Part Three of Eight (KV 284a - KV 417b)
|
KV6 |
KV1 |
ENTRY TITLE |
WORK TITLE OR NICKNAME |
KEY |
# |
SHORT DESCRIPTION FROM KV6 |
ADDITIONAL INFORMATION SINCE K6 |
|
284a |
-- |
4 Preludes f/Kybd |
-- |
unk |
-- |
Composed probably beginning Oct 1777 in Munich; in letter of Oct 11, 1777 Mozart states he enclosed 4 Preämbula for his sister. |
These are actually K395/300g, (see that entry) (Plath MJB 1976/77 and NMA 1982; Wolff-Festscrift Wolfgang Rehm 1989). |
|
284b |
309 |
Sonata f/Kybd |
-- |
C |
-- |
Completed supposedly on Nov 8, 1777 in Mannheim; written for Rosa Cannabich. |
|
|
284c |
311 |
Sonata f/Kybd |
-- |
D |
-- |
Composed supposedly beginning Nov 1777 in Mannheim. |
Possibly composed in Mannheim for 2 daughters of Freysinger famiily in Munich (Plath-NMA 1985). |
|
284d |
307 |
Arietta |
Oiseaux, si tous les ans |
C |
-- |
Composed supposedly beginning Nov 1777 in Mannheim; written for Augusta ("Gustl") Wendling. |
|
|
284e |
-- |
Orchestration to Wendling Concerto f/flute |
-- |
unk |
-- |
Orchestrated in Nov 1777 in Mannheim; on Nov 22 Mozart wrote that on Nov 21 Wendling rehearsed a concerto he had orchestrated for him. |
|
|
284f |
-- |
Rondeau f/Kybd |
-- |
unk |
-- |
Composed Nov 28 or 29, 1777in Munich; in letter of Nov 29 Mozart writes he wrote a rondeau for daughter of Elector Karl Theodor, and that it was played Dec 3. |
|
|
285 |
285 |
Quartet f/Fl & St |
-- |
D |
-- |
Dated Dec 25, 1777 in Mannheim; composed for Dutch amateur "M de Jean", probably Willem van Britten Dejong. |
Dutch amateur later identified as Ferdinand Dejean (Lequin-MISM 1981). |
|
285a |
-- |
Quartet f/Fl & St |
-- |
G |
-- |
Composed probably in Jan or Feb 1778 in Mannheim; one of the 3 Quartets f/Fl Mozart wrote for "M. de Jean". |
Printed in 1792 by Artaria with corrurpt version of Allegro to KV 285 as 1st mvmt, as changes made to KV 285 possibly also to original form of these two mvmts. (Weise-preface to 1998 edition of Flute Quartets) . |
|
285b |
A171 |
Quartet f/Fl & St |
-- |
C |
-- |
Composed probably in Jan or Feb 1778 in Mannheim; one of 3 Quartets f/Fl Mozart claimed to have written for "M de Jean"; 2nd mvmt original version of KV 370a; a sketch for 10 measures to 1st mvmt survive. |
2nd mvmt variations are no doubt anonymous arrangement of mvmt from KV 370a; sketch page with measure to 1st mvmt also includes sketches for "Entführung aus dem Serail" and canon studies, and dates from the earliest summer 1781; if Quartet is authentic, it is not connected to 1778 commission for Dejean (Seiffert-MJB 1987/88). |
|
285c |
313 |
Concerto f/Fl |
-- |
G |
-- |
Composed supposedly in Jan or Feb 1778 in Mannheim; written for Dutch amateur "M. de Jean", probably Willem van Britten Dejong |
From orchestral detail, perhaps originated in Salzburg in 1777, perhaps for Nannerl's name day concert on July 25, 1777 (Wiese-MJB 1997); Dutch amateur later identified as Ferdinand Dejean (Lequin-MISM 1981). |
|
285d |
314 |
Concerto f/Fl (Ob?) |
-- |
D |
-- |
Composed supposedly in Jan or Feb 1778 in Mannheim; probably the concerto f/Ob KV 271k, transcribed into Concerto f/Fl to filfull commission for "M de Jean". |
See remarks to KV 271k. |
|
285e |
315 |
Andante f/Fl |
-- |
C |
-- |
Composed supposedly beginning 1778 in Mannheim; replacement for middle mvmt of Concerto f/Fl KV 285c. |
|
|
293a |
301 |
Sonata f/Kybd & Vn |
-- |
G |
-- |
Composed most likely in Feb 1778 in Mannheim; Mozart wrote on Feb 14 he was to compose 6 "clavier duets" to be engraved in Mannheim; then on Feb 28 stated he still had 2 more to write; printed Nov 1778 in Paris as Op 1/1 with dedication to Maria Elisabeth, Electress of the Palatinate. |
|
|
293b |
302 |
Sonata f/Kybd & Vn |
-- |
Eb |
-- |
Composed in Jan or Feb 1778 in Mannheim; published as Op 1/2, (see KV 293a). |
|
|
293c |
303 |
Sonata f/Kybd & Vn |
-- |
C |
-- |
Composed in Feb 1778 in Mannheim; published as Op 1/3, (see KV 293a). |
|
|
293d |
305 |
Sonata f/Kybd & Vn |
-- |
A |
-- |
Composed 1778 in Mannheim; published as Op 1/5, (see KV 293a). |
Perhaps 2nd mvmt completed in Paris (Plath-MJB 1976/77). |
|
293e |
-- |
19 Song Cadenzas |
-- |
var |
-- |
Originated before Feb 12, 1778 in Mannheim; on Feb 14, 1778 Mozart asked his father for some cadenzas and aria cantabile with colortura indications for Aloysia Weber, who had just learned JC Bach Aria; 19 cadenzas in Augsburg to G391JC Bach Arias in Leopold Mozart's hand; another manuscript partially in Mozar'ts and partially in a copyist's hand in Mozarteum, with cadenzas to JC Bach Aria "Cara la dolce" and #14 from Mozart's "Lucio Silla"; still another manuscript found in Florence with 4 Cadenzas for T&S, attributed to Mozart. |
