Part Three of Eight (KV 284a - KV 417b)
|
KV6 |
KV1 |
ENTRY TITLE |
WORK TITLE OR NICKNAME |
KEY |
# |
SHORT DESCRIPTION FROM KV6 |
ADDITIONAL INFORMATION SINCE K6 |
|
284a |
-- |
4 Preludes f/Kybd |
-- |
unk |
-- |
Composed probably beginning Oct 1777 in Munich; in letter of Oct 11, 1777 Mozart states he enclosed 4 Preämbula for his sister. |
These are actually K395/300g, (see that entry) (Plath MJB 1976/77 and NMA 1982; Wolff-Festscrift Wolfgang Rehm 1989). |
|
284b |
309 |
Sonata f/Kybd |
-- |
C |
-- |
Completed supposedly on Nov 8, 1777 in Mannheim; written for Rosa Cannabich. |
|
|
284c |
311 |
Sonata f/Kybd |
-- |
D |
-- |
Composed supposedly beginning Nov 1777 in Mannheim. |
Possibly composed in Mannheim for 2 daughters of Freysinger famiily in Munich (Plath-NMA 1985). |
|
284d |
307 |
Arietta |
Oiseaux, si tous les ans |
C |
-- |
Composed supposedly beginning Nov 1777 in Mannheim; written for Augusta ("Gustl") Wendling. |
|
|
284e |
-- |
Orchestration to Wendling Concerto f/flute |
-- |
unk |
-- |
Orchestrated in Nov 1777 in Mannheim; on Nov 22 Mozart wrote that on Nov 21 Wendling rehearsed a concerto he had orchestrated for him. |
|
|
284f |
-- |
Rondeau f/Kybd |
-- |
unk |
-- |
Composed Nov 28 or 29, 1777in Munich; in letter of Nov 29 Mozart writes he wrote a rondeau for daughter of Elector Karl Theodor, and that it was played Dec 3. |
|
|
285 |
285 |
Quartet f/Fl & St |
-- |
D |
-- |
Dated Dec 25, 1777 in Mannheim; composed for Dutch amateur "M de Jean", probably Willem van Britten Dejong. |
Dutch amateur later identified as Ferdinand Dejean (Lequin-MISM 1981). |
|
285a |
-- |
Quartet f/Fl & St |
-- |
G |
-- |
Composed probably in Jan or Feb 1778 in Mannheim; one of the 3 Quartets f/Fl Mozart wrote for "M. de Jean". |
Printed in 1792 by Artaria with corrurpt version of Allegro to KV 285 as 1st mvmt, as changes made to KV 285 possibly also to original form of these two mvmts. (Weise-preface to 1998 edition of Flute Quartets) . |
|
285b |
A171 |
Quartet f/Fl & St |
-- |
C |
-- |
Composed probably in Jan or Feb 1778 in Mannheim; one of 3 Quartets f/Fl Mozart claimed to have written for "M de Jean"; 2nd mvmt original version of KV 370a; a sketch for 10 measures to 1st mvmt survive. |
2nd mvmt variations are no doubt anonymous arrangement of mvmt from KV 370a; sketch page with measure to 1st mvmt also includes sketches for "Entführung aus dem Serail" and canon studies, and dates from the earliest summer 1781; if Quartet is authentic, it is not connected to 1778 commission for Dejean (Seiffert-MJB 1987/88). |
|
285c |
313 |
Concerto f/Fl |
-- |
G |
-- |
Composed supposedly in Jan or Feb 1778 in Mannheim; written for Dutch amateur "M. de Jean", probably Willem van Britten Dejong |
From orchestral detail, perhaps originated in Salzburg in 1777, perhaps for Nannerl's name day concert on July 25, 1777 (Wiese-MJB 1997); Dutch amateur later identified as Ferdinand Dejean (Lequin-MISM 1981). |
|
285d |
314 |
Concerto f/Fl (Ob?) |
-- |
D |
-- |
Composed supposedly in Jan or Feb 1778 in Mannheim; probably the concerto f/Ob KV 271k, transcribed into Concerto f/Fl to filfull commission for "M de Jean". |
See remarks to KV 271k. |
|
285e |
315 |
Andante f/Fl |
-- |
C |
-- |
Composed supposedly beginning 1778 in Mannheim; replacement for middle mvmt of Concerto f/Fl KV 285c. |
|
|
293a |
301 |
Sonata f/Kybd & Vn |
-- |
G |
-- |
