Saverio dalla Rosa |
Possibly music by Baldassare Galuppi, although attribution to "Anonymous Veronese" is preferable (Heartz-Fondazione…Italy 1995). |
|
073 |
073 |
Symphony |
-- |
C |
09 |
Composed supposedly 1769 in Salzburg. |
Plath (MJB 1972) thought originated summer 1772, but reverted to 1769 or early 1770 when he studied autograph; Zalsaw (Symphonies 1989) believes possibly 1772, because of Minuet. |
|
073A |
A002 |
Aria |
Misero tu non sei |
unk |
-- |
Composed Jan 26, 1770 in Milan according to Mozart letter. |
|
|
073a |
143 |
Rec & Aria f/S |
Ergo interest/Quaere superna |
G |
-- |
Composed probably begun Feb 1770 in Milan; Leopold Mozart wrote on Feb 3, 1770 Mozart had written 2 Latin Motets for 2 young Castratos; this probably one of these Motets. |
Handwriting appears to be from end of 1773 (Plath-MJB 1976/77), but paper studies appear to place it in Milan, late 1772 or beginning 1773 (Tyson-NMA 1992). |
|
073b |
078 |
Aria f/S |
Per pietà, bell' idol mio |
Eb |
-- |
Composed in Feb or Mar 1770 in Milan; most likely first performed Mar 12 at Soirée of Count Firmian. |
Plath (MJB 1976/77) dates Aria about 1766, and Kunze (NMA 1972) places it in the Hague in early 1766. |
|
073c |
088 |
Aria f/S |
Fra cento affani |
C |
-- |
Composed in Feb or Mar 1770 in Milan; most likely first performed Mar 12 at Soirée of Count Firmian. |
|
|
073D |
-- |
Aria f/S |
Per quel paterno amplesso |
Eb |
-- |
Started Feb or Mar 1770 in Milan; probably earlier version of K79/73d. |
Plath (MJB 1976/77) dates about 1766, and Kunze (NMA 1972) places it in the Hague in early 1766; NMA Critical Report states that it has no musicial common interest with KV 79. |
|
073d |
079 |
Scene (Rec & Aria) f/S |
O temerario Arbace/Per quel paterno |
Bb |
-- |
Composed Feb or Mar 1770 in Milan; most likely first performed Mar 12 at Soirée of Count Firmian. |
Plath (MJB 1976/77) dates Aria about 1766, and Kunze (NMA 1972) places it in Hague in early 1766. |
|
073e |
077 |
Rec & Aria f/S |
Misero me/Misero pargoletto |
Bb |
-- |
Composed Beginning Mar 1770 in Milan; most likely first peformed Mar 12 at Soirée of Count Firmian. |
|
|
073f |
080 |
Quartet f/St |
-- |
G |
-- |
Dated Mar 15, 1770 in Lodi (first 3 mvmts ; 4th mvnt composed probably in 1773 in Vienna or beginning 1774 in Salzburg. |
From style characteritics Finscher (Analecta Musicologica 1978) believes finale added in 1772 in Salzburg, but Tyson (NMA 1992) shows paper first used by Mozart after his return to Salzburg from Italy in 1773. |
|
073g |
123 |
Country Dance |
-- |
Bb |
-- |
Composed on or before Apr 14, 1770 in Rome; sent home in letter from Leopold. |
|
|
073h |
094 |
Minuet [f/Kybd] |
-- |
D |
-- |
Composed either in Mar 1770 in Bologna or in Apr 1770 in Rome; autograph in Leopold Mozart's hand. |
Plath (MJB 1976/77 ) showed handwriting is Wolfgang's, and dates from 1769; probably not a reduction of an orchestral Minuet, but conceived as Kybd Minuet (Lindmayr-Brandl-MJB 1995). |
|
073i |
(K2) 089aI |
Canon for 5 Voices |
-- |
A |
-- |
Composed probably in Apr 1770 in Rome; on double page with KV 73h. |
Not listed in KV6, but also on sheet are other sketches to canons; handwriting show dating of 1772 to 1774; early canons KV 73i, 73k, 73r, and 73x all related, and probably originally together (Plath MJB 1976/77 and Zaslaw-MJB 1971/72). |
|
073k |
089 |
Kyrie f/5S |
-- |
G |
-- |
Composed probably in May 1770 in Rome. |
From handwriting, probably composed in middle 1772 in Salzburg (Plath-MJB 1976/77). |
|
073l |
081 |
Symphony |
-- |
D |
44 |
Composed supposedly Apr 25, 1770 in Rome from date on sets of parts. |
Possibly by Leopold Mozart (Allroggen 1985), or probably by Leopold (Zaslaw-Symphonies 1989). |
|
073m |
097 |
Symphony |
-- |
D |
47 |
Composed supposedly in Apr 1770 in Rome. |
|
|
073n |
095 |
Symphony |
-- |
D |
