Part Two of Eight (KV 74d - KV 273)
|
KV6 |
KV1 |
ENTRY TITLE |
WORK TITLE OR NICKNAME |
KEY |
# |
SHORT DESCRIPTION FROM KV6 |
ADDITIONAL INFORMATION SINCE K6 |
|
074d |
108 |
Regina Coeli |
-- |
C |
-- |
Composed May 1771 in Salzburg. |
|
|
074e |
109 |
Litaniae de BMV (Laurentanae) |
-- |
Bb |
-- |
Dated in May 1771 in Salzburg. |
Parts in Laufen possibly contain authentic Trmpt parts (Eisen-Mozart Studies 1991). |
|
074f |
072 |
Offertorium/Festo/Joannis Baptistae |
Inter natos mulierum |
G |
-- |
Composed probably in May or Jun 1771 in Salzburg; intended for performance on St. John the Baptist's Day on Jun 24, 1771. |
Possibly composed later as copy in Salzburg on paper from 1777-1780 probably was made approximately contemporary with composition (Landon-Mozart Compendium 1990). |
|
075 |
075 |
Symphony |
-- |
F |
42 |
Composed probably in early summer 1771 in Salzburg. |
|
|
075b |
110 |
Symphony |
-- |
G |
12 |
Dated on autograph Jul 1771 in Salzburg. |
|
|
090 |
090 |
Kyrie |
-- |
d |
-- |
Composed supposedly in summer 1771 in Salzburg; possibly a copy of work of Michael Haydn or Eberlin from between 1771 and 1773. |
Plath (MJB-MJB 1976/77) dates summer 1772 in Salzburg. |
|
090a |
116 |
Missa brevis |
-- |
F |
-- |
Composed supposedly in early summer 1771 in Salzburg; perhaps a work of Leopold Mozart. |
Work of Leopold Mozart (Plath-MJB 1971/72, and Carlson -Vocal Music of Leopold Mozart 1976). |
|
107 |
107 |
3 Concerti f/Kybd |
-- |
D,G, Eb |
-- |
Originated roughly in 1771 in Salzburg; Mozart made 3 Concertos (in 3 , 2 and 2 mvmts) by adding 2 Vls and Bass to Sonatas of JC Bach. |
Plath (MJB 1976/77) cautiously places them in second quarter of 1772. |
|
111 |
111 |
Serenata teatrale in 2 atti |
Ascanio in Alba |
D |
-- |
Composed end Aug until Sep 23, 1771 in Milan; first performed Oct 17, 1771 at Teatro Regio Ducal in Milan, for wedding festivities of Archduck Ferdinand of Austria. |
|
|
111a |
120 |
Finale to the Sinfonia of Ascanio |
-- |
D |
-- |
Composed probably end of Oct or beginning Nov 1771 in Milan. |
|
|
111b |
096 |
Symphony |
-- |
C |
46 |
Composed supposedly end of Oct or beginning Nov 1771 in Milan. |
Due to Andante being based on theme of Aria in "Il rè pastore", origin could be April 1775; or Christmas season of 1774 or 1774 (Zaslaw-Symphonies 1989). |
|
112 |
112 |
Symphony |
-- |
F |
13 |
Dated Nov 2, 1771 in Milan. |
|
|
113 |
113 |
[Concerto or] Divertimento |
-- |
Eb |
-- |
Dated Nov 1771 in Milan; 2 autograph scores exist, the later with additional wind parts. |
Thought by Haußwald (NMA 1961) that additional winds (pairs of English Hns, Obs and Bns) indicate piece was wind arrangment of Divertimento; perhaps additional winds to be a substitution for original winds (2 Cls and 2 Hns); dating of additional winds appears to be first half of 1773 in Salzburg, after return from Italy (Blazin-Music & Letters 1992). |
|
114 |
114 |
Symphony |
-- |
A |
14 |
Dated Dec 30, 1771 in Salzburg; deleted Minuet in autograph. |
|
|
123a |
381 |
Sonata f/Kybd 4-Hands |
-- |
D |
-- |
Composed probably beginning 1772 in Salzburg. |
Handwriting and paper studies show composed later in 1773 or 1774 (Plath-MJB 1976/77 and Tyson NMA-1992). |
|
124 |
124 |
Symphony |
-- |
G |
15 |
Dated Feb 21, 1772 in Salzburg. |
|
|
124A |
-- |
Church Sonata |
-- |
D |
-- |
[Not dated in KV6, but placed immediately before Church Sonata KV 124a, in beginning of 1772 in Salzburg.] Most likley slow introduction to Allegro. |
Autograph in Leopold Mozart's hand, dating from perhaps 1772 (Tyson-NMA 1992). |
|
124a |
144 |
Church Sonata |
-- |
D |
-- |
Composed supposedly beginning 1772 in Salzburg. |
Together in autograph with KV 67, 68, 69, and 145 (at Mills College, CA); handwriting appears to be from spring 1774 (Plath-MJB 1976/77). |
|
124b |
145 |
Church Sonata |
-- |
F |
-- |
Composed supposedly beginning 1772 in Salzburg. |
Together in autograph with KV 67, 68, 69, and 145 (at Mills College, CA); handwriting appears to be from spring 1774 (Plath-MJB 1976/77). |
|
125 |
125 |
Litaniae de venerabili altaris sacramento |
-- |
Bb |
-- |
Dated Mar 1772 in Salzburg. |
|
|
125a |
136 |
Divertimento f/St |
-- |
D |
-- |
Dated 1772 Salzburg; probably in the first months of 1772; designation "Divertimento" not from Mozart. |
Designation Divertimento on autograph is in Mozart's hand; possibly thought of as Divertimento for solo and also small string orchestra (Füssel-NMA 1964). |
|
125b |
137 |
Divertimento f/St |
-- |
Bb |
-- |
Dated 1772 Salzburg, (see KV 125a). |
See KV 125a. |
|
125c |
138 |
Divertimento f/St |
-- |
F |
-- |
Dated 1772 Salzburg, (see KV 125a). |
See KV 125a. |
|
125d |
149 |
Song f/1 Singer w/Kybd |
Die grossmütige Gelassenheit |
