KV6

KV1

ENTRY TITLE

WORK TITLE OR NICKNAME

KEY

#

SHORT DESCRIPTION FROM KV6

ADDITIONAL INFORMATION SINCE K6

074d

108

Regina Coeli

--

C

--

Composed May 1771 in Salzburg.

074e

109

Litaniae de BMV (Laurentanae)

--

Bb

--

Dated in May 1771 in Salzburg.

Parts in Laufen possibly contain authentic Trmpt parts (Eisen-Mozart Studies 1991).

074f

072

Offertorium/Festo/Joannis Baptistae

Inter natos mulierum

G

--

Composed probably in May or Jun 1771 in Salzburg; intended for performance on St. John the Baptist's Day on Jun 24, 1771.

Possibly composed later as copy in Salzburg on paper from 1777-1780 probably was made approximately contemporary with composition (Landon-Mozart Compendium 1990).

075

075

Symphony

--

F

42

Composed probably in early summer 1771 in Salzburg.

075b

110

Symphony

--

G

12

Dated on autograph Jul 1771 in Salzburg.

090

090

Kyrie

--

d

--

Composed supposedly in summer 1771 in Salzburg; possibly a copy of work of Michael Haydn or Eberlin from between 1771 and 1773.

Plath (MJB-MJB 1976/77) dates summer 1772 in Salzburg.

090a

116

Missa brevis

--

F

--

Composed supposedly in early summer 1771 in Salzburg; perhaps a work of Leopold Mozart.

Work of Leopold Mozart (Plath-MJB 1971/72, and Carlson -Vocal Music of Leopold Mozart 1976).

107

107

3 Concerti f/Kybd

--

D,G, Eb

--

Originated roughly in 1771 in Salzburg; Mozart made 3 Concertos (in 3 , 2 and 2 mvmts) by adding 2 Vls and Bass to Sonatas of JC Bach.

Plath (MJB 1976/77) cautiously places them in second quarter of 1772.

111

111

Serenata teatrale in 2 atti

Ascanio in Alba

D

--

Composed end Aug until Sep 23, 1771 in Milan; first performed Oct 17, 1771 at Teatro Regio Ducal in Milan, for wedding festivities of Archduck Ferdinand of Austria.

111a

120

Finale to the Sinfonia of Ascanio

--

D

--

Composed probably end of Oct or beginning Nov 1771 in Milan.

111b

096

Symphony

--

C

46

Composed supposedly end of Oct or beginning Nov 1771 in Milan.

Due to Andante being based on theme of Aria in "Il rè pastore", origin could be April 1775; or Christmas season of 1774 or 1774 (Zaslaw-Symphonies 1989).

112

112

Symphony

--

F

13

Dated Nov 2, 1771 in Milan.

113

113

[Concerto or] Divertimento

--

Eb

--

Dated Nov 1771 in Milan; 2 autograph scores exist, the later with additional wind parts.

Thought by Haußwald (NMA 1961) that additional winds (pairs of English Hns, Obs and Bns) indicate piece was wind arrangment of Divertimento; perhaps additional winds to be a substitution for original winds (2 Cls and 2 Hns); dating of additional winds appears to be first half of 1773 in Salzburg, after return from Italy (Blazin-Music & Letters 1992).

114

114

Symphony

--

A

14

Dated Dec 30, 1771 in Salzburg; deleted Minuet in autograph.

123a

381

Sonata f/Kybd 4-Hands

--

D

--

Composed probably beginning 1772 in Salzburg.

Handwriting and paper studies show composed later in 1773 or 1774 (Plath-MJB 1976/77 and Tyson NMA-1992).

124

124

Symphony

--

G

15

Dated Feb 21, 1772 in Salzburg.

124A

--

Church Sonata

--

D

--

[Not dated in KV6, but placed immediately before Church Sonata KV 124a, in beginning of 1772 in Salzburg.] Most likley slow introduction to Allegro.

Autograph in Leopold Mozart's hand, dating from perhaps 1772 (Tyson-NMA 1992).

124a

144

Church Sonata

--

D

--

Composed supposedly beginning 1772 in Salzburg.

Together in autograph with KV 67, 68, 69, and 145 (at Mills College, CA); handwriting appears to be from spring 1774 (Plath-MJB 1976/77).