Composed most likely in Feb 1778 in Mannheim; Mozart wrote on Feb 14 he was to compose 6 "clavier duets" to be engraved in Mannheim; then on Feb 28 stated he still had 2 more to write; printed Nov 1778 in Paris as Op 1/1 with dedication to Maria Elisabeth, Electress of the Palatinate. |
|
|
293b |
302 |
Sonata f/Kybd & Vn |
-- |
Eb |
-- |
Composed in Jan or Feb 1778 in Mannheim; published as Op 1/2, (see KV 293a). |
|
|
293c |
303 |
Sonata f/Kybd & Vn |
-- |
C |
-- |
Composed in Feb 1778 in Mannheim; published as Op 1/3, (see KV 293a). |
|
|
293d |
305 |
Sonata f/Kybd & Vn |
-- |
A |
-- |
Composed 1778 in Mannheim; published as Op 1/5, (see KV 293a). |
Perhaps 2nd mvmt completed in Paris (Plath-MJB 1976/77). |
|
293e |
-- |
19 Song Cadenzas |
-- |
var |
-- |
Originated before Feb 12, 1778 in Mannheim; on Feb 14, 1778 Mozart asked his father for some cadenzas and aria cantabile with colortura indications for Aloysia Weber, who had just learned JC Bach Aria; 19 cadenzas in Augsburg to G391JC Bach Arias in Leopold Mozart's hand; another manuscript partially in Mozar'ts and partially in a copyist's hand in Mozarteum, with cadenzas to JC Bach Aria "Cara la dolce" and #14 from Mozart's "Lucio Silla"; still another manuscript found in Florence with 4 Cadenzas for T&S, attributed to Mozart. |
Handwriting shows all cadenzas in Augsburg and Florence are Leopold Mozart's; Mozarteum manuscript contains Mozart's handwrting and Nannerl's (Plath MJB 1971/72); Mozart's handwriting portion appears to be from 1772/73 (Plath-MJB 1976/77); paper to those in Mozart and Nannerl's hand appear to date from time of "Luciio Silla". |
|
294 |
294 |
Rec & Aria f/S |
Alcandro, lo confesso/Non so d'onde |
Eb |
-- |
Dated Feb 24, 1778 in Mannheim; orginally begun for tenor Anton Raaff; version exists with ornamentations to 1st section from around same time; another version exists with ornamentation of reprise, most likely in 1783 for performance of Aloysia Weber in Vienna. |
|
|
295 |
295 |
Aria f/T |
Se al labbro mio non credi/Il cor |
Bb |
-- |
Dated Feb 27, 1778 in Mannheim, composed for Anton Raaff; numerous shortenings found in autograph at Raaff's request. |
|
|
295a |
(K2) 486a |
Rec & Aria f/S |
Basta, vincesti/Ah, non lasciarmi |
Eb |
-- |
Composed on Feb 27, 1778 in Mannheim for Dorothea Wendling. |
|
|
295b |
308 |
Arietta |
Dans un bois solitaire |
Ab |
-- |
Composed supposedly end Feb or beginning Mar 1778 in Mannheim; written for Augusta ("Gustl") Wendling. |
|
|
296 |
296 |
Sonata f/Kybd & Vn |
-- |
C |
-- |
Dated Mar 11, 1778 in Mannheim; autograph states written for 15-year-old Therese Pierron; published by Artaria as Op 2/2 in Dec 1781 with dedication to Josepha von Auernhammer. |
|
|
296a |
322 |
Kyrie |
-- |
Eb |
-- |
Composed supposedly Jan or Feb 1778 in Mannheim based on letter of Feb 14, 1778. |
Only first 22 measures of Mozart's hand, remaining 12 of M Stadler; autograph in Stockholm is actually a Stadler copy; probably dates from beginning 1779 (Plath-MJB 1977/78); Holl (NMA-1990) believes dates from Munich in Dec 1778 or Jan 1779 for performance in church there. |
|
296b |
A012 |
Kyrie |
-- |
Eb |
-- |
Composed Jan/Feb 1778 in Mannheim. |
Same composition as KV 322/296a (Plath-MJB 1976/77). |
|
296c |
-- |
Sanctus (Benedictus?) |
-- |
Eb |
-- |
Composed supposedly Jan/Feb 1778 in Mannheim; in connectiion with KV 322/296a. |
Autograph found in 1990 and now in Mozarteum; on a paper type Mozart had with him in Mannheim, Paris and Munich (Angermüller-MISM 1996). |
|
297a |
A001 |