Bb |
-- |
Composed supposedly 1772 in Salzburg; manuscipt in Leopold Mozart's hand, which lessens likelihood of authenticity. |
Composer is Leopold Mozart (Ballin-NMA 1963); listed by Carlson (Vocal Music of L.Mozart PhD 1976) as IG 10. |
|
125e |
150 |
Song f/1 Singer w/Kybd |
Geheime Liebe |
G |
-- |
Composed supposedly 1772 in Salzburg; manuscipt in Leopold Mozart's hand, which lessens likelihood of authenticity. |
Composer Leopold Mozart (Ballin-NMA 1963); listed by Carlson (Vocal Music of L.Mozart PhD 1976) as IG 14. |
|
125f |
151 |
Song f/1 Singer w/Kybd |
Die Zufriedenheit/niedrigen Stande |
F |
-- |
Composed supposedly 1772 in Salzburg; manuscipt in Leopold Mozart's hand, which lessens likelihood of authenticity. |
Composer Leopold Mozart (Ballin-NMA 1963); listed by Carlson (Vocal Music of L.Mozart PhD 1976) as IG 13. |
|
125g |
147 |
Song f/1 Singer w/Kybd |
Wie unglücklich bin ich nit |
F |
-- |
Composed supposedly 1772 in Salzburg; written in jest for "the beautiful Theresel", daughter of Salzburg Bass player Georg Horeischy; handwriting and paper show Salzburg time of 1771 or 1772. |
No authentic source for legend of Theresel story (Ballin NMA-Critcal Rep 1963); handwriting appears to point to a later time of 1774 or ca.1775/76 (Plath MJB 1976/77). |
|
125h |
148 |
Song f/1 Singer w/Kybd |
O heiliges Band |
D |
-- |
Composed supposedly 1772 in Salzburg. |
Handnwriting appears to point to a later time of 1774 or ca. 1775/76 (Plath MJB 1976/77). |
|
126 |
126 |
Serenata drammatica |
Il sogno di Scipione |
D |
-- |
Composed in Mar 1772 in Salzburg; performed in early May 1772 for event at Archbishop's palace; Licenza for Soprano 11b possibly composed for a performance in 1776 or 1777. |
Originally for 50th anniversary of Archbishop Schattenbach on Jan 10, 1772; composed prior to Mozart's arrival back in Salzburg on Dec 15, 1771; probably beween Apr and Aug 1771; Schrattenbach died Dec 16, 1771; opera then to used for selection of Colloredo as Archbishop in May, but probably not performed; Name in the Licenza changed, and new 11b composed in April/May 1772, not 1776 or 1777 (Lederer- NMA 1977). |
|
127 |
127 |
Regina Coeli |
-- |
Bb |
-- |
Dated May 1772 in Salzburg. |
|
|
128 |
128 |
Symphony |
-- |
C |
16 |
Dated May 1772 in Salzburg. |
|
|
129 |
129 |
Symphony |
-- |
G |
17 |
Dated May 1772 in Salzburg. |
|
|
130 |
130 |
Symphony |
-- |
F |
18 |
Dated May 1772 in Salzburg. |
|
|
130a |
164 |
6 Minuets w/Trio |
-- |
var |
-- |
Dated Jun 1772 in Salzburg. |
|
|
131 |
131 |
Divertimento f/Orch |
-- |
D |
-- |
Dated Jun 1772 in Salzburg for unknown occasion. |
|
|
132 |
132 |
Symphony |
-- |
Eb |
19 |
Dated Jul 1772 in Salzburg. |
|
|
133 |
133 |
Symphony |
-- |
D |
20 |
Dated Jul 1772 in Salzburg. |
|
|
134 |
134 |
Symphony |
-- |
A |
21 |
Dated Aug 1772 in Salzburg. |
|
|
134a |
155 |
Quartet f/St (Divertimento) |
-- |
D |
-- |
Composed supposedly end of Oct and beginning Nov 1772 in Bozen (and Verona?); Leopold Mozart wrote on Oct 28, 1772 Wolfgang writing a quartet, no doubt this quartet. |
On Feb 23, 1778 Leopold Mozart wrote his son in Mannheim, stated he once earned money by composing 6 quartets for "an Italian gentleman", and had received several ducats or even a snuff box worth 3 ducats; probably KV 134a, 134b, 157, 158, 159, and 159a; most likely composed in Italy between end of 1772 and early 1773 (Rehm-The Thirteen Early String Quartets 2000). |
|
134b |
156 |
Quartet f/St (Divertimento) |
-- |
G |
-- |
Composed supposedly end of 1772 in Milan; contained in autograph is a first (crossed out) version of slow mvmt. |
See Remarks to KV 134a. |
|
135 |
135 |
Music Drama in 3 Acts |
Lucio Silla |
D |
-- |
Begun Oct 1772 in Salzburg, completed Dec 1772 in Milan; first performed Dec 26, 1772 at Teatro Regio Ducal in Milan.G216 |
|
|
135a |
A109 |
Sketch of a Ballet |
Le gelosie del Serraglio |
var |
-- |
Orignated probably in Dec 1772 in Milan; 32 sketched numbers for ballet to 'Lucio Silla' |
Numerous numbers shown to be from ballets of Joesph Starzer; perhaps a "memory sketch" by Mozart for Pasticcio ballet he would write (Senn-Acta Musicologica 1961 and Croll-Analecta Musicologica 1978); or possibly a sketch used as "direction parts" for Pasticcio ballet Mozart compiled; one piece (#25) from ballet of Francois Granier (Konrad-Schaffensweise 1992). |
|
141a |
161/3 |
Symphony |
-- |
D |
50 |
1st & 2nd mvmts Overture to "Il sogno di Scipione", (composed Mar 1772); new finale added end 1772 in Milan. |
"Il sogno di Scipione" was redated to 1771; Plath (MJB-1976/77) dating finale from summer 1773 or 1774; Tyson-(NMA 1991) dates paper 1774 in Salzburg. |
|
157 |
157 |
Quartet f/St |
-- |
C |