124b

145

Church Sonata

--

F

--

Composed supposedly beginning 1772 in Salzburg.

Together in autograph with KV 67, 68, 69, and 145 (at Mills College, CA); handwriting appears to be from spring 1774 (Plath-MJB 1976/77).

125

125

Litaniae de venerabili altaris sacramento

--

Bb

--

Dated Mar 1772 in Salzburg.

125a

136

Divertimento f/St

--

D

--

Dated 1772 Salzburg; probably in the first months of 1772; designation "Divertimento" not from Mozart.

Designation Divertimento on autograph is in Mozart's hand; possibly thought of as Divertimento for solo and also small string orchestra (Füssel-NMA 1964).

125b

137

Divertimento f/St

--

Bb

--

Dated 1772 Salzburg, (see KV 125a).

See KV 125a.

125c

138

Divertimento f/St

--

F

--

Dated 1772 Salzburg, (see KV 125a).

See KV 125a.

125d

149

Song f/1 Singer w/Kybd

Die grossmütige Gelassenheit

Bb

--

Composed supposedly 1772 in Salzburg; manuscipt in Leopold Mozart's hand, which lessens likelihood of authenticity.

Composer is Leopold Mozart (Ballin-NMA 1963); listed by Carlson (Vocal Music of L.Mozart PhD 1976) as IG 10.

125e

150

Song f/1 Singer w/Kybd

Geheime Liebe

G

--

Composed supposedly 1772 in Salzburg; manuscipt in Leopold Mozart's hand, which lessens likelihood of authenticity.

Composer Leopold Mozart (Ballin-NMA 1963); listed by Carlson (Vocal Music of L.Mozart PhD 1976) as IG 14.

125f

151

Song f/1 Singer w/Kybd

Die Zufriedenheit/niedrigen Stande

F

--

Composed supposedly 1772 in Salzburg; manuscipt in Leopold Mozart's hand, which lessens likelihood of authenticity.

Composer Leopold Mozart (Ballin-NMA 1963); listed by Carlson (Vocal Music of L.Mozart PhD 1976) as IG 13.

125g

147

Song f/1 Singer w/Kybd

Wie unglücklich bin ich nit

F

--

Composed supposedly 1772 in Salzburg; written in jest for "the beautiful Theresel", daughter of Salzburg Bass player Georg Horeischy; handwriting and paper show Salzburg time of 1771 or 1772.

No authentic source for legend of Theresel story (Ballin NMA-Critcal Rep 1963); handwriting appears to point to a later time of 1774 or ca.1775/76 (Plath MJB 1976/77).

125h

148

Song f/1 Singer w/Kybd

O heiliges Band

D

--

Composed supposedly 1772 in Salzburg.

Handnwriting appears to point to a later time of 1774 or ca. 1775/76 (Plath MJB 1976/77).

126

126

Serenata drammatica

Il sogno di Scipione

D

--

Composed in Mar 1772 in Salzburg; performed in early May 1772 for event at Archbishop's palace; Licenza for Soprano 11b possibly composed for a performance in 1776 or 1777.

Originally for 50th anniversary of Archbishop Schattenbach on Jan 10, 1772; composed prior to Mozart's arrival back in Salzburg on Dec 15, 1771; probably beween Apr and Aug 1771; Schrattenbach died Dec 16, 1771; opera then to used for selection of Colloredo as Archbishop in May, but probably not performed; Name in the Licenza changed, and new 11b composed in April/May 1772, not 1776 or 1777 (Lederer- NMA 1977).

127

127

Regina Coeli

--

Bb

--

Dated May 1772 in Salzburg.

128

128

Symphony

--

C

16

Dated May 1772 in Salzburg.

129

129

Symphony

--

G

17

Dated May 1772 in Salzburg.

130

130

Symphony

--

F

18

Dated May 1772 in Salzburg.

130a

164

6 Minuets w/Trio

--

var

--

Dated Jun 1772 in Salzburg.

131

131

Divertimento f/Orch

--

D

--

Dated Jun 1772 in Salzburg for unknown occasion.

132

132

Symphony

--

Eb

19

Dated Jul 1772 in Salzburg.

133

133

Symphony

--

D

20

Dated Jul 1772 in Salzburg.

134

134

Symphony

--

A

21

Dated Aug 1772 in Salzburg.