Handwriting shows all cadenzas in Augsburg and Florence are Leopold Mozart's; Mozarteum manuscript contains Mozart's handwrting and Nannerl's (Plath MJB 1971/72); Mozart's handwriting portion appears to be from 1772/73 (Plath-MJB 1976/77); paper to those in Mozart and Nannerl's hand appear to date from time of "Luciio Silla". |
|
294 |
294 |
Rec & Aria f/S |
Alcandro, lo confesso/Non so d'onde |
Eb |
-- |
Dated Feb 24, 1778 in Mannheim; orginally begun for tenor Anton Raaff; version exists with ornamentations to 1st section from around same time; another version exists with ornamentation of reprise, most likely in 1783 for performance of Aloysia Weber in Vienna. |
|
|
295 |
295 |
Aria f/T |
Se al labbro mio non credi/Il cor |
Bb |
-- |
Dated Feb 27, 1778 in Mannheim, composed for Anton Raaff; numerous shortenings found in autograph at Raaff's request. |
|
|
295a |
(K2) 486a |
Rec & Aria f/S |
Basta, vincesti/Ah, non lasciarmi |
Eb |
-- |
Composed on Feb 27, 1778 in Mannheim for Dorothea Wendling. |
|
|
295b |
308 |
Arietta |
Dans un bois solitaire |
Ab |
-- |
Composed supposedly end Feb or beginning Mar 1778 in Mannheim; written for Augusta ("Gustl") Wendling. |
|
|
296 |
296 |
Sonata f/Kybd & Vn |
-- |
C |
-- |
Dated Mar 11, 1778 in Mannheim; autograph states written for 15-year-old Therese Pierron; published by Artaria as Op 2/2 in Dec 1781 with dedication to Josepha von Auernhammer. |
|
|
296a |
322 |
Kyrie |
-- |
Eb |
-- |
Composed supposedly Jan or Feb 1778 in Mannheim based on letter of Feb 14, 1778. |
Only first 22 measures of Mozart's hand, remaining 12 of M Stadler; autograph in Stockholm is actually a Stadler copy; probably dates from beginning 1779 (Plath-MJB 1977/78); Holl (NMA-1990) believes dates from Munich in Dec 1778 or Jan 1779 for performance in church there. |
|
296b |
A012 |
Kyrie |
-- |
Eb |
-- |
Composed Jan/Feb 1778 in Mannheim. |
Same composition as KV 322/296a (Plath-MJB 1976/77). |
|
296c |
-- |
Sanctus (Benedictus?) |
-- |
Eb |
-- |
Composed supposedly Jan/Feb 1778 in Mannheim; in connectiion with KV 322/296a. |
Autograph found in 1990 and now in Mozarteum; on a paper type Mozart had with him in Mannheim, Paris and Munich (Angermüller-MISM 1996). |
|
297a |
A001 |
8 Pieces in a Miserere |
-- |
unk |
-- |
Composed supposedly in Mar and early Apr 1778 in Paris; Mozart wrote that he composed 8 sections for a Miserere by Ignaz Holzbauer; only 2 of 4 choruses performed; possibly performed again in Paris in 1783. |
|
|
297B |
A009 |
Sinfonie concertante f/Winds |
-- |
Eb |
-- |
Composed probably between Apr 5 and 20, 1778 in Paris; Mozart wrote Sinfonia concertante for Fl, Ob, Hn Bn for LeGros; never performed, and LeGros kept autograph. |
Concertante for Cl, Ob, Hn, Bn, perhaps a transciption of solo parts with orchestration added by unknown person years later. (Levin-Who Wrote Mozart 4-Wind Concertante? 1988); Plath (NMA-1980) states piece has nothing to do with Mozart. |
|
297c |
299 |
Concerto f/Fl & Hrp |
-- |
C |
-- |
Composed most likely in Apr 1778 in Paris; for the Count of Guines and his daughter. |
|
|
298 |
298 |
Quartet f/Fl & St |
-- |
A |
-- |
Composed in spring or summer 1778 in Paris; Ignaz Mosel wrote on autograph composed in Paris 1778; no doubt written before illness of mother; used the quartets of Cambini as model; trio of minuet is theme of old French Ronde, and finale is same theme as Arietta from Paisiello's opera "Gli schivai per amore" that did not appear until 1787. |
Handwriting and paper clearly show later Vienna time, no doubt at the earliest late 1786; theme of 1st mvmt variations very similar to opening measures of Franz Hoffmeister song "An die Natur", in addition to other mvmt similiarities noted in KV6; Paisiello's opera first performed in Naples in 1786 and first Vienna performance Sept 1, 1786. |
|
299a |
354 |
12 Variations f/Kybd |
Je suis Lindor |
Eb |
-- |
Composed probably in spring or summer 1778 in Paris; based on Romanze in Beaumarchais' play "Barbier de Seville"; music actually by Antoine-Laurent Baudron. |
Fischer widened dating to between end of Mar and end Sept 1778 (Fischer-NMA Crit.Rep. 1962). |
|
299b |
A010 |
Ballet Music |
Les petits riens |
C |
-- |
Composed in May and Jun 1778 in Paris; in letter of Jul 9, 1778 Mozart tells he wrote overture and contradrances, about 12 in all, for ballet by Noverre; ballet performed with Piccinni's opera "Le finte gemelle" on Jun 11, 1778; in 1872 full score copy of music found comprising overture and 20 pieces; unknown which are Mozart's; KV6 lists overture and 13 pieces as being those of Mozart. |
NMA published Overture and all 20 pieces, saying that it was not possible to draw a clear conclusion on which parts were by Mozart and which were not (Heckmann-NMA 1963). |
|
299c |
-- |