8 Pieces in a Miserere |
-- |
unk |
-- |
Composed supposedly in Mar and early Apr 1778 in Paris; Mozart wrote that he composed 8 sections for a Miserere by Ignaz Holzbauer; only 2 of 4 choruses performed; possibly performed again in Paris in 1783. |
|
|
297B |
A009 |
Sinfonie concertante f/Winds |
-- |
Eb |
-- |
Composed probably between Apr 5 and 20, 1778 in Paris; Mozart wrote Sinfonia concertante for Fl, Ob, Hn Bn for LeGros; never performed, and LeGros kept autograph. |
Concertante for Cl, Ob, Hn, Bn, perhaps a transciption of solo parts with orchestration added by unknown person years later. (Levin-Who Wrote Mozart 4-Wind Concertante? 1988); Plath (NMA-1980) states piece has nothing to do with Mozart. |
|
297c |
299 |
Concerto f/Fl & Hrp |
-- |
C |
-- |
Composed most likely in Apr 1778 in Paris; for the Count of Guines and his daughter. |
|
|
298 |
298 |
Quartet f/Fl & St |
-- |
A |
-- |
Composed in spring or summer 1778 in Paris; Ignaz Mosel wrote on autograph composed in Paris 1778; no doubt written before illness of mother; used the quartets of Cambini as model; trio of minuet is theme of old French Ronde, and finale is same theme as Arietta from Paisiello's opera "Gli schivai per amore" that did not appear until 1787. |
Handwriting and paper clearly show later Vienna time, no doubt at the earliest late 1786; theme of 1st mvmt variations very similar to opening measures of Franz Hoffmeister song "An die Natur", in addition to other mvmt similiarities noted in KV6; Paisiello's opera first performed in Naples in 1786 and first Vienna performance Sept 1, 1786. |
|
299a |
354 |
12 Variations f/Kybd |
Je suis Lindor |
Eb |
-- |
Composed probably in spring or summer 1778 in Paris; based on Romanze in Beaumarchais' play "Barbier de Seville"; music actually by Antoine-Laurent Baudron. |
Fischer widened dating to between end of Mar and end Sept 1778 (Fischer-NMA Crit.Rep. 1962). |
|
299b |
A010 |
Ballet Music |
Les petits riens |
C |
-- |
Composed in May and Jun 1778 in Paris; in letter of Jul 9, 1778 Mozart tells he wrote overture and contradrances, about 12 in all, for ballet by Noverre; ballet performed with Piccinni's opera "Le finte gemelle" on Jun 11, 1778; in 1872 full score copy of music found comprising overture and 20 pieces; unknown which are Mozart's; KV6 lists overture and 13 pieces as being those of Mozart. |
NMA published Overture and all 20 pieces, saying that it was not possible to draw a clear conclusion on which parts were by Mozart and which were not (Heckmann-NMA 1963). |
|
299c |
-- |
Sketch of a Ballet Intermezzo |
-- |
var |
-- |
Composed supposedly in spring or summer 1778 in Paris; no doubt a sketch to ballet project with Noverre in Paris. |
|
|
299d |
A103 |
La Chasse |
-- |
A |
-- |
Begun probably in summer or autumn 1778 in Salzburg [correctly Paris]. In the cycle of ballet music Mozart wrote in Paris. |
St.Georges produced an opera "La Chasse" in Oct 1778 in Paris, which had 4 performances (Banat-Black Music Research Journal 1990). |
|
300 |
300 |
Gavotte |
-- |
Bb |
-- |
Composed supposedly in May or Jun 1778 in Paris; possibly a piece for "Les petits riens". |
Autograph headed "Paris 1778", but possibly added later by André? (Heckmann-NMA 1963). |
|
300a |
297 |
Symphony |
[Paris Symphony] |
D |
31 |
Composed prior to Jun 12, 1778 in Paris; new Andante composed before Jul 9, 1778. |
|
|
300b |
316 |
Rec & Aria f/S |
Popoli di Tessaglia/Io non chiedo |
C |
-- |