134a

155

Quartet f/St (Divertimento)

--

D

--

Composed supposedly end of Oct and beginning Nov 1772 in Bozen (and Verona?); Leopold Mozart wrote on Oct 28, 1772 Wolfgang writing a quartet, no doubt this quartet.

On Feb 23, 1778 Leopold Mozart wrote his son in Mannheim, stated he once earned money by composing 6 quartets for "an Italian gentleman", and had received several ducats or even a snuff box worth 3 ducats; probably KV 134a, 134b, 157, 158, 159, and 159a; most likely composed in Italy between end of 1772 and early 1773 (Rehm-The Thirteen Early String Quartets 2000).

134b

156

Quartet f/St (Divertimento)

--

G

--

Composed supposedly end of 1772 in Milan; contained in autograph is a first (crossed out) version of slow mvmt.

See Remarks to KV 134a.

135

135

Music Drama in 3 Acts

Lucio Silla

D

--

Begun Oct 1772 in Salzburg, completed Dec 1772 in Milan; first performed Dec 26, 1772 at Teatro Regio Ducal in Milan.G216

135a

A109

Sketch of a Ballet

Le gelosie del Serraglio

var

--

Orignated probably in Dec 1772 in Milan; 32 sketched numbers for ballet to 'Lucio Silla'

Numerous numbers shown to be from ballets of Joesph Starzer; perhaps a "memory sketch" by Mozart for Pasticcio ballet he would write (Senn-Acta Musicologica 1961 and Croll-Analecta Musicologica 1978); or possibly a sketch used as "direction parts" for Pasticcio ballet Mozart compiled; one piece (#25) from ballet of Francois Granier (Konrad-Schaffensweise 1992).

141a

161/3

Symphony

--

D

50

1st & 2nd mvmts Overture to "Il sogno di Scipione", (composed Mar 1772); new finale added end 1772 in Milan.

"Il sogno di Scipione" was redated to 1771; Plath (MJB-1976/77) dating finale from summer 1773 or 1774; Tyson-(NMA 1991) dates paper 1774 in Salzburg.

157

157

Quartet f/St

--

C

--

Composed supposedly end of 1772 or beginning 1773 in Milan.

See Remarks to KV 134a.

158

158

Quartet f/St (Divertimento)

--

F

--

Composed supposedly end of 1772 or beginning 1773 in Milan.

See Remarks to KV 134a.

158a

165

Motet f/S

Exsultate, jubilate

F

--

Composed shortly before Jan 16, 1777 in Milan; first performed by Venanzio Rauzzini on Jan 17 at Church of the Theatines in Milan.

Copy of Motett with different text, and Fls replacing Obs found in 1977; probably originated in May 1779 for Holy Trinity Church in Salzburg and sung by Francesco Ceccarelli on May 30.

159

159

Quartet f/St (Divertimento)

--

Bb

--

Composed supposedly beginning of 1773 in Milan.

See Remarks to KV 134a.

159a

160

Quartet f/St

--

Eb

--

Composed supposedly beginning of 1773 in Milan (and Salzburg).

See Remarks to KV 134a; possible Mozart had paper left over from Italian trip and finished Quartet in Salzburg, after return on Mar 13, 1773 (Rehm-Thirteen Early String Quartets 2000).

159b

186

Divertimento f/Winds

--

Bb

--

Composed supposedly Mar 1773 in Milan; no doubt from instrumentation from same time as KV 159d.

Possibly work was begun in Milan and finished in Salzburg; unusual setting points to a commission for ensemble outside of Salzburg (Leeson/Zaslaw-NMA 1978).

159d

166

Divertimento f/Winds

--

Eb

--

Dated Mar 24, 1773 in Salzburg; probably commissioned in Milan.

Andante grazioso corresponds to 2nd mvmt of a 3-mvmt sinfonia of Paisiello, in addition to a Ballett-Pantomine choreographed by Noverre (Leeson/Zaslaw-NMA 1978).

161a

184

Symphony (Overture)

--

Eb

26

Dated Mar 30, 1773 in Salzburg; likely intended as overture.

161b

199

Symphony

--

G

27

Dated Apr 10 or 16, 1773 in Salzburg.

Date on autograph defaced, paper type used between Mar 1773 and May 1775 (Tyson-Auto Scores 1987, Zaslaw-Symphonies 1989).