Sketch of a Ballet Intermezzo |
-- |
var |
-- |
Composed supposedly in spring or summer 1778 in Paris; no doubt a sketch to ballet project with Noverre in Paris. |
|
|
299d |
A103 |
La Chasse |
-- |
A |
-- |
Begun probably in summer or autumn 1778 in Salzburg [correctly Paris]. In the cycle of ballet music Mozart wrote in Paris. |
St.Georges produced an opera "La Chasse" in Oct 1778 in Paris, which had 4 performances (Banat-Black Music Research Journal 1990). |
|
300 |
300 |
Gavotte |
-- |
Bb |
-- |
Composed supposedly in May or Jun 1778 in Paris; possibly a piece for "Les petits riens". |
Autograph headed "Paris 1778", but possibly added later by André? (Heckmann-NMA 1963). |
|
300a |
297 |
Symphony |
[Paris Symphony] |
D |
31 |
Composed prior to Jun 12, 1778 in Paris; new Andante composed before Jul 9, 1778. |
|
|
300b |
316 |
Rec & Aria f/S |
Popoli di Tessaglia/Io non chiedo |
C |
-- |
Dated Jan 8, 1779 in Munich, but according to a Mozart letter begun in Jun 1778 in Paris; written for Aloysia Weber. |
|
|
300c |
304 |
Sonata f/Kybd & Vn |
-- |
e |
-- |
Composed most likely in early summer 1778 in Paris; Mozart wrote on Feb 14, 1778 he was to compose 6 "clavier duets" to be engraved in Mannheim, then on Feb 28 stated he still had 2 more to write. Printed Nov 1778 in Paris as Op 1/4 with dedication to Maria Elisabeth, Electress of the Palatinate. |
|
|
300d |
310 |
Sonata f/Kybd |
-- |
a |
-- |
Composed probably in early summer 1778 in Paris. |
|
|
300e |
265 |
12 Variations f/Kybd |
Ah, vous dirai-je, Maman |
C |
-- |
Composed supposedly in early summer 1778 in Paris; no doubt as exercise material for a student. |
Handwriting and paper studies show later time of summer 1780 at the earliest and more than likely 1781/82 in Vienna (Plath-MJB 1976/77 and Tyson-NMA 1992). |
|
300f |
353 |
12 Variations f/Kybd |
La belle françoise |
Eb |
-- |
Composed supposedly in summer 1778 in Paris. |
Handwriting and paper studies show later time of summer 1780 at the earliest and more than likely 1781/82 in Vienna (Plath-MJB 1976/77 and Tyson NMA-1992). |
|
300g |
395 |
Capriccio f/Kybd |
-- |
C |
-- |
Composed supposedly middle Jul 1778 in Paris; Mozart's "small Preämbulum" sent to his father in letter of Jul 20, 1778, although music does not fit description in letter. |
Handwriting and paper studies show earlier time of autumn 1777, and piece is probably the 4 lost Preludia of KV 284a; small Preämbulum mentioned in July 20 letter must be lost (Plath MJB 1976/77 and NMA 1982; Wolff-Festscrift Wolfgang Rehm 1989). |
|
300h |
330 |
Sonata f/Kybd |
-- |
C |
-- |
Composed supposedly in summer 1778 in Paris; headed in autograph "Sonata I", to be issued in set with KV 331 and KV 332. |
Plath (MJB 1976/77 and NMA-1986) places dating most likely after 1780 and Tyson (Auto Scores 1987) places in Salzburg late summer 1783. |
|
300i |
331 |
Sonata f/Kybd |
-- |
A |
-- |
Composed supposedly in summer 1778 in Paris, to be issued in set with KV 330 and KV 332. |
Plath (MJB 1976/77 and NMA-1986) places dating most likley after 1780, and Tyson (Auto Scores 1987) places in Salzburg late summer 1783. |
|
300k |
332 |
Sonata f/Kybd |
-- |
F |
-- |
Composed supposedly in summer 1778 in Paris; headed in autograph "Sonata III", to be issued in set with KV 330 and KV 331. |
Plath (MJB 1976/77 and NMA-1986) places dating most likley after 1780, and Tyson (Auto Scores 1987) places in Salzburg late summer 1783. |
|
300l |
306 |
Sonata f/Kybd & Vn |
-- |
D |
-- |
Composed most likely in summer 1778 in Paris; published as Op 1/6, (see KV 300c). |
|
|
311A |
A008 |
Overture [Symphony] |
-- |
unk |
-- |
Composed probably end of Aug or beginning Sep 1778 in Paris; Mozart wrote of 2 Symphonies in letter of Oct 3, 1778. |
Doubtful if 2nd symphony Mozart writes of in letter is a new work; instead, presented older one taken along from Salzburg (Zaslaw-Symphonies 1989 and Tyson-Musical Times 1978). |
|
315b |
A003 |
Scena |
-- |
unk |
-- |
Composed end of Aug 1778 in St. Germain for Giusto Ferdinando Tenducci, to be performed on Aug 30. |
|
|
315c |
333 |
Sonata f/Kybd |
-- |
Bb |
-- |
Composed supposedly in late summer 1778 in Paris. |
Plath (MJB 1976/77 and NMA 1986) places in 1783/84; Tyson (Auto Scores-1987) places in Nov 1783 in Linz. |
|
315d |
264 |
9 Variations f/Kybd |
Lison dormait |
C |
-- |
Composed supposedly in late summer 1778 in Paris; based on theme by Nicolas Dezéde from "Comedie melée d'Ariettes Julie", first produced in Paris on Aug 20, 1778. |
|
|
315e |
A011 |
Music to a Melodrama by Gemmingens |
Semiramis |
unk |
-- |
Begun in Nov 1777 in Mannheim; letter of Dec 3, 1778 Mozart writes he is composing 1st act of declaimed opera called "Semiramis", and will finish it in Salzburg; nothing more than that known of work. |