Dated Jan 8, 1779 in Munich, but according to a Mozart letter begun in Jun 1778 in Paris; written for Aloysia Weber. |
|
|
300c |
304 |
Sonata f/Kybd & Vn |
-- |
e |
-- |
Composed most likely in early summer 1778 in Paris; Mozart wrote on Feb 14, 1778 he was to compose 6 "clavier duets" to be engraved in Mannheim, then on Feb 28 stated he still had 2 more to write. Printed Nov 1778 in Paris as Op 1/4 with dedication to Maria Elisabeth, Electress of the Palatinate. |
|
|
300d |
310 |
Sonata f/Kybd |
-- |
a |
-- |
Composed probably in early summer 1778 in Paris. |
|
|
300e |
265 |
12 Variations f/Kybd |
Ah, vous dirai-je, Maman |
C |
-- |
Composed supposedly in early summer 1778 in Paris; no doubt as exercise material for a student. |
Handwriting and paper studies show later time of summer 1780 at the earliest and more than likely 1781/82 in Vienna (Plath-MJB 1976/77 and Tyson-NMA 1992). |
|
300f |
353 |
12 Variations f/Kybd |
La belle françoise |
Eb |
-- |
Composed supposedly in summer 1778 in Paris. |
Handwriting and paper studies show later time of summer 1780 at the earliest and more than likely 1781/82 in Vienna (Plath-MJB 1976/77 and Tyson NMA-1992). |
|
300g |
395 |
Capriccio f/Kybd |
-- |
C |
-- |
Composed supposedly middle Jul 1778 in Paris; Mozart's "small Preämbulum" sent to his father in letter of Jul 20, 1778, although music does not fit description in letter. |
Handwriting and paper studies show earlier time of autumn 1777, and piece is probably the 4 lost Preludia of KV 284a; small Preämbulum mentioned in July 20 letter must be lost (Plath MJB 1976/77 and NMA 1982; Wolff-Festscrift Wolfgang Rehm 1989). |
|
300h |
330 |
Sonata f/Kybd |
-- |
C |
-- |
Composed supposedly in summer 1778 in Paris; headed in autograph "Sonata I", to be issued in set with KV 331 and KV 332. |
Plath (MJB 1976/77 and NMA-1986) places dating most likely after 1780 and Tyson (Auto Scores 1987) places in Salzburg late summer 1783. |
|
300i |
331 |
Sonata f/Kybd |
-- |
A |
-- |
Composed supposedly in summer 1778 in Paris, to be issued in set with KV 330 and KV 332. |
Plath (MJB 1976/77 and NMA-1986) places dating most likley after 1780, and Tyson (Auto Scores 1987) places in Salzburg late summer 1783. |
|
300k |
332 |
Sonata f/Kybd |
-- |
F |
-- |
Composed supposedly in summer 1778 in Paris; headed in autograph "Sonata III", to be issued in set with KV 330 and KV 331. |
Plath (MJB 1976/77 and NMA-1986) places dating most likley after 1780, and Tyson (Auto Scores 1987) places in Salzburg late summer 1783. |
|
300l |
306 |
Sonata f/Kybd & Vn |
-- |
D |
-- |
Composed most likely in summer 1778 in Paris; published as Op 1/6, (see KV 300c). |
|
|
311A |
A008 |
Overture [Symphony] |
-- |
unk |
-- |
Composed probably end of Aug or beginning Sep 1778 in Paris; Mozart wrote of 2 Symphonies in letter of Oct 3, 1778. |
Doubtful if 2nd symphony Mozart writes of in letter is a new work; instead, presented older one taken along from Salzburg (Zaslaw-Symphonies 1989 and Tyson-Musical Times 1978). |
|
315b |
A003 |
Scena |
-- |
unk |
-- |
Composed end of Aug 1778 in St. Germain for Giusto Ferdinando Tenducci, to be performed on Aug 30. |
|
|
315c |
333 |
Sonata f/Kybd |
-- |
Bb |
-- |
Composed supposedly in late summer 1778 in Paris. |
Plath (MJB 1976/77 and NMA 1986) places in 1783/84; Tyson (Auto Scores-1987) places in Nov 1783 in Linz. |
|
315d |
264 |
9 Variations f/Kybd |
Lison dormait |
C |
-- |