-- |
Composed supposedly end of 1772 or beginning 1773 in Milan. |
See Remarks to KV 134a. |
|
158 |
158 |
Quartet f/St (Divertimento) |
-- |
F |
-- |
Composed supposedly end of 1772 or beginning 1773 in Milan. |
See Remarks to KV 134a. |
|
158a |
165 |
Motet f/S |
Exsultate, jubilate |
F |
-- |
Composed shortly before Jan 16, 1777 in Milan; first performed by Venanzio Rauzzini on Jan 17 at Church of the Theatines in Milan. |
Copy of Motett with different text, and Fls replacing Obs found in 1977; probably originated in May 1779 for Holy Trinity Church in Salzburg and sung by Francesco Ceccarelli on May 30. |
|
159 |
159 |
Quartet f/St (Divertimento) |
-- |
Bb |
-- |
Composed supposedly beginning of 1773 in Milan. |
See Remarks to KV 134a. |
|
159a |
160 |
Quartet f/St |
-- |
Eb |
-- |
Composed supposedly beginning of 1773 in Milan (and Salzburg). |
See Remarks to KV 134a; possible Mozart had paper left over from Italian trip and finished Quartet in Salzburg, after return on Mar 13, 1773 (Rehm-Thirteen Early String Quartets 2000). |
|
159b |
186 |
Divertimento f/Winds |
-- |
Bb |
-- |
Composed supposedly Mar 1773 in Milan; no doubt from instrumentation from same time as KV 159d. |
Possibly work was begun in Milan and finished in Salzburg; unusual setting points to a commission for ensemble outside of Salzburg (Leeson/Zaslaw-NMA 1978). |
|
159d |
166 |
Divertimento f/Winds |
-- |
Eb |
-- |
Dated Mar 24, 1773 in Salzburg; probably commissioned in Milan. |
Andante grazioso corresponds to 2nd mvmt of a 3-mvmt sinfonia of Paisiello, in addition to a Ballett-Pantomine choreographed by Noverre (Leeson/Zaslaw-NMA 1978). |
|
161a |
184 |
Symphony (Overture) |
-- |
Eb |
26 |
Dated Mar 30, 1773 in Salzburg; likely intended as overture. |
|
|
161b |
199 |
Symphony |
-- |
G |
27 |
Dated Apr 10 or 16, 1773 in Salzburg. |
Date on autograph defaced, paper type used between Mar 1773 and May 1775 (Tyson-Auto Scores 1987, Zaslaw-Symphonies 1989). |
|
162 |
162 |
Symphony |
-- |
C |
22 |
Dated Apr 19 or 29, 1773 in Salzburg. |
|
|
162b |
181 |
Symphony (Overture) |
-- |
D |
23 |
Dated May 19, 1773 in Salzburg. |
|
|
166d |
115 |
Missa brevis |
-- |
C |
-- |
Composed supposedly early summer 1773 in Salzburg; possibly a copy by Mozart of an unknown composer's mass. |
Work of Leopold Mozart and in his handwriting; draft of his Missa solemnis in C, composed some time before 1764 (Pfannhauser-MJB 1971/72 and Kubik-Edition of Missa solemnis 1981). |
|
166e |
223 |
Osanna |
-- |
C |
-- |
Composed supposedly in summer 1773 in Salzburg; possibly a copy from another composer. |
Belongs to contrapuntual studies of 1772 (Plath-MJB 1976/77). |
|
166f |
A018 |
Kyrie |
-- |
C |
-- |
Composed probably in Jun 1773 in Salzburg. |
Written down around early summer 1772 (Plath MJB 1976/77). |
|
166g |
A019 |
Kyrie |
-- |
D |
-- |
Composed probably in Jun 1773 in Salzburg. |
Handwriting and paper studies show dating of first third of 1772 (Plath MJB 1976/77 and Tyson Auto Scores 1987) |
|
166h |
A023 |
Psalm |
In te Domine speravi |
C |
-- |
Composed supposedly early summer 1773 in Salzburg. |
Plath (MJB 1976/77) from handwriting dates more likely 1774. |
|
167 |
167 |
Missa in honorem SSmae Trinitatis |
-- |
C |
-- |
Dated in Jun 1773 in Salzburg; first performed on Trinity Sunday Jun 5, 1773. |
First performance not in Salzburg Cathedral, but Trinity Church or Kollegien Church (Senn-MBJ 1974). |
|
167A |
205 |
Divertimento f/Orch |
-- |
D |
-- |
Composed most likely in Jul 1773 in Salzburg; probably for name day of Maria Anna Antretter on Jul 26, 1773. |
Bär (Acta Mozartiana 1963) connects piece with Antretter's silver wedding anniversary on Oct 21, 1774; however Plath (MJB 1976/77), from handwriting, accepts dating of July 1773. |
|
167AB |
290 |
March |
-- |
D |
-- |
Composed most likely in Jul 1773 or Autumn 1773 in Vienna; opening march to Serenade KV 167A. |
Handwriting shows composed in summer 1772 (Plath-MJB 1976/77), and Mozart used it in connection with Divertimento KV167A in 1773 (Plath-NMA 1978). |
|
167a |
185 |
Serenade f/Orch (End-of-Term Music) |
-- |
D |
-- |
Dated on autograph Aug 1773 by Leopold Mozart, date on autograph not readable; composed probably Jul/Aug 1773 in Vienna; no doubt for Finalmusik in Aug 1773 in Salzburg. |
|
|
167b |
189 |
March |
-- |
D |
-- |
Dated probably end Jul/beginning Aug 1773 in Vienna; introduction and closing March for KV 167a. |
|
|
168 |
168 |
Quartet f/St |
-- |
F |
-- |
Dated Aug 1773 in Vienna. |
|
|
168a |
-- |
Minuet f/St Qrt |
-- |
F |
-- |
Composed probably in Aug 1773 in Vienna; probably as earlier version of Minuet to KV 168. |