Lütteken (Mozart und Mannheim 1994) believes instrumental interludes to "Thamos" originally intended for "Semiramis"; Kuster (Acta Mozartiana 1995) discredits this theory. |
|
315f |
A056 |
Concerto f/Kybd & Vn |
-- |
D |
-- |
Begun in Nov 1778 in Mannheim; intended for himself on Kybd and Ignaz Fränzl on Vn; abandoned when Elector took orchestra to Munich and Fränzl stayed behind. |
|
|
315g |
(K2) 315a |
8 Minuets w/Trio f/Kybd |
-- |
var |
-- |
Composed supposedly beginning 1779 in Salzburg; most likely Kybd reductions of orchestral Minuets. |
Handwriting shows originated end of 1773. The Trio placed with #8 has nothing to do with this set, proably originates from 1779/80.(Plath-MJB 1976/77); paper studies might also place Minuet to #8 in 1774 (Tyson-NMA 1992); orchestral version of minuets lost and unable to determine dating (Lindmayr-Brandl-MJB 1995). |
|
316a |
365 |
Concerto f/2 Kybd |
-- |
Eb |
10 |
Composed supposedly beginning 1779 in Salzburg. |
Autograph (in both Wolfgang and Leopold Mozart's hand) of Cadenzas to 1st and 3rd mvmt on paper used by Mozart from the middle of 1775 to the beginning of 1775; however, watermarks on autograph in Poland point to composition between July 1779 to Jan 1781, while Plath says handwriting points to a time after "Idomeneo"; NMA (Wolff-Crit Report) dates about turn of year 1780/81; Konrad (Beiträge zur Geschichte der Konzerts 1990) believes could not be composed before April 1779 and conceivably 1780. |
|
317 |
317 |
Missa |
Coronation Mass |
C |
-- |
Dated Mar 23, 1779 in Salzburg; intended to celebrate anniversary of the crowning of the Shrine of Virgin Mary at Maria Plain. |
Composed for performance at Salzburg Cathedral on Easter Sunday, April 4, 1779 (Holl-NMA 1989 and Hintermaier-Facsimilie 1998). |
|
317a |
329 |
Church Sonata |
-- |
C |
-- |
Composed supposedly beginning Mar 1779 in Salzburg; written for inclusion in Mass KV 317. |
|
|
317b |
146 |
Aria f/S |
Kommet her, ihr frechen Sünder |
Bb |
-- |
Composed supposedly in Mar or Apr 1779 in Salzburg; appears to be a insert into a German Passion oratorio. |
|
|
317c |
328 |
Church Sonata |
-- |
C |
-- |
Composed supposedly in first half 1779 in Salzburg. |
|
|
317d |
378 |
Sonata f/Kybd & Vn |
-- |
Bb |
-- |
Composed supposedly beginning 1779 in Salzburg; on Dec 15, 1781 Mozart sent 6 engraved sonatas, (Op 2), to his sister, writing that only 4 would be new to her; 2 older ones are KV 296 and this; published by Artaria in Nov 1781 as Op 2/4. |
Paper used by Mozart from summer 1779 until beginning of 1781 (Tyson-NMA 1992). |
|
318 |
318 |
Symphony (Overture) |
-- |
G |
32 |
Dated Apr 26, 1779 in Salzburg; later used as overture to Biachi's "Villanella rapita" |
Trmpts added 1782-83 in Vienna (Zaslaw-Symphonies 1989 and NMA-Mahling 1970). |
|
319 |
319 |
Symphony |
-- |
Bb |
33 |
Dated Jul 9, 1779 in Salzburg; minuet added later, probably 1782 in Vienna; published by Artaria as Op 7/2 in 1785. |
Minuet probably added 1785 in Vienna (Zaslaw-Symphonies 1989). |
|
320 |
320 |
Serenade f/Orch |
Posthorn Serenade |
D |
-- |
Dated Aug 3, 1779 in Salzburg; composed for a specific festivity; Mozart performed concertante mvmts (3 and 4) in concert in Vienna on Mar 23, 1783. |
Composed as Finalmusik at University in Salzburg; Heartz (Haydn,Mozart and Viennese School 1995) proposes 2 concertante mvmts are adaptation of or actually are the lost Paris 4-Wind Concertante KV 297B; set of parts in Mozarteum found unknown Minuet in Eb and Trio in A inserted into Serenade (Angermüller-MISM 1981). |
|
320a |
335 |
2 Marches |
-- |
D |
-- |
Composed probably beginning Aug 1777 in Salzburg; beginning and ending marches for Posthorn Serenade KV 320. |
|
|
320B |
-- |
Divertimento f/Orch |
-- |
D |
-- |
Composed probably in summer 1779 in Salzburg; thought to be circa KV 320b, but handwriting points to an earlier Salzburg time. |
Handwriting and paper studies show piece dates from end of 1772 or beginning 1773 in Salzburg (Plath-MJB 1976/77 and Tyson-NMA 1992). |
|
320b |
334 |
Divertimento f/Orch |
-- |
D |
-- |
Composed supposedly in summer 1779 in Salzburg; cassation mentioned in letter by Leopold Mozart as "Musique vom Robing", (Sigmund Robing). |
Plath dates the March K320d, that no doubt is associated with this Divertimento, in early summer 1780 or even later; the Divertimento probably dates from this time also; Sigmund von Robing took his final exams at Salzburg University in August 1780, no doubt composed as Finalmusik (Dunning-NMA 1975), |
|
320c |
445 |
March |
-- |
D |
-- |
Composed supposedly in summer 1779 in Salzburg; no doubt connected with Divertimento KV 320b. |
Handwriting places piece in early summer 1780, probably even later (Plath-MJB 1976/77). |