Composed supposedly in late summer 1778 in Paris; based on theme by Nicolas Dezéde from "Comedie melée d'Ariettes Julie", first produced in Paris on Aug 20, 1778. |
|
|
315e |
A011 |
Music to a Melodrama by Gemmingens |
Semiramis |
unk |
-- |
Begun in Nov 1777 in Mannheim; letter of Dec 3, 1778 Mozart writes he is composing 1st act of declaimed opera called "Semiramis", and will finish it in Salzburg; nothing more than that known of work. |
Lütteken (Mozart und Mannheim 1994) believes instrumental interludes to "Thamos" originally intended for "Semiramis"; Kuster (Acta Mozartiana 1995) discredits this theory. |
|
315f |
A056 |
Concerto f/Kybd & Vn |
-- |
D |
-- |
Begun in Nov 1778 in Mannheim; intended for himself on Kybd and Ignaz Fränzl on Vn; abandoned when Elector took orchestra to Munich and Fränzl stayed behind. |
|
|
315g |
(K2) 315a |
8 Minuets w/Trio f/Kybd |
-- |
var |
-- |
Composed supposedly beginning 1779 in Salzburg; most likely Kybd reductions of orchestral Minuets. |
Handwriting shows originated end of 1773. The Trio placed with #8 has nothing to do with this set, proably originates from 1779/80.(Plath-MJB 1976/77); paper studies might also place Minuet to #8 in 1774 (Tyson-NMA 1992); orchestral version of minuets lost and unable to determine dating (Lindmayr-Brandl-MJB 1995). |
|
316a |
365 |
Concerto f/2 Kybd |
-- |
Eb |
10 |
Composed supposedly beginning 1779 in Salzburg. |
Autograph (in both Wolfgang and Leopold Mozart's hand) of Cadenzas to 1st and 3rd mvmt on paper used by Mozart from the middle of 1775 to the beginning of 1775; however, watermarks on autograph in Poland point to composition between July 1779 to Jan 1781, while Plath says handwriting points to a time after "Idomeneo"; NMA (Wolff-Crit Report) dates about turn of year 1780/81; Konrad (Beiträge zur Geschichte der Konzerts 1990) believes could not be composed before April 1779 and conceivably 1780. |
|
317 |
317 |
Missa |
Coronation Mass |
C |
-- |
Dated Mar 23, 1779 in Salzburg; intended to celebrate anniversary of the crowning of the Shrine of Virgin Mary at Maria Plain. |
Composed for performance at Salzburg Cathedral on Easter Sunday, April 4, 1779 (Holl-NMA 1989 and Hintermaier-Facsimilie 1998). |
|
317a |
329 |
Church Sonata |
-- |
C |
-- |
Composed supposedly beginning Mar 1779 in Salzburg; written for inclusion in Mass KV 317. |
|
|
317b |
146 |
Aria f/S |
Kommet her, ihr frechen Sünder |
Bb |
-- |
Composed supposedly in Mar or Apr 1779 in Salzburg; appears to be a insert into a German Passion oratorio. |
|
|
317c |
328 |
Church Sonata |
-- |
C |
-- |
Composed supposedly in first half 1779 in Salzburg. |
|
|
317d |
378 |
Sonata f/Kybd & Vn |
-- |
Bb |
-- |
Composed supposedly beginning 1779 in Salzburg; on Dec 15, 1781 Mozart sent 6 engraved sonatas, (Op 2), to his sister, writing that only 4 would be new to her; 2 older ones are KV 296 and this; published by Artaria in Nov 1781 as Op 2/4. |
Paper used by Mozart from summer 1779 until beginning of 1781 (Tyson-NMA 1992). |
|
318 |
318 |
Symphony (Overture) |
-- |
G |
32 |
Dated Apr 26, 1779 in Salzburg; later used as overture to Biachi's "Villanella rapita" |
Trmpts added 1782-83 in Vienna (Zaslaw-Symphonies 1989 and NMA-Mahling 1970). |
|
319 |
319 |
Symphony |
-- |
Bb |
33 |
Dated Jul 9, 1779 in Salzburg; minuet added later, probably 1782 in Vienna; published by Artaria as Op 7/2 in 1785. |
Minuet probably added 1785 in Vienna (Zaslaw-Symphonies 1989). |
|
320 |
320 |
Serenade f/Orch |