Handwriting shows not written before 1775 (Plath MJB 1976/77); paper purchased by Mozart in 1774 in Munich and used by Mozart end of 1774, and then in 1775, and most likley in 1776 (Tyson-NMA 1992). |
|
169 |
169 |
Quartet f/St |
-- |
A |
-- |
Dated Aug 1773 in Vienna. |
|
|
170 |
170 |
Quartet f/St |
-- |
C |
-- |
Dated Aug 1773 in Vienna. |
|
|
171 |
171 |
Quartet f/St |
-- |
Eb |
-- |
Dated Aug 1773 in Vienna. |
|
|
172 |
172 |
Quartet f/St |
-- |
Bb |
-- |
Composed most likely in Sep 1773 in Vienna; no doubt fifth in series of KV 168-173. |
Finscher suggests final mvmt composed later than other mvmts, and perhaps even later than the whole set of 6 (Finscher-Studies of Autograph Manuscripts 1979) |
|
173 |
173 |
Quartet f/St |
-- |
d |
-- |
Dated Aug 1773 in Vienna. |
Possibly finale fugue originally written as independent fugue, and later incorporated into quartet (Finscher-Studies of Autograph Manuscripts 1979). |
|
173c |
180 |
6 Variations f/Kybd |
Mio caro Adone |
G |
-- |
Composed supposedly in autumn 1773 in Vienna; theme based on Violin part in Aria from Salieri's opera "La fiera di Venezia". |
|
|
173d |
-- |
2 Choruses/5 Entr'actes |
Thamos, König in Ägypten |
var |
-- |
Composed probably in late summer or autumn 1773 in Vienna or Salzburg; first versions of the 2 chourses composed for performance of play in Vienna in Aug or Sep 1773. |
1773 performance most likley did not include 5 interludes; Mozart's choruses performed in Vienna in April 1774, (see KV 336) (Kuster-Acta Mozartiana 1995). |
|
173dA |
182 |
Symphony |
-- |
Bb |
24 |
Dated Oct 3, 1773 in Salzburg. |
|
|
173dB |
183 |
Symphony |
[The Little g Minor] |
g |
25 |
Dated Oct 5, 1773 in Salzburg. |
|
|
174 |
174 |
Quintet f/St |
-- |
Bb |
-- |
Dated Dec 1773 in Salzburg; autograph shows begun in spring 1773, and in Dec Mozart substituted new trio and finale; new mvmts influenced by Michael Haydn Quintets. |
Dating on autograph possibly refers to first version, and the substituted mvmts probably not separated from original by much time (Seiffert-Mozarts Streichquintette 1994). |
|
175 |
175 |
Concerto f/Kybd |
-- |
D |
05 |
Dated Dec 1773 in Salzburg. |
Autograph parts for Obs & Hns found in 1974, showing André printing of 1801 did not reproduce orginal version of K175, but a a later one; it appears the concerto was reworked during his Mannheim stay of 1778 to 1777 (Hortschansky-MJB 1989/90). |
|
176 |
176 |
16 Minuets |
-- |
var |
-- |
Dated Dec 1773 in Salzburg; apparently originally existed in Kybd version. |
Autograph shows Mozart originally wrote 12 Minuets and, at later time, widened to 16 (Lindmayr-Brandl-MJB 1995); paper of orchestral dances and Kybd version both appear to be from same or close vicinity (Tyson-MJB 1991). |
|
186a |
201 |
Symphony |
-- |
A |
29 |
Dated Apr 6, 1774 in Salzburg. |
|
|
186b |
202 |
Symphony |
-- |
D |
30 |
Dated May 5, 1774 in Salzburg. |
|
|
186c |
358 |
Sonata f/Kybd 4-Hands |
-- |
Bb |
-- |
Composed supposedly Apr or May 1774 in Salzburg. |
Plath (MJB 1976/77) places piece in time frame of end of 1773 to beginning of 1774. |
|
186d |
195 |
Litanieae Laurentanae |
-- |
D |
-- |
Composed supposedly before May 1774 in Salzburg. |
|
|
186E |
190 |
Concertone f/2 Solo Vn |
-- |
C |
-- |
Dated May 31, 1774 in Salzburg. |
|
|
186e |
191 |
Concerto f/Bn |
-- |
Bb |
-- |
Dated Jun 4, 1774 in Salzburg. |
|
|
186f |
192 |
Missa brevis |
-- |
F |
-- |
Dated Jun 24, 1774 in Salzburg; intended for Salzburg Cathedral. |
Two Trmpt parts written on separate sheets (KV 626b/20 and K.deest) belonging to a later time (Senn-NMA 1974). |
|
186g |
193 |
Dixit and Magnificat |
-- |
C |
-- |
Dated Jul 1774 in Salzburg; portion of a Vesper perhaps; remainder lost. |
|
|
186h |
194 |
Missa brevis |
-- |
D |
-- |
Dated Aug 8, 1774 in Salzburg; intended for Salzburg Cathedral. |
Possibly composed for the 100th anniversary of Pilgrimage Church Maria Plain (Zaslaw-Classic Era 1989). |
|
186i |
091 |
Kyrie |
-- |
D |
-- |
Composed supposedly 1774. |
Mozart's copy of Mass in D (Hofer Nr.80) of George Reutter (Holl-Acta Moz 1983); Tyson paper studies (MA-1992) show a dating of later Vienna time. |
|
189a |
179 |
12 Variations f/Kybd |
-- |
C |
-- |
Composed probably in summer (before Dec 30) 1774 in Salzburg; based on Minuet by JC Fischer; mentioned by Mozart in letter to sister of Dec 30, 1774. |
Fischer widened dating from stylistic grounds to Jan to Oct 1774; in letter of Nov 29, 1777 Mozart wrote of shortening piece to the easiest variations; copy found in Venice with only Variations 1-6 might show this condition (Fischer-NMA Crit.Rep 1962). |
|
189b |
203 |
Serenade f/Orch |
-- |
D |
-- |
Dated Salzburg Aug 1774; likely as Finalmusik at University. |
|
|
189c |
237 |
March |
-- |
D |
-- |