|
320d |
364 |
Sinfonia Concertante f/Vn & Vl |
-- |
Eb |
-- |
Composed supposedly in summer or later summer 1779 in Salzburg. |
Konrad (Beiträge zur Geschichte der Konzerts 1990) believes from dimensions of composition must have been composed after Concerto f/2 Kybds KV 316a, (See KV 316a). |
|
320e |
A104 |
Sinfonia Concertante f/Vn, Vl & Vc |
-- |
A |
-- |
Begun probably in summer or autumn 1779 in Salzburg; placed immediately after Sinfonia Concertante for Vn & Vl, because Vl was also prescribed scordatura. |
Konrad (Beiträge zur Geschichte der Konzerts 1990) places fragment before Concerto f/2-Kybds KV316a and Sinfonia Concertante KV 320b. |
|
321 |
321 |
Vesperae de Dominica |
-- |
C |
-- |
Composed 1779 in Sazburg. |
|
|
321a |
-- |
Magnificat |
-- |
C |
-- |
Composed supposedly 1779 in Salzburg; draft for KV 321. |
|
|
321b |
276 |
Regina Coeli |
-- |
C |
-- |
Composed supposedly 1779 in Salzburg; dating due to affinity between this and KV 321, but uncertain. |
Possibly intended for Vespers at Salzburg Cathedral on May 23, 1779 (Angermüller-MISM 1996). |
|
323 |
A015 |
Kyrie |
-- |
C |
-- |
Composed supposedly 1779 in Salzburg; last 5 measures completed by M Stadler. |
Stadler added parts from measure 4, and from measures 38 to 53 are completely his; handwriting shows to have originated at earliest summer 1780 and probably much later (Plath MJB 1976/77); paper studies show it to be from Dec 1787 to Feb 1789 (Tyson-Auto Scores1987). |
|
323a |
A020 |
Gloria |
-- |
C |
-- |
Begun supposedly 1779 in Salzburg; probably in connection with KV 323. |
Hadwriting shows to have originated at earliest summer 1780 and probably much later (Plath MJB 1976/77); paper studies show it to be from Dec 1787 to Feb 1789 (Tyson-Auto Scores 1987). |
|
336a |
345 |
Choruses and 2 Entr'Actes to a Play |
Thamos, König in Ägypten |
var |
-- |
Composed 1779 in Salzburg; new versions of choruses and instrumental interludes. |
Choruses possibly revised from 1774 version and performed on Jan 3,1776 in Salzburg, along with interludes, and then again in 1779-80 in Salzburg for Böhm troupe (Plath-MJB 1976/77); Kuster (Acta Mozartiana 1995) believes only choruses in first version performed in 1776 Salzburg performance; does not think interludes and revised choruses written until 1779. |
|
336b |
344 |
Singspiel in 2 Acts |
Zaïde [Das Serail] |
D |
-- |
Composed 1779/80 in Salzburg; title not from Mozart; no doubt written with visiting Böhm troupe in mind, and eye toward Vienna performances. |
From letter of Leopold Mozart's from Dec 1780 can be concluded Singspiel was written to win Emperor's approval in Vienna (Tyler-Music & Letters 1991). |
|
336c |
343 |
2 German Church Songs |
O Gottes Lamm/Als aus Ägypten |
F/C |
-- |
Composed supposedly 1779 in Salzburg; possibly a copy of another composer's work. |
|
|
336d |
336 |
Church Sonata |
-- |
C |
-- |
Dated Mar 1780 in Salzburg; no doubt intended to be in Missa solemnis KV 337. |
|
|
337 |
337 |
Missa solemnis |
-- |
C |
-- |
Dated Salzburg Mar 1780; first version fragmentary Credo (136 measures) in autograph. |
Intended for Easter Sunday at Cathedral (Holl-NMA 1989); also performed in Vienna and Prague at coronation festivies in 1790 and 1791, and later subtitled "Coronation" (Pfannhauser-MISM 1963). |
|
338 |
338 |
Symphony |
-- |
C |
34 |
Dated Aug 29, 1780 in Salzburg; orginally 2nd mvmt Minuet (14 measures deleted) . |
Minuet actually torn from manuscript, possibly completed (Zaslaw-Symphonies 1989). |
|
339 |
339 |
Vesperae solennes de confessore |
-- |
C |
-- |
Dated 1780 in Salzburg. |
|
|
340a |
392 |
Song |
Verdankt sei es dem Glanz |
F |
-- |
Composed supposedly 1780 in Salzburg. |
Paper type used by Mozart first in 1779, and through early 1781 (Tyson-NMA 1992). |
|
340b |
391 |
Song |
An die Einsamkeit |
Bb |
-- |
Composed supposedly 1780 in Salzburg. |
Paper type used by Mozart first in 1779, and through early 1781 (Tyson-NMA 1992). |
|
340c |
390 |
Song |
An die Hoffnung |
d |
-- |
Composed supposedly 1780 in Salzburg. |
No autograph known, but see KV 340a and KV 340b. |
|
363 |
363 |
3 Minuets |
-- |
var |
-- |
Composed supposedly in 1780 in Salzburg. |
Plath (MJB 1976.77) believes belongs in Vienna years around 1782/83; Tyson (Auto Scores 1987) believes dates from Salzburg trip of 1783. |
|
365a |
A011a |
Rec & Aria |
Warum, o Liebe, triebst du jenen... |
unk |
-- |
Composed in Nov 1780 in Munich; discussed in letter of Nov 1780; performed Dec 1 in Gozzi's "Die zwey schlaflosen Nächte" in Salzburg. |
30 measure section of Aria "Die neugeborne Ros' entzückt" discovered in 1996 (Ferguson-Facsimlie 1996). |
|
366 |
366 |
Opera seria in 3 atti |
Idomeneo, Rè di Creta |
D |
-- |