Posthorn Serenade |
D |
-- |
Dated Aug 3, 1779 in Salzburg; composed for a specific festivity; Mozart performed concertante mvmts (3 and 4) in concert in Vienna on Mar 23, 1783. |
Composed as Finalmusik at University in Salzburg; Heartz (Haydn,Mozart and Viennese School 1995) proposes 2 concertante mvmts are adaptation of or actually are the lost Paris 4-Wind Concertante KV 297B; set of parts in Mozarteum found unknown Minuet in Eb and Trio in A inserted into Serenade (Angermüller-MISM 1981). |
|
320a |
335 |
2 Marches |
-- |
D |
-- |
Composed probably beginning Aug 1777 in Salzburg; beginning and ending marches for Posthorn Serenade KV 320. |
|
|
320B |
-- |
Divertimento f/Orch |
-- |
D |
-- |
Composed probably in summer 1779 in Salzburg; thought to be circa KV 320b, but handwriting points to an earlier Salzburg time. |
Handwriting and paper studies show piece dates from end of 1772 or beginning 1773 in Salzburg (Plath-MJB 1976/77 and Tyson-NMA 1992). |
|
320b |
334 |
Divertimento f/Orch |
-- |
D |
-- |
Composed supposedly in summer 1779 in Salzburg; cassation mentioned in letter by Leopold Mozart as "Musique vom Robing", (Sigmund Robing). |
Plath dates the March K320d, that no doubt is associated with this Divertimento, in early summer 1780 or even later; the Divertimento probably dates from this time also; Sigmund von Robing took his final exams at Salzburg University in August 1780, no doubt composed as Finalmusik (Dunning-NMA 1975), |
|
320c |
445 |
March |
-- |
D |
-- |
Composed supposedly in summer 1779 in Salzburg; no doubt connected with Divertimento KV 320b. |
Handwriting places piece in early summer 1780, probably even later (Plath-MJB 1976/77). |
|
320d |
364 |
Sinfonia Concertante f/Vn & Vl |
-- |
Eb |
-- |
Composed supposedly in summer or later summer 1779 in Salzburg. |
Konrad (Beiträge zur Geschichte der Konzerts 1990) believes from dimensions of composition must have been composed after Concerto f/2 Kybds KV 316a, (See KV 316a). |
|
320e |
A104 |
Sinfonia Concertante f/Vn, Vl & Vc |
-- |
A |
-- |
Begun probably in summer or autumn 1779 in Salzburg; placed immediately after Sinfonia Concertante for Vn & Vl, because Vl was also prescribed scordatura. |
Konrad (Beiträge zur Geschichte der Konzerts 1990) places fragment before Concerto f/2-Kybds KV316a and Sinfonia Concertante KV 320b. |
|
321 |
321 |
Vesperae de Dominica |
-- |
C |
-- |
Composed 1779 in Sazburg. |
|
|
321a |
-- |
Magnificat |
-- |
C |
-- |
Composed supposedly 1779 in Salzburg; draft for KV 321. |
|
|
321b |
276 |
Regina Coeli |
-- |
C |
-- |
Composed supposedly 1779 in Salzburg; dating due to affinity between this and KV 321, but uncertain. |
Possibly intended for Vespers at Salzburg Cathedral on May 23, 1779 (Angermüller-MISM 1996). |
|
323 |
A015 |
Kyrie |
-- |
C |
-- |
Composed supposedly 1779 in Salzburg; last 5 measures completed by M Stadler. |
Stadler added parts from measure 4, and from measures 38 to 53 are completely his; handwriting shows to have originated at earliest summer 1780 and probably much later (Plath MJB 1976/77); paper studies show it to be from Dec 1787 to Feb 1789 (Tyson-Auto Scores1987). |
|
323a |
A020 |
Gloria |
-- |
C |
-- |
Begun supposedly 1779 in Salzburg; probably in connection with KV 323. |
Hadwriting shows to have originated at earliest summer 1780 and probably much later (Plath MJB 1976/77); paper studies show it to be from Dec 1787 to Feb 1789 (Tyson-Auto Scores 1987). |