Composed supposedly in summer 1774 in Salzburg; as beginning and closing March to KV 189b. |
|
|
189d |
279 |
Sonata f/Kybd |
-- |
C |
-- |
Composed probably in summer 1774 in Salzburg. |
From handwriting, most likely composed in Munich after performance of "La finta giardiniera" on January 13, 1775, but before departure on Mar 6 (Plath-Act Mozartiana 1974). |
|
189e |
280 |
Sonata f/Kybd |
-- |
F |
-- |
Composed probably in autumn 1774 in Salzburg. |
From handwriting, most likley composed in Munich after performance of "La finta giardiniera" on January 13, 1775, but before departure on Mar 6 (Plath-Act Mozartiana 1974). |
|
189f |
281 |
Sonata f/Kybd |
-- |
Bb |
-- |
Composed probably in autumn 1774 in Salzburg. |
From handwriting, most likley composed in Munich after performance of "La finta giardiniera" on January 13, 1775, but before departure on Mar 6 (Plath-Act Mozartiana 1974). |
|
189g |
282 |
Sonata f/Kybd |
-- |
Eb |
-- |
Composed probably end 1774 in Salzburg. |
From handwriting, most likley composed in Munich after performance of "La finta giardiniera" on January 13, 1775, but before departure on Mar 6 (Plath-Act Mozartiana 1974). |
|
189h |
283 |
Sonata f/Kybd |
-- |
G |
-- |
Composed probably end 1774 in Salzburg. |
From handwriting, most likley composed in Munich after performance of "La finta giardiniera" on January 13, 1775, but before departure on Mar 6 (Plath-Act Mozartiana 1974). |
|
189k |
200 |
Symphony |
-- |
C |
28 |
Dated Nov 17 (or 12), 1774 in Salzburg. |
|
|
196 |
196 |
Opera buffa in 3 Acts |
La finta giardiniera |
D |
-- |
Composed between Sep 1774 and Jan 1775 in Salzburg and Munich; first performed Jan 13, 1775 at Salvatortheater in Munich; Mozart made cuts and versions for German version "Die verstellte Gärtnerin" for Böhm troupe in Salzburg 1779/80. |
Böhm troupe probably performed piece in Augsburg between May 28 and May 19, 1780 in German version (Angermüller/Berke-NMA 1978). |
|
196a |
A016 |
Kyrie |
-- |
G |
-- |
Composed supposedly in Jan 1775 in Munich; placed in connection with Mass KV 220 because of similar setting. |
Of 34 measures, only 13 by Mozart, the remaining by M. Stadler; Plath (MJB 1976/77) dates piece most likely in a later Vienna time, and Tyson's paper studies (NMA-1992) confirm; Holl (NMA-1990) believes possibly a copy of another composer's work. |
|
196b |
220 |
Missa brevis |
-- |
C |
-- |
Composed supposedly in Jan 1775 in Munich. |
Senn (NMA-1974) believes more likely dating 1775 or beginning 1776 in Salzburg. |
|
196c |
292 |
Sonata f/Bassoon & Vc |
-- |
Bb |
-- |
Composed probably beginning 1775 in Munich; probably written for Thaddäus von Dürnitz. |
From style and on techincal grounds, Toeplitz (Holzblaser in Musik Mozarts 1978) doubts authenticity; Berke (NMA-2000) believes conceivable only a completely carried-out draft that lacks the additional parts and was printed in this form. |
|
196d |
A230 |
Concerto f/Bassoon |
-- |
F |
-- |
Composed supposedly beginning 1775; known only from listing in B&H catalogue. |
Set of parts, in Prussian State Libr, attribute concerto to Franz Danzi (Giegling-NMA 1981); Franz Danzi Thematic Catalogue Nr.235 (Pechstaedt-1996). |
|
205a |
222 |
Offertorium de tempore |
Misericordias Domini |
d |
-- |
Composed supposedly in Jan or Feb 1775 in Munich; Elector Maximilian expressed desire to hear contrapuntual music from Mozart; Vla, Ob and Hn parts added later by unknown hand. |
|
|
205b |
284 |
Sonata f/Kybd |
Dürnitz Sonata |
D |
-- |
Composed probably in Feb or Mar 1775 in Munich as commissiion for Baron Dürnitz; first attempt at Allegro (71m) crossed out in autograph. |
From handwriting, most likely composed in Munich after performance of "La finta giardiniera" on January 13, 1775, but before departure on Mar 6 (Plath-Act Mozartiana 1974). |
|
206a |
-- |
Concerto f/Vc |
-- |
F |
-- |
Composed supposedly in Mar 1775 in Salzburg according to heading on lost autograph; probably a fragment; perhaps one of the Bn Concertos written for Baron Dürnitz. |
|
|
207 |
207 |
Concerto f/Vn |
-- |
Bb |
01 |
Dated Apr 14, 1775 in Salzburg; composed for his own use and also for Antonio Brunetti. |
Date on autograph altered; date originally read "1773"; handwriting and paper studies confirm (Mahling-NMA 1983); Brunetti did not arrive in Salzburg until 1776 so had nothing to do with genesis of first 5 Concerti f/Vn (Schwarz-Essays in Honor of Barry Brook 1985). |
|
207a |
121 |
Finale to a Symphony or Divertimento |
-- |
D |
-- |
Composed most likely in spring 1775 in Salzburg; most likely finale for Overture to "La finta Giardiniera". |
|
|
208 |
208 |
Music Drama in 2 Acts |
Il rè pastore |
C |
-- |