162

162

Symphony

--

C

22

Dated Apr 19 or 29, 1773 in Salzburg.

162b

181

Symphony (Overture)

--

D

23

Dated May 19, 1773 in Salzburg.

166d

115

Missa brevis

--

C

--

Composed supposedly early summer 1773 in Salzburg; possibly a copy by Mozart of an unknown composer's mass.

Work of Leopold Mozart and in his handwriting; draft of his Missa solemnis in C, composed some time before 1764 (Pfannhauser-MJB 1971/72 and Kubik-Edition of Missa solemnis 1981).

166e

223

Osanna

--

C

--

Composed supposedly in summer 1773 in Salzburg; possibly a copy from another composer.

Belongs to contrapuntual studies of 1772 (Plath-MJB 1976/77).

166f

A018

Kyrie

--

C

--

Composed probably in Jun 1773 in Salzburg.

Written down around early summer 1772 (Plath MJB 1976/77).

166g

A019

Kyrie

--

D

--

Composed probably in Jun 1773 in Salzburg.

Handwriting and paper studies show dating of first third of 1772 (Plath MJB 1976/77 and Tyson Auto Scores 1987)

166h

A023

Psalm

In te Domine speravi

C

--

Composed supposedly early summer 1773 in Salzburg.

Plath (MJB 1976/77) from handwriting dates more likely 1774.

167

167

Missa in honorem SSmae Trinitatis

--

C

--

Dated in Jun 1773 in Salzburg; first performed on Trinity Sunday Jun 5, 1773.

First performance not in Salzburg Cathedral, but Trinity Church or Kollegien Church (Senn-MBJ 1974).

167A

205

Divertimento f/Orch

--

D

--

Composed most likely in Jul 1773 in Salzburg; probably for name day of Maria Anna Antretter on Jul 26, 1773.

Bär (Acta Mozartiana 1963) connects piece with Antretter's silver wedding anniversary on Oct 21, 1774; however Plath (MJB 1976/77), from handwriting, accepts dating of July 1773.

167AB

290

March

--

D

--

Composed most likely in Jul 1773 or Autumn 1773 in Vienna; opening march to Serenade KV 167A.

Handwriting shows composed in summer 1772 (Plath-MJB 1976/77), and Mozart used it in connection with Divertimento KV167A in 1773 (Plath-NMA 1978).

167a

185

Serenade f/Orch (End-of-Term Music)

--

D

--

Dated on autograph Aug 1773 by Leopold Mozart, date on autograph not readable; composed probably Jul/Aug 1773 in Vienna; no doubt for Finalmusik in Aug 1773 in Salzburg.

167b

189

March

--

D

--

Dated probably end Jul/beginning Aug 1773 in Vienna; introduction and closing March for KV 167a.

168

168

Quartet f/St

--

F

--

Dated Aug 1773 in Vienna.

168a

--

Minuet f/St Qrt

--

F

--

Composed probably in Aug 1773 in Vienna; probably as earlier version of Minuet to KV 168.

Handwriting shows not written before 1775 (Plath MJB 1976/77); paper purchased by Mozart in 1774 in Munich and used by Mozart end of 1774, and then in 1775, and most likley in 1776 (Tyson-NMA 1992).

169

169

Quartet f/St

--

A

--

Dated Aug 1773 in Vienna.

170

170

Quartet f/St

--

C

--

Dated Aug 1773 in Vienna.

171

171

Quartet f/St

--

Eb

--

Dated Aug 1773 in Vienna.

172

172

Quartet f/St

--

Bb

--

Composed most likely in Sep 1773 in Vienna; no doubt fifth in series of KV 168-173.

Finscher suggests final mvmt composed later than other mvmts, and perhaps even later than the whole set of 6 (Finscher-Studies of Autograph Manuscripts 1979)

173

173

Quartet f/St

--

d

--

Dated Aug 1773 in Vienna.

Possibly finale fugue originally written as independent fugue, and later incorporated into quartet (Finscher-Studies of Autograph Manuscripts 1979).

173c

180

6 Variations f/Kybd

Mio caro Adone

G

--

Composed supposedly in autumn 1773 in Vienna; theme based on Violin part in Aria from Salieri's opera "La fiera di Venezia".

173d

--

2 Choruses/5 Entr'actes

Thamos, König in Ägypten

var

--

Composed probably in late summer or autumn 1773 in Vienna or Salzburg; first versions of the 2 chourses composed for performance of play in Vienna in Aug or Sep 1773.