|
336a |
345 |
Choruses and 2 Entr'Actes to a Play |
Thamos, König in Ägypten |
var |
-- |
Composed 1779 in Salzburg; new versions of choruses and instrumental interludes. |
Choruses possibly revised from 1774 version and performed on Jan 3,1776 in Salzburg, along with interludes, and then again in 1779-80 in Salzburg for Böhm troupe (Plath-MJB 1976/77); Kuster (Acta Mozartiana 1995) believes only choruses in first version performed in 1776 Salzburg performance; does not think interludes and revised choruses written until 1779. |
|
336b |
344 |
Singspiel in 2 Acts |
Zaïde [Das Serail] |
D |
-- |
Composed 1779/80 in Salzburg; title not from Mozart; no doubt written with visiting Böhm troupe in mind, and eye toward Vienna performances. |
From letter of Leopold Mozart's from Dec 1780 can be concluded Singspiel was written to win Emperor's approval in Vienna (Tyler-Music & Letters 1991). |
|
336c |
343 |
2 German Church Songs |
O Gottes Lamm/Als aus Ägypten |
F/C |
-- |
Composed supposedly 1779 in Salzburg; possibly a copy of another composer's work. |
|
|
336d |
336 |
Church Sonata |
-- |
C |
-- |
Dated Mar 1780 in Salzburg; no doubt intended to be in Missa solemnis KV 337. |
|
|
337 |
337 |
Missa solemnis |
-- |
C |
-- |
Dated Salzburg Mar 1780; first version fragmentary Credo (136 measures) in autograph. |
Intended for Easter Sunday at Cathedral (Holl-NMA 1989); also performed in Vienna and Prague at coronation festivies in 1790 and 1791, and later subtitled "Coronation" (Pfannhauser-MISM 1963). |
|
338 |
338 |
Symphony |
-- |
C |
34 |
Dated Aug 29, 1780 in Salzburg; orginally 2nd mvmt Minuet (14 measures deleted) . |
Minuet actually torn from manuscript, possibly completed (Zaslaw-Symphonies 1989). |
|
339 |
339 |
Vesperae solennes de confessore |
-- |
C |
-- |
Dated 1780 in Salzburg. |
|
|
340a |
392 |
Song |
Verdankt sei es dem Glanz |
F |
-- |
Composed supposedly 1780 in Salzburg. |
Paper type used by Mozart first in 1779, and through early 1781 (Tyson-NMA 1992). |
|
340b |
391 |
Song |
An die Einsamkeit |
Bb |
-- |
Composed supposedly 1780 in Salzburg. |
Paper type used by Mozart first in 1779, and through early 1781 (Tyson-NMA 1992). |
|
340c |
390 |
Song |
An die Hoffnung |
d |
-- |
Composed supposedly 1780 in Salzburg. |
No autograph known, but see KV 340a and KV 340b. |
|
363 |
363 |
3 Minuets |
-- |
var |
-- |
Composed supposedly in 1780 in Salzburg. |
Plath (MJB 1976.77) believes belongs in Vienna years around 1782/83; Tyson (Auto Scores 1987) believes dates from Salzburg trip of 1783. |
|
365a |
A011a |
Rec & Aria |
Warum, o Liebe, triebst du jenen... |
unk |
-- |
Composed in Nov 1780 in Munich; discussed in letter of Nov 1780; performed Dec 1 in Gozzi's "Die zwey schlaflosen Nächte" in Salzburg. |
30 measure section of Aria "Die neugeborne Ros' entzückt" discovered in 1996 (Ferguson-Facsimlie 1996). |
|
366 |
366 |
Opera seria in 3 atti |
Idomeneo, Rè di Creta |
D |
-- |
Composed from Oct 1780 to Jan 1781 in Salzburg and Munich; first performed Jan 29, 1781 at Residenz Theater in Munich. |
|
|
367 |
367 |
Ballet Music to the Opera Idomeneo |
-- |
var |
-- |
Composed prior to Jan 18, 1781 in Munich. |
Possibly played after 1st Act of opera (Heckmann-NMA 1963). |
|
367a |
349 |
Song f/1 Singer w/Kybd |
Die Zufriedenheit (Was Frag ich) |
G |
-- |
Composed supposedly end 1780 or beginning 1781 in Munich; printed in version with Mandolin and version with Kybd accompaniment; no doubt Mandolin version is the original; composed for Hornist Martin Lang. |