Composed up to Apr 23, 1775 in Salzburg; first performed Apr 23, 1775 in Archbishop's palace in Salzburg for visit of Maria Theresa's on Archduke Maximilian Franz. |
|
|
209 |
209 |
Aria f/T |
Si mostra la sorte |
D |
-- |
Dated May 19, 1775 in Salzburg; insert for unknown opera buffa. |
|
|
209a |
-- |
Aria f/B |
Un dente gusto |
D |
-- |
Composed supposedly 1775 in Salzburg for insert into opera buffa. |
Plath (MJB 1976/77) dates piece perhaps July-Sept 1772; Kunze (NMA 1972) states no doubt Aria had been completed and remainder lost. |
|
210 |
210 |
Aria f/T |
Con ossequio, con respetto |
C |
-- |
Dated May 1775 in Salzburg. |
For insert into Piccinni's "L'Astratto ovvero Il giocatore fortunato" (Kunze NMA 1972). |
|
210a |
152 |
Canzonetta |
Ridente la calma |
F |
-- |
Composed supposedly 1775 in Salzburg; probably a Kybd reduction of Aria (possibly by Myslivecek or Cimarosa). |
Mozart's Kybd arrangement of Aria "Il mio caro bene attendo sospiro" of Josepf Myslivecek (Flothuis-MJB 1971/72). |
|
211 |
211 |
Concerto f/Vn |
-- |
D |
02 |
Dated Jun 14, 1775 in Salzburg. |
Date on autograph changed to 1780 and then back to 1775 (Mahling-NMA 1983). |
|
212 |
212 |
Church Sonata |
-- |
Bb |
-- |
Dated Jul 1775 in Salzburg. |
|
|
213 |
213 |
Divertimento f/Winds |
-- |
F |
-- |
Dated Jul 1775 in Salzburg; table music for Archbishop's court. |
|
|
213a |
204 |
Serenade f/Orch |
-- |
D |
-- |
Dated Aug 5, 1775; composed probably as Finalmusik. |
|
|
213b |
215 |
March |
-- |
D |
-- |
Dated Aug 1775 in Salzburg; for beginning and ending of Serenade KV 213a. |
|
|
213c |
102 |
Finale to a Symphony |
-- |
C |
-- |
Composed supposedly in Aug 1775 in Salzburg; finale to Overture to "Il rè pastore". |
Probably composed in 1776 according to paper studies (Zaslaw-Symphonies 1989). |
|
214 |
214 |
March |
-- |
C |
-- |
Dated Aug 20, 1775 in Salzburg; unknown connection. |
|
|
216 |
216 |
Concerto f/Vn |
-- |
G |
03 |
Dated Sep 12, 1775 in Salzburg. |
Year on autograph changed to 1780 and then back to 1775 (Mahling-NMA 1983); Bartha (Fesetschrift Friedrich Blume 1963) and Leisinger (Acta Mozartiana 1999) from musical sources show this is "Strassburger" Concerto mentioned in Mozart correspondance, (see KV 218). |
|
217 |
217 |
Aria f/S |
Voi avete un cor fedele |
G |
-- |
Dated Oct 26, 1775 in Salzburg most likely for insert into Galuppi's "Le nozze di Dorina". |
|
|
218 |
218 |
Concerto f/Vn |
-- |
D |
04 |
Dated Oct 1775 in Salzburg; identified as "Strassburger" Concerto in Mozart correspondance. |
Year on autograph changed to 1780 and then back to 1775 (Mahling-NMA 1983) ; see KV 216 regarding "Strassburger" Concerto. |
|
219 |
219 |
Concerto f/Vn |
-- |
A |
05 |
Dated Dec 20, 1775 in Salzburg. |
Year on autograph changed to 1780 and then back to 1775 (Mahling-NMA 1983). |
|
238 |
238 |
Concerto f/Kybd |
-- |
Bb |
06 |
Dated Jan 1776 in Salzburg. |
|
|
239 |
239 |
Serenade f/Orch |
Serenata notturna |
D |
-- |
Dated Jan 1776 in Salzburg. |
|
|
240 |
240 |
Divertimento f/Winds |
-- |
Bb |
-- |
Dated Jan 1776 in Salzburg; table music for Archbishop's court. |
|
|
240a |
252 |
Divertimento f/Winds |
-- |
Eb |
-- |
Composed probably in Jan 1776 in Salzburg; autograph headed "Divertimento III", thus after KV 240, headed "Divertiimento IIdo". |
Handwriting places it probably between Jan and Aug 1776 (Leeson/Zaslaw-NMA 1978). |
|
240b |
188 |
Divertimento f/Winds |
-- |
C |
-- |
Composed supposedly beginning 1776 in Salzburg. |
Handwriting places perhaps in middle of 1773 (Plath-MJB 1976/77). |
|
241 |
241 |
Church Sonata |
-- |
G |
-- |
Dated Jan 1776 in Salzburg. |
|
|
241a |
224 |
Church Sonata |
-- |
F |
-- |
Composed probably beginning 1776 in Salzburg. |
Plath (MJB 1976/77) places it in spring 1780 in Salzburg; Tyson's paper studies (NMA 1992) appear to confirm, as paper is used by Mozart first in summer 1779 and then until beginning 1781. |
|
241b |
225 |
Church Sonata |
-- |
A |
-- |
Composed probably beginning 1776 in Salzburg. |
Plath (MJB 1976/77) places it in spring 1780 in Salzburg; Tyson's paper studies (NMA 1992) appear to confirm, as paper is used by Mozart first in summer 1779 and then until beginning 1781. |
|
242 |
242 |
Concerto f/2 Kybd |
Lodron Concerto |
F |
07 |
Dated Feb 1776 in Salzburg; composed for Countess Lodron and her daughters Aloisia and Giuseppa; in 1781 Mozart asked his father for the 2 Concertos for 2 Kybds, this being arranged for 2 Kybds at some point. |
Flothuis (NMA-1972) brings 1779 forth as possbly time of arrangement for 2-Kybds. |
|
243 |
243 |
Litaniae venerabili altaris sacramento |
-- |
Eb |
-- |
Dated Mar 1776 in Salzburg; according to Schiedenhofen, performed on Mar 31, 1776; according to Nannerl Mozart, May 23, 1776. |
|
|
244 |
244 |
Church Sonata |