Composed from Oct 1780 to Jan 1781 in Salzburg and Munich; first performed Jan 29, 1781 at Residenz Theater in Munich. |
|
|
367 |
367 |
Ballet Music to the Opera Idomeneo |
-- |
var |
-- |
Composed prior to Jan 18, 1781 in Munich. |
Possibly played after 1st Act of opera (Heckmann-NMA 1963). |
|
367a |
349 |
Song f/1 Singer w/Kybd |
Die Zufriedenheit (Was Frag ich) |
G |
-- |
Composed supposedly end 1780 or beginning 1781 in Munich; printed in version with Mandolin and version with Kybd accompaniment; no doubt Mandolin version is the original; composed for Hornist Martin Lang. |
|
|
367b |
351 |
Song f/1 Singer w/Mandolin |
Komm, liebe Zither |
C |
-- |
Composed supposedly end 1780 or beginning 1781 in Munich; printed in version with Mandolin and version with Kybd accompaniment; no doubt Mandolin version is the original; composed for Hornist Martin Lang. |
Most likely the melody from Mozart, text and accompaniment by another, perhaps Lang? (Ballin-NMA Crit. Rep. 1963). |
|
368 |
368 |
Rec & Aria f/S |
Ma, che vi fece/Sperai vicino |
F |
-- |
Composed probably Jan 1781 in Munich, likely for Elisabeth Wendling. |
|
|
368a |
341 |
Kyrie |
-- |
d |
-- |
Composed supposedly beetween Nov 1780 and Mar 1781 in Munich; dating based on instrumentation. |
Holl (NMA-1990) believes a later composition and should be placed in later Vienna time; also likely it was Mozart fragment and completed by M Stadler or André; Heartz (Haydn,Mozart Viennese School-1995) doubts this and retains 1781 Munich dating. |
|
368b |
370 |
Quartet f/Ob & St |
-- |
F |
-- |
Composed early 1781 in Munich; for Friedrich Ramm. |
|
|
369 |
369 |
Scene (Rec & Aria) f/S |
Misera, dove son!/Ah! non son' io |
Eb |
-- |
Dated Mar 8, 1781 in Munich; for Countess Paumgarten; sung by tenor Valentin Adamberger in Vienna on Mar 23, 1783. |
Essentially composed in Augsburg, and may well have been performed there (Plath-Fest.Franz Krautwurst 1989). |
|
370a |
361 |
Serenade f/12 Winds |
Gran Partita |
Bb |
-- |
Composed supposedly in first half 1781 in Munich and Vienna; |
Possibly written for concert given by Anton
Stadler on Mar 23, 1784 in Vienna. |
|
370b |
A097; A098; (K2) A098b |
Concerto Mvmt f/Hn |
-- |
Eb |
-- |
Composed most likely before Mar 21, 1781 in Vienna; autograph cut up and dispersed; probably intended for Joseph Leutgeb as first mvmt to Rondo KV 371. |
No doubt written for Jakob Eisen (Wolff/Levin-Facsimilie Reconstruction of Concerto for Horn K370b & 371 1997). |
|
371 |
371 |
Concerto Mvmt f/Hn |
-- |
Eb |
-- |
Dated Mar 31, 1781 in Vienna; no doubt written for Joseph Leutgeb. |
Previously unknown autograph portion of 60 measures to concerto found in 1988; probably composed for Jakob Eisen (Rolf-MJB 1991). |
|
372 |
372 |
Allegro to a Sonata f/Kl & Vn |
-- |
Bb |
-- |
Dated Mar 24, 1781 in Vienna; autograph headed "Sonata I"; probably composed for Antonio Brunetti and Mozart to perform; completed by M Stadler. |
|
|
372a |
400 |
Allegro f/Kybd |
-- |
Bb |
-- |
Composed supposedly 1781 in Vienna; cited on performance parts are names "Sophie" and "Constanza", both unmarried at the time, thus begun before wedding to Constanze; completed (57 additional measures) by M Stadler. |
Tyson (Mozart Studies 1991) states it is written on paper first used by Mozart in 1782. |
|
373 |
373 |
Rondo f/Vn |
-- |
C |
-- |
Dated Apr 2, 1781 in Vienna; written for Antonio Brunetti, who played it on Apr 2, 1781 in Vienna. |
|
|
373a |
379 |
Sonata f/Kybd & Vn |
-- |
G |
-- |
Composed supposedly Apr 7, 1781 in Vienna; sonata referred to by Mozart in letter of Aril 8, 1781 that he composed in one hour; performed Apr 8 by Brunetti and himself; published by Artaria in Nov 1781 as Op 2/5. |
|
|
374 |
374 |
Rec & Aria f/S |
A questo seno/Or che il cielo a me |
Eb |
-- |
Dated Apr 1781 in Vienna for Francesco Ceccarelli and performed on Apr 8 by him. |
At end of autograph, a variant of 8 measures to be inserted at measures 177-180 (Kunze NMA 1972). |
|
374a |
359 |
12 Variations f/Kybd & Vn |
La Bergere Celimene |
G |
-- |
Composed supposedly in Jun 1781 in Vienna; probably composed for use of student Countess Thiennes de Rumbecke. |
|
|
374b |
360 |
6 Variations f/Kybd & Vn |
Hélas, j'ai perdu mon amant |
g |
-- |
Composed supposedly in Jun 1781 in Vienna; probably composed for use of student Countess Thiennes de Rumbecke. |
|
|
374c |
352 |
8 Variations f/Kybd |
Dieu d'Amour |
F |
-- |
Composed supposedly in Jun 1781 in Vienna; based on chrous piece in Grétry opera "Les Mariages Samnites"; possibly also composed for use of student Countess Thiennes de Rumbecke. |
|
|
374d |
376 |
Sonata f/Kybd & Vn |
-- |
F |
-- |
Composed supposedly in early summer or summer 1781 in Vienna; published by Artaria in Nov 1781 as Op 2/1. |