1773 performance most likley did not include 5 interludes; Mozart's choruses performed in Vienna in April 1774, (see KV 336) (Kuster-Acta Mozartiana 1995).

173dA

182

Symphony

--

Bb

24

Dated Oct 3, 1773 in Salzburg.

173dB

183

Symphony

[The Little g Minor]

g

25

Dated Oct 5, 1773 in Salzburg.

174

174

Quintet f/St

--

Bb

--

Dated Dec 1773 in Salzburg; autograph shows begun in spring 1773, and in Dec Mozart substituted new trio and finale; new mvmts influenced by Michael Haydn Quintets.

Dating on autograph possibly refers to first version, and the substituted mvmts probably not separated from original by much time (Seiffert-Mozarts Streichquintette 1994).

175

175

Concerto f/Kybd

--

D

05

Dated Dec 1773 in Salzburg.

Autograph parts for Obs & Hns found in 1974, showing André printing of 1801 did not reproduce orginal version of K175, but a a later one; it appears the concerto was reworked during his Mannheim stay of 1778 to 1777 (Hortschansky-MJB 1989/90).

176

176

16 Minuets

--

var

--

Dated Dec 1773 in Salzburg; apparently originally existed in Kybd version.

Autograph shows Mozart originally wrote 12 Minuets and, at later time, widened to 16 (Lindmayr-Brandl-MJB 1995); paper of orchestral dances and Kybd version both appear to be from same or close vicinity (Tyson-MJB 1991).

186a

201

Symphony

--

A

29

Dated Apr 6, 1774 in Salzburg.

186b

202

Symphony

--

D

30

Dated May 5, 1774 in Salzburg.

186c

358

Sonata f/Kybd 4-Hands

--

Bb

--

Composed supposedly Apr or May 1774 in Salzburg.

Plath (MJB 1976/77) places piece in time frame of end of 1773 to beginning of 1774.

186d

195

Litanieae Laurentanae

--

D

--

Composed supposedly before May 1774 in Salzburg.

186E

190

Concertone f/2 Solo Vn

--

C

--

Dated May 31, 1774 in Salzburg.

186e

191

Concerto f/Bn

--

Bb

--

Dated Jun 4, 1774 in Salzburg.

186f

192

Missa brevis

--

F

--

Dated Jun 24, 1774 in Salzburg; intended for Salzburg Cathedral.

Two Trmpt parts written on separate sheets (KV 626b/20 and K.deest) belonging to a later time (Senn-NMA 1974).

186g

193

Dixit and Magnificat

--

C

--

Dated Jul 1774 in Salzburg; portion of a Vesper perhaps; remainder lost.

186h

194

Missa brevis

--

D

--

Dated Aug 8, 1774 in Salzburg; intended for Salzburg Cathedral.

Possibly composed for the 100th anniversary of Pilgrimage Church Maria Plain (Zaslaw-Classic Era 1989).

186i

091

Kyrie

--

D

--

Composed supposedly 1774.

Mozart's copy of Mass in D (Hofer Nr.80) of George Reutter (Holl-Acta Moz 1983); Tyson paper studies (MA-1992) show a dating of later Vienna time.

189a

179

12 Variations f/Kybd

--

C

--

Composed probably in summer (before Dec 30) 1774 in Salzburg; based on Minuet by JC Fischer; mentioned by Mozart in letter to sister of Dec 30, 1774.

Fischer widened dating from stylistic grounds to Jan to Oct 1774; in letter of Nov 29, 1777 Mozart wrote of shortening piece to the easiest variations; copy found in Venice with only Variations 1-6 might show this condition (Fischer-NMA Crit.Rep 1962).

189b

203

Serenade f/Orch

--

D

--

Dated Salzburg Aug 1774; likely as Finalmusik at University.

189c

237

March

--

D

--

Composed supposedly in summer 1774 in Salzburg; as beginning and closing March to KV 189b.

189d

279

Sonata f/Kybd

--

C

--

Composed probably in summer 1774 in Salzburg.

From handwriting, most likely composed in Munich after performance of "La finta giardiniera" on January 13, 1775, but before departure on Mar 6 (Plath-Act Mozartiana 1974).