-- |
F |
-- |
Dated Apr 1776 in Salzburg. |
|
|
245 |
245 |
Church Sonata |
-- |
D |
-- |
Dated Apr 1776 in Salzburg. |
|
|
246 |
246 |
Concerto f/Kybd |
Lützow Concerto |
C |
08 |
Dated Apr 1776 in Salzburg; composed for Countess Antonie Lützow. |
|
|
246a |
262 |
Missa [longa] |
-- |
C |
-- |
Composed most likely in Apr 1776 in Salzburg; intended for performance at St. Peter's church. |
Likely intended for Salzburg Cathedral and for consecration of Iganz Joseph Spaur, thus this is the "Spaur" Mass, and likely composed Oct 1776; timpani added for later Salzburg performance (Senn-NMA 1974). Tyson (Auto Score 1989) dates Mass June-July 1775. |
|
246c |
288 |
Divertimento f/Orch |
-- |
F |
-- |
Begun probably in Jun 1776 in Salzburg; possibly only existing portion of completed composition. |
Leavis (Musical Times 1980) states as this contains 5 measures that reappear in KV 247 almost unchanged, this is not a completed composition. |
|
247 |
247 |
Divertimento f/Orch |
-- |
F |
-- |
Dated Jun 1776 in Salzburg; composed for Jun 13 name day of Countess Antonia Lodron. |
|
|
248 |
248 |
March |
-- |
F |
-- |
Dated Jun 1776, March for Divertimento KV 247. |
|
|
248a |
260 |
Offertorium/venerabili sacramento |
Venite populi |
D |
-- |
Dated 1776 in Salzburg; probably composed for Ascension Day service. |
|
|
248b |
250 |
Serenade f/Orch |
Haffner Serenade |
D |
-- |
Dated Jul 1776 in Salzburg; commissioned by Sigmund Haffner for celebration night before wedding of sister Marie Elisabeth to Franz Xaver Spath on Jul 21. |
|
|
249 |
249 |
March |
-- |
D |
-- |
Dated Jul 20, 1776 in Salzburg; composed as introduction and closing march for Haffner Serenade KV 248b. |
|
|
250a |
101 |
Country Dances (Serenade) |
-- |
var |
-- |
Composed supposedly during Carnival 1776 in Salzburg. |
|
|
251 |
251 |
Divertimento f/Orch |
[Nannerl Septet] |
D |
-- |
Dated Jul 1776 in Salzburg; probably written for Nannerl Mozart's 25th name day on Jul 26. |
Dunning (NMA 1975) believes used in 1777 in orchestral version as Finalmusik and is music with "Rondeau auf die lezt" Leopold Mozart refers to; Leavis (Musical Times 1980) disputes this. |
|
253 |
253 |
Divertimento f/Winds |
-- |
F |
-- |
Dated Aug 1776 in Salzburg; for table music at Archbishop's court. |
|
|
254 |
254 |
Divertimento (Trio) |
-- |
Bb |
-- |
Dated Aug 1776 in Salzburg. |
|
|
255 |
255 |
Rec & Aria (Rondo) f/A |
Ombra felice/Io ti lascio |
F |
-- |
Dated Sep 1776 in Salzburg for Francesco Fortini. |
|
|
256 |
256 |
Aria f/T |
Clarice cara mia sposa |
D |
-- |
Dated Salzburg Sep 1776 as insert into Piccinni's "L'Astratto ovverso il giocatore fortunato". |
Intended for singer Antonio Palmini (Kunze-NMA 1972) |
|
257 |
257 |
Missa |
Credo Mass |
C |
-- |
Dated Nov 1776 in Salzburg. |
Date on autograph not in Mozart's hand; origin could be end of 1776 or first half of 1777 (Senn-NMA 1978) |
|
258 |
258 |
Missa brevis |
Spaur Mass |
C |
-- |
Dated Dec 1776 in Salzburg; probably the "Spaur" Mass mentioned in Leopold Mozart letter of May 28, 1778. |
Date on autograph not authentic, and possibly orginated 1775/76. Senn dismisses as "Spaur mass"--see KV 246a--and calls sub-title "Piccolomini Mass" an invention. Mozart added 2 oboes at later time (Senn-NMA 1978). Tyson (Auto Scores 1987) dates Mass in Dec 1775 |
|
258a |
A013 |
Kyrie |
-- |
C |
-- |
Composed supposedly Dec 1776 in Salzburg; probably in connection with Mass KV 259. |
Plath (MJB 1976/77) places fragment at the earliest summer 1780, probably later. Tyson (Auto Scores-1989) shows paper type used in 1787 and more likely 1790-91. Stylisic criteria also point to later Vienna time (Beller-McKenna-MISM 1991) |
|
259 |
259 |
Missa brevis |
Organ Solo Mass |
C |
-- |
Dated Dec 1776 in Salzburg. |
Also possibly from 1775 or 1776 (Senn-NMA 1978 and Tyson-Auto Scores 1987); lost copy of Mass included Ob parts by Mozart (Eisen-Mozart Studies 1991). |
|
261 |
261 |
Adagio f/Vn (Concerto Mvmt?) |
-- |
E |
-- |
Composed probably end 1776 in Salzburg, (autograph dated 1776); probably for Antonio Brunetti; to replace Adagio to Concerto f/Vn KV 219. |
|
|
261a |
269 |
Rondo f/Vn (Concerto Final Mvmt?) |
-- |
Bb |
-- |
Composed probably end of 1776 in Salzburg; probably Rondo mentioned by Leopold Mozart in letter of Sep 25, 1777. |
Plath (MJB 1976/77) only gives dating as Salzburg 1775-1777, but Mahling (NMA-1983) states must be in time period KV6 gives. |
|
263 |
263 |
Church Sonata |
-- |
C |
-- |
Composed supposedly in Dec 1776 in Salzburg; written as church sonata for Mass KV 259; started on same manuscript page as Church Sonata KV 241. |
Plath (MJB 1976/77) dates either Jan 1776 to connect with Sonata KV 241, or Dec 1776 to connect with Mass KV 259, remembering that the connection to Mass is only assumption. |