45 |
Composed supposedly in Apr 1770 in Rome. |
|
|
073o |
082 |
Aria f/S |
Se ardire, esperanza |
F |
-- |
Dated Apr 25, 1770 in Rome, most likely for a concert. |
|
|
073p |
083 |
Aria f/S |
Se tutti mali miei |
Eb |
-- |
Composed in Apr or beginning May 1770 in Rome, most likely for a concert. |
Corrections made later by Mozart, most likely on suggestion of the singer. |
|
073q |
084 |
Symphony |
-- |
D |
11 |
Probably begun in Feb 1770 in Milan and finished Jul 1770 in Bologna. |
Also parts attributed to Leopold Mozart and Dittersdorf (Allroggen-NMA 1985 and Zaslaw-Symphonies 1989). |
|
073r |
(K2) 089aII |
4 Puzzle Canons |
-- |
var |
-- |
Composed probably in Jul/Aug 1770 in Bologna; music text related to G. Matini's "Storia della Musica". |
Handwriting shows origin time of 1772/74, (see KV 73i) (Plath-MJB 1976/77 and Zaslaw-MJB 1971/72). |
|
073s |
085 |
Miserere |
-- |
a |
-- |
Composed most likely end of Jul or beginning Aug 1770 in Bologna; autograph in Leopold Mozart's hand; sections "Quoniam", "Benigne" and "Tunc acceptabis" probably added by André. |
Handwriting shows later origin, probably summer 1772 to 1774 (Plath MJB 1976/77). |
|
073t |
122 |
Minuet |
-- |
Eb |
-- |
Composed supposedly beginning Aug 1770 in Bologna; dating based on note at end of autograph by Leopold regarding his Violinschule book and Padre Martini, this theme also spoken of in letters of Aug 25 and Sep 8, 1770; Senn expressed possibility that this is only a copy of Deller or Starzer that Mozart wrote down from memory. |
Senn (Acta Mozartiana 1961 ) demonstrated music sheet fit as postscript to letter of Mar 27/28, 1770 of Leopold Mozart, where he states Wolfgang is sending Minuet that Picq had danced; but this Minuet cannot be Picq Minuet from contents (Lindmayr-Brandl-MJB 1995). |
|
073u |
044 |
Antiphon [Introitus] |
Cibavit eos |
a |
-- |
Composed supposedly end Sep or beginning Oct 1770 in Bologna; Pfannhauser doubts authenticity. |
Mozart's copy of work of Johann Stadlmayr (Hintermaier-MJB 1991); Plath believes possibly written down in 1769 or earlier 1770 (Plath-MJB 1976/77). |
|
073v |
086 |
Antiphon |
Quaerite primum regnum Dei |
d |
-- |
Composed Oct 9, 1770 in Bologna; Mozart's exercise for Accademia Filarmonica; version also exists from Padre Martini. |
Annotations by Martini in autograph suggest Mozart had help (Eisen/Sadie-New Grove 2002). |
|
073w |
-- |
Fugue f/Kybd |
-- |
D |
-- |
Composed supposedly 1770 in Bologna; Mozart wrote down Fugue theme twice. |
Handwriting of both auotgraphs from 1772/73 (Plath-MJB 1976/77 and NMA 1982). |
|
073x |
(K2) A109d |
Canonical Study |
-- |
var |
-- |
Originated probably in summer 1770 in Italy or later in Salzburg; related to studies with Padre Martini. |
Canons a separated part of KV 73i and KV 73r; handwriting shows origin of 1772/74 (Plath-MJB 1976/77). |
|
074 |
074 |
Symphony |
-- |
G |
10 |
Composed most likely 1770 in Milan. |
Tyson paper studies (Tyson-Auto Scores 1987) places it in Rome, April 1770 (also Zaslaw-Symphones 1989). |
|
074a |
087 |
Opera seria in 3 atti |
Mitridate, rè di Ponto |
D |
-- |
Completed middle Dec 1770 in Milan; first performed Dec 26, 1770 at Teatro Regio Ducal in Milan. |
Aria "Vado incontro al fato estremo" used in opera is actually setting of Q Garparini (Wignall-Opera Quarterly 1994). |
|
074b |
-- |
Aria f/S |
Non curo l'affetto |
E |
-- |
Composed supposedly beginning 1771 in Milan for unknown occasion. |
Only known copy headed "for theater in Pavia 1771"; Mozart not in Pavia during first or second Italian trip (Kunze-NMA 1972). |
|
074c |
118 |
Azione sacra in 2 parti |
La betulia liberata |
F |
-- |
Composed in Mar and Apr 1771 in Italy and in summer in Salzburg; commissioned in Padua by Don Giuseppe Ximenes; no performance known. |
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