189e

280

Sonata f/Kybd

--

F

--

Composed probably in autumn 1774 in Salzburg.

From handwriting, most likley composed in Munich after performance of "La finta giardiniera" on January 13, 1775, but before departure on Mar 6 (Plath-Act Mozartiana 1974).

189f

281

Sonata f/Kybd

--

Bb

--

Composed probably in autumn 1774 in Salzburg.

From handwriting, most likley composed in Munich after performance of "La finta giardiniera" on January 13, 1775, but before departure on Mar 6 (Plath-Act Mozartiana 1974).

189g

282

Sonata f/Kybd

--

Eb

--

Composed probably end 1774 in Salzburg.

From handwriting, most likley composed in Munich after performance of "La finta giardiniera" on January 13, 1775, but before departure on Mar 6 (Plath-Act Mozartiana 1974).

189h

283

Sonata f/Kybd

--

G

--

Composed probably end 1774 in Salzburg.

From handwriting, most likley composed in Munich after performance of "La finta giardiniera" on January 13, 1775, but before departure on Mar 6 (Plath-Act Mozartiana 1974).

189k

200

Symphony

--

C

28

Dated Nov 17 (or 12), 1774 in Salzburg.

196

196

Opera buffa in 3 Acts

La finta giardiniera

D

--

Composed between Sep 1774 and Jan 1775 in Salzburg and Munich; first performed Jan 13, 1775 at Salvatortheater in Munich; Mozart made cuts and versions for German version "Die verstellte Gärtnerin" for Böhm troupe in Salzburg 1779/80.

Böhm troupe probably performed piece in Augsburg between May 28 and May 19, 1780 in German version (Angermüller/Berke-NMA 1978).

196a

A016

Kyrie

--

G

--

Composed supposedly in Jan 1775 in Munich; placed in connection with Mass KV 220 because of similar setting.

Of 34 measures, only 13 by Mozart, the remaining by M. Stadler; Plath (MJB 1976/77) dates piece most likely in a later Vienna time, and Tyson's paper studies (NMA-1992) confirm; Holl (NMA-1990) believes possibly a copy of another composer's work.

196b

220

Missa brevis

--

C

--

Composed supposedly in Jan 1775 in Munich.

Senn (NMA-1974) believes more likely dating 1775 or beginning 1776 in Salzburg.

196c

292

Sonata f/Bassoon & Vc

--

Bb

--

Composed probably beginning 1775 in Munich; probably written for Thaddäus von Dürnitz.

From style and on techincal grounds, Toeplitz (Holzblaser in Musik Mozarts 1978) doubts authenticity; Berke (NMA-2000) believes conceivable only a completely carried-out draft that lacks the additional parts and was printed in this form.

196d

A230

Concerto f/Bassoon

--

F

--

Composed supposedly beginning 1775; known only from listing in B&H catalogue.

Set of parts, in Prussian State Libr, attribute concerto to Franz Danzi (Giegling-NMA 1981); Franz Danzi Thematic Catalogue Nr.235 (Pechstaedt-1996).

205a

222

Offertorium de tempore

Misericordias Domini

d

--

Composed supposedly in Jan or Feb 1775 in Munich; Elector Maximilian expressed desire to hear contrapuntual music from Mozart; Vla, Ob and Hn parts added later by unknown hand.

205b

284

Sonata f/Kybd

Dürnitz Sonata

D

--

Composed probably in Feb or Mar 1775 in Munich as commissiion for Baron Dürnitz; first attempt at Allegro (71m) crossed out in autograph.

From handwriting, most likely composed in Munich after performance of "La finta giardiniera" on January 13, 1775, but before departure on Mar 6 (Plath-Act Mozartiana 1974).

206a

--

Concerto f/Vc

--

F

--

Composed supposedly in Mar 1775 in Salzburg according to heading on lost autograph; probably a fragment; perhaps one of the Bn Concertos written for Baron Dürnitz.

207

207

Concerto f/Vn

--

Bb

01

Dated Apr 14, 1775 in Salzburg; composed for his own use and also for Antonio Brunetti.

Date on autograph altered; date originally read "1773"; handwriting and paper studies confirm (Mahling-NMA 1983); Brunetti did not arrive in Salzburg until 1776 so had nothing to do with genesis of first 5 Concerti f/Vn (Schwarz-Essays in Honor of Barry Brook 1985).

207a