|
269a |
286 |
Notturno f/4 Orch |
-- |
D |
-- |
Composed supposedly in Dec 1776 or Jan 1777 in Salzburg; probably written for New Year's Day celebration; most likely a fragment and a r+G358ondo are missing. |
Senn (NMA 1980) believes intended for Carnvial entertainment and also believes fragment with Rondo is missing; Webster (Essays in Honor of Barry Brook 1985) states no doubt not a fragment, as there are hundreds of works from the period in 3 mvmts with a Minuet finale; also the difficulty of coordinating four ensembles for a Rondo makes it inappropriate. |
|
269b |
-- |
Country Dances f/J R Graf Czernin |
-- |
var |
-- |
Originated most likely in Jan 1777 in Salzburg; Kybd versions of #1, 2, 3, & 12 of series of 12; #2 & 12 are Kybd versions of KV 250a/2 & 3; dedication to Count Czernin based on fact Mozart was offered a yearly annuity of 20 Ducats to supply compositions. |
Manuscript not autograph (Eisen-Mozart Studies 1991), but by Michael Haydn; unknown if Mozart made Kybd version of his own Minuet or if work is by Michael Haydn (Lindmayr-Brandl-MJB 1995). |
|
270 |
270 |
Divertimento f/Winds |
-- |
Bb |
-- |
Dated Jan 1777 in Salzburg. |
|
|
271 |
271 |
Concerto f/Kybd |
"Jenamy" Concerto |
Eb |
09 |
Dated Jan 1777 in Salzburg; Mozart states in later correspondance, was written for "Jenamy" (Madame Jeunehomme). |
M. Lorenz has shown the pianist Mozart referred
to was Victoire Jenamy (1749 -1812), daughter of the
Balletmaster Jean George Noverre (NMA-web site 4/5/2004) |
|
271c |
267 |
4 Country Dances |
-- |
var |
-- |
Composed supposedly during Carnival 1777 in Salzburg. |
|
|
271d |
274 |
Church Sonata |
-- |
G |
-- |
Composed supposedly during Lent 1777 in Salzburg; autograph dated 1777. |
|
|
271e |
278 |
Church Sonata |
-- |
C |
-- |
Composed supposedly during Lent (Mar or Apr) 1777 in Salzburg; headed "Sonata pro festis Palii"; Festum Palli fell on many days, this probably for Easter Sunday 1777. |
|
|
271f |
266 |
Sontata (Trio f/St) |
-- |
Bb |
-- |
Composed supposedly in spring 1777 in Salzburg; dating based on handwritng and paper format. |
|
|
271g |
289 |
Divertimento f/Winds |
-- |
Eb |
-- |
Composed supposedly in spring 1777 in Salzburg. |
Structure and poor composition speak against authenticity of work (Toeplitz-MISM 1984). |
|
271H |
287 |
Divertimento f/Orch |
-- |
Bb |
-- |
Composed probably in Jun 1777; most likely written for Countess Londron, possibly for her name day of Jun 13, 1777. |
Documents show composed for name day of Countess Lodron, and performed on June 16, 1777 (Dunning-NMA 1975). |
|
271i |
(K2) 271a |
Concerto f/Vn |
-- |
D |
Dated supposedly on (lost) autograph Jul 16, 1777 in Salzburg; possibly sketched out by Mozart and finished by Sauzay or Baillot; perhaps played in Salzburg on Jul 26, 1777, however authenticity doubtful. |
Bär (MISM 1963) believed written for FX Kolb in Salzburg in 1777; Mahling (MJB 1978) states possibly it is a draft by Mozart, or considered it could be a copy by Mozart of another master's concerto. NMA (1980) placed it in Works of Doubtful Authenticity; Levin (Who Wrote Mozart 4-Wind Concertante? 1989) gives nod toward authenticity by stating Baillot copy lists instruments in exact order used by Mozart, and with Hn solmisation same as other Mozart Concerti f/Vn. |
|
|
271k |
-- |
Concerto f/Ob |
-- |
unk |
-- |
Composed in summer 1777 in Salzburg; Ferlendis Concerto mentioned in letter of Feb 14, 1778; if not identical to first version of KV 314, then lost. |
Concerto f/Fl KV 314/285d, originally in Ob version in C, composed for Ferlendis in spring or summer 1777 in Salzburg (Giegling-NMA 1979); Toeplitz (Die Holzblaser in Musik Mozart 1978) believes Ob version originated in 1775 or beginning 1776. |
|
272 |
272 |
Rec & Aria f/S |
Ah, lo previdi/Ah, t'invola |
c |
-- |
Dated Aug 1777 in Salzburg; composed for Josephine Duschek of Prague. |
|
|
272a |
277 |
Offertorium de BMV |
Alma Dei creatoris |
F |
-- |
Composed supposedly in summer or autumn 1777 in Salzburg. |
No doubt belongs with Mass KV 275 by scoring and key (Angermüller-MISM 1996). |
|
272b |
275 |
Missa brevis |
-- |
Bb |
-- |
Composed supposedly in summer or autumn 1777 in Salzburg. |
Possibly written in 1772 in appreciation to Archbishop Colloredo for appointment to Konzertmeister (Schildkret-MSA Newsletter 2002); 8 measures of unknown "Patrem" section of Credo found in set of parts in Augsburg (Holl-NMA Crit.Rep 1999). |
|
273 |
273 |
Graduale ad festum BMV |
Sancta Maria, mater Dei |
F |
-- |
Dated Sep 9, 1777 in Salzburg; possibly for feast day of Mary on Sep 12. |
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