|
|
374e |
377 |
Sonata f/Kybd & Vn |
-- |
F |
-- |
Composed supposedly in summer 1781 in Vienna; published by Artaria in Nov 1781 as Op 2/3. |
|
|
374f |
380 |
Sonata f/Kybd & Vn |
-- |
Eb |
-- |
Composed supposedly in summer 1781 in Vienna; published by Artaria in Nov 1781 as Op 2/6. |
|
|
374g |
A046 |
Andantino f/Kybd & Vc |
-- |
Bb |
-- |
Begun supposedly in summer 1781 in Vienna. |
Paper used by Mozart in mostly in 1782 and 1783 (Tyson-Auto Scores 1987). |
|
375 |
375 |
Serenade f/Winds |
-- |
Eb |
-- |
First version (2 Cl, 2 Hn, 2 Bn) composed Oct 1781 in Vienna; second version (2 Ob, 2 Cl, 2 Hn, 2 Bn) composed in Jul 1782 in Vienna; Mozart wrote on Nov 3, 1781 that he was treated to his Serenade for 6 winds that he had written for St. Theresa's Day (Oct 15), for Frau von Hickel's sister; 8-wind version probably made for Prince Liechtenstein. |
Mozart's letter of July 27, 1782, in which he stated he had to compose a Nacht Musique for winds "in a great hurry", probably refers to this Serenade in its 8-wind version. Possibly for Liechtenstein's ensemble (Leeson/Zaslaw-NMA 1978). |
|
375a |
448 |
Sonata f/2 Kybd |
-- |
D |
-- |
Composed supposedly in Nov 1781 in Vienna; written for Mozart and pupil Josepha von Auernhammer; performed by them in concert at her residence on Nov 23, 1781. |
|
|
375b |
A042 |
Sonata Mvmt f/2 Kybd |
-- |
Bb |
-- |
Begun supposedly in spring 1782 in Vienna; connected with sonata for Auernhammer. |
|
|
375c |
A043 |
Sonata Mvmt f/2 Kybd |
-- |
Bb |
-- |
Composed supposedly in spring 1782 in Vienna; headed "Sonata a 2 cembali/per la Sigra Constanza Weber--ah--". |
|
|
375d |
A045 |
Fugue f/2 Kybd |
-- |
G |
-- |
Composed probably in spring 1782 in Vienna; most likely for Mozart and Constanze Weber. |
Paper only used by Mozart between Dec 1785 and Dec 1786 (Tyson-Auto Scores 1987). |
|
375e |
401 |
Fugue f/Kybd |
-- |
g |
-- |
Begun supposedly spring 1782 in Vienna; last 8 measures by M Stadler |
NMA (1982) designates piece for Organ. NMA (Plath NMA-1982) assigns to 1773, and Tyson states it is on paper used by Mozart in early 1770s (Tyson-Mozart Studies 1991). |
|
375f |
153 |
Fugue f/Kybd |
-- |
Eb |
-- |
Composed supposedly spring 1782 in Vienna; completed by S Sechter. |
Another 6-measure autograph, combining theme with a chromatic counter theme, discovered in appendix of Barbara Ployer notebook (Plath-NMA 1982); Tyson believes possibly composed in Salzburg during 1783 visit (Tyson-Mozart Studies 1991). |
|
375g |
A041 |
Fugue f/Kybd |
-- |
G |
-- |
Begun supposedly in spring 1782 in Vienna. |
Handwriting places fragment around late summer 1777 (Plath-MJB 1976/77). |
|
375h |
-- |
Fugue f/Kybd |
-- |
F |
-- |
Begun probably in spring 1782 in Vienna. Most likely identical to KV 626b/14 |
On paper Mozart used during Salzburg stay of second half of 1783 (Tyson-Mozart Studies 1991). |
|
382 |
382 |
Concert Rondo f/Kybd |
-- |
D |
-- |
Composed most likely in Mar 1782 in Vienna; on Mar 23, 1782 Mozart wrote his father he was sending him Rondo written for his Concerto f/Kybd in D K175; composed as replacement finale; Mozart first played it Mar 3. Concerto f/Kybd KV 175 was first published with this finale. |
|
|
382a |
229 |
Canon w/out Text f/3 Singers |
Sie ist dahin |
c |
-- |
Composed supposedly in 1782 in Vienna; text added later by B&H; probably originally had spiritual Latin texts. |
|
|
382b |
230 |
Canon w/out Text f/2 Singers |
Selig, selig alle |
c |
-- |
Composed supposedly in 1782 in Vienna; text added later by B&H; probably originally had spiritual Latin texts. |
|
|
382c |
231 |
Canon f/6 Singers |
Leck mich im Arsch |
Bb |
-- |
Composed supposedly 1782 in Vienna; new text supplied later by B&H. |
Original text found in library at Harvard University (Ochs-MJB 1991). |
|
382d |
233 |
Canon f/3 Singers |
Leck mir den Arsch fein recht ... |
Bb |
-- |
Composed supposedly 1782 in Vienna; new text supplied later by B&H. |
Music originally by Wenzel Trnka (Plath-Opera Incerta 1991); original text found in library at Harvard University (Ochs-MJB 1991). |
|
382e |
234 |
Canon f/3 Singers |
Bei der Hitz im Sommer eß ich |
G |
-- |
Composed supposedly 1782 in Vienna; new text supplied later by B&H. |
Music originally by Wenzel Trnka (Plath-Opera Incerta 1991); original text found in library at Harvard University (Ochs-MJB 1991). |
|
382f |
347 |
Canon (w/out Text) f/6 Singers |
D |
-- |
Composed supposedly 1782 in Vienna; text supplied later by B&H. |
Paper apppears to point to later time of end of 1784, and mainly during 1785 (Tyson-NMA 1992). |
|
|
382g |
348 |
Canon f/3 Singers |
V'amo di core teneramente |
G |
-- |
Composed supposedly 1782 in Vienna; from Constanze's correspondance with André; possibly Mozart's copy of another composer's work. |