|
|
367b |
351 |
Song f/1 Singer w/Mandolin |
Komm, liebe Zither |
C |
-- |
Composed supposedly end 1780 or beginning 1781 in Munich; printed in version with Mandolin and version with Kybd accompaniment; no doubt Mandolin version is the original; composed for Hornist Martin Lang. |
Most likely the melody from Mozart, text and accompaniment by another, perhaps Lang? (Ballin-NMA Crit. Rep. 1963). |
|
368 |
368 |
Rec & Aria f/S |
Ma, che vi fece/Sperai vicino |
F |
-- |
Composed probably Jan 1781 in Munich, likely for Elisabeth Wendling. |
|
|
368a |
341 |
Kyrie |
-- |
d |
-- |
Composed supposedly beetween Nov 1780 and Mar 1781 in Munich; dating based on instrumentation. |
Holl (NMA-1990) believes a later composition and should be placed in later Vienna time; also likely it was Mozart fragment and completed by M Stadler or André; Heartz (Haydn,Mozart Viennese School-1995) doubts this and retains 1781 Munich dating. |
|
368b |
370 |
Quartet f/Ob & St |
-- |
F |
-- |
Composed early 1781 in Munich; for Friedrich Ramm. |
|
|
369 |
369 |
Scene (Rec & Aria) f/S |
Misera, dove son!/Ah! non son' io |
Eb |
-- |
Dated Mar 8, 1781 in Munich; for Countess Paumgarten; sung by tenor Valentin Adamberger in Vienna on Mar 23, 1783. |
Essentially composed in Augsburg, and may well have been performed there (Plath-Fest.Franz Krautwurst 1989). |
|
370a |
361 |
Serenade f/12 Winds |
Gran Partita |
Bb |
-- |
Composed supposedly in first half 1781 in Munich and Vienna; |
Possibly written for concert given by Anton
Stadler on Mar 23, 1784 in Vienna. |
|
370b |
A097; A098; (K2) A098b |
Concerto Mvmt f/Hn |
-- |
Eb |
-- |
Composed most likely before Mar 21, 1781 in Vienna; autograph cut up and dispersed; probably intended for Joseph Leutgeb as first mvmt to Rondo KV 371. |
No doubt written for Jakob Eisen (Wolff/Levin-Facsimilie Reconstruction of Concerto for Horn K370b & 371 1997). |
|
371 |
371 |
Concerto Mvmt f/Hn |
-- |
Eb |
-- |
Dated Mar 31, 1781 in Vienna; no doubt written for Joseph Leutgeb. |
Previously unknown autograph portion of 60 measures to concerto found in 1988; probably composed for Jakob Eisen (Rolf-MJB 1991). |
|
372 |
372 |
Allegro to a Sonata f/Kl & Vn |
-- |
Bb |
-- |
Dated Mar 24, 1781 in Vienna; autograph headed "Sonata I"; probably composed for Antonio Brunetti and Mozart to perform; completed by M Stadler. |
|
|
372a |
400 |
Allegro f/Kybd |
-- |
Bb |
-- |
Composed supposedly 1781 in Vienna; cited on performance parts are names "Sophie" and "Constanza", both unmarried at the time, thus begun before wedding to Constanze; completed (57 additional measures) by M Stadler. |
Tyson (Mozart Studies 1991) states it is written on paper first used by Mozart in 1782. |
|
373 |
373 |
Rondo f/Vn |
-- |
C |
-- |
Dated Apr 2, 1781 in Vienna; written for Antonio Brunetti, who played it on Apr 2, 1781 in Vienna. |
|
|
373a |
379 |
Sonata f/Kybd & Vn |
-- |
G |
-- |
Composed supposedly Apr 7, 1781 in Vienna; sonata referred to by Mozart in letter of Aril 8, 1781 that he composed in one hour; performed Apr 8 by Brunetti and himself; published by Artaria in Nov 1781 as Op 2/5. |
|
|
374 |
374 |
Rec & Aria f/S |
A questo seno/Or che il cielo a me |
Eb |
-- |
Dated Apr 1781 in Vienna for Francesco Ceccarelli and performed on Apr 8 by him. |
At end of autograph, a variant of 8 measures to be inserted at measures 177-180 (Kunze NMA 1972). |
|
374a |
359 |