Tyson (Mozart Studies 1991) does not believe paper used by Mozart until 1783. |
|
382h |
119 |
Aria f/S |
Der Liebe himmlisches Gefühl |
A |
-- |
Composed supposedly 1782 in Vienna; known only in Kybd reduction; hypothetically placed in vicinity of German Aria KV 383, though also possibly Aria for Gretl Marchand; also possibly an Aria for "Der Schauspieldirektor" or "Zaïde". |
Kunze (NMA 1972) believes it most likely Aria promised for Gretl Marchard in letter of July 21, 1784. |
|
383 |
383 |
Aria f/S |
Nehmt meinen Dank |
G |
-- |
Dated Apr 10, 1782 in Vienna; for Aloysia Lange. |
Probably for some type of benefit concert (Kunze NMA-1972). |
|
383a |
394 |
Prelude & Fugue f/Kybd |
-- |
C |
-- |
Composed supposedly in Apr 1782 in Vienna; discussed in letter to sister of Apr 20, 1782. |
|
|
383b |
A033/40 |
Fugue f/Kybd |
-- |
F |
-- |
Composed supposedly in spring 1782 in Vienna. |
Paper studies (Tyson-Auto Scores 1987) places between Dec 1787 and Feb 1789. |
|
383C |
A032 |
Fantasie f/Kybd |
-- |
f |
-- |
Mentioned in Nissen biography; possibly introduction for Fugue KV 383c. |
Autograph, now lost, is later paper type, also contains sketches to"Così fan tutte"; new dating suggests beginning of 1790 in Vienna (Tyson-Mozart Studies 1991; Plath-NMA 1982). |
|
383c |
A038 |
Theme & Variations (?) f/Org |
-- |
C |
-- |
Composed supposedly spring 1782 in Vienna; on same manuscript page as KV 383d. |
Paper studies (Tyson-Auto Scores 1987) place in summer of 1783; NMA (Plath 1982) places in second half of 1780s. |
|
383d |
A039 |
Fugue f/Kybd |
-- |
c |
-- |
Composed supposedly spring 1782 in Vienna; on same manuscript page as KV 383c. |
Paper studies (Tyson-Auto Scores 1987) place in summer of 1783; NMA (Plath 1982) places in second half of 1780s. |
|
383e |
408/1 |
March |
-- |
C |
-- |
Composed supposedly 1782 in Vienna; probably for use in Vienna concerts. |
|
|
383F |
408/3 |
March |
-- |
C |
-- |
Composed supposedly 1782 in Vienna; probably for use in Vienna concerts. |
|
|
383f |
409 |
Symphony Minuet |
-- |
C |
-- |
Composed supposedly May 1782 in Vienna; suggested possibly for Symphony KV 338, with Fls added to Symphony. |
Zaslaw believes intended as concert piece, different scoring and too long to be Minuet for K338 (Zaslaw-Symphonies 1989). |
|
383g |
A100 |
Symphony |
-- |
Eb |
-- |
From Nissen biography; fragment consisted of 14-measure Adagio and 83 measures of Allegro; dated here because of lack of Cls in score; perhaps for Augarten Concert of May 26, 1782. |
|
|
383h |
440 |
Aria f/S |
In te spero, o sposo amato |
C |
-- |
Composed supposedly in spring 1782 in Vienna; Constanze Mozart later wrote "per la mio cara sposa", thus after the couple were married. |
|
|
383i |
-- |
Sketch of a Symph Mvmt or Overture |
-- |
C |
-- |
Originated most likely 1781/82 in Vienna; possibly beginning to a symphony or overture; perhaps to "Entführung", (22 measures). |
Wolff (NMA 1972) believes beginning of discarded Concerto f/Kybd in C, in summer/autumn 1782. |
|
384 |
384 |
Comic Singspiel in 3 Acts |
Die Entführung aus dem Serail |
C |
-- |
Composed between Jul 30, 1781 and May 29, 1782 in Vienna; first performed Jul 16, 1782 at Burg Theater in Vienna. |
|
|
384A |
389 |
Duet f/2T Voices |
Welch ängstliches Beben |
Eb |
-- |
Composed probably in Apr or May 1782 in Vienna; duet for Belmont and Pedrillo, originally intended in "Entführung". |
Perhaps written in Sept 1781; from Mozart letter passages of Sept 26, 1781 (Croll-NMA 1981). |
|
384a |
388 |
Serenade f/Winds |
Nacht Musique [sic] |
c |
-- |
Composed most likely toward end of Jul 1782 in Vienna; work refered to by Mozart in letter of Jul 27, 1782 in which he stated he had to write a "Nacht Musique" for winds "in a great hurry". |
Letter of July 27, 1782, probably refers to KV 375 in 8-wind version; paper shows to originate from 1782, but stylistic traits point toward 1783 (Leeson/Zaslaw-NMA 1978). |
|
384B |
-- |
Beginning of an Andante f/Winds |
-- |
Eb |
-- |
[Not dated by KV6.] Possibly a draft of an andante for KV 384a. |
Probably beginning of mvmt for a different Serenade in this time period (Leeson/Zaslaw-NMA 1978). |
|
384b |
-- |
March f/Winds |
-- |
Bb |
-- |
Composed probably in Jul 1782 in Vienna; possibly connected to fragment KV 384c. |
|
|
384c |
A096 |
Allegro f/Winds |
-- |
Bb |
-- |
Composed probably in Jul 1782 in Vienna; key and setting show connection to KV 384b |
|
|
385 |
385 |
Symphony |
Haffner Symphony |
D |
35 |
Dated Jul 1782 in Vienna; orginally intended as a serenade for celebration of ennoblement of Sigmund Haffner in Salzburg; reworked and performed in Vienna on Mar 23, 1783. |
|
|
385a |
408/2 |
March |
-- |
D |
-- |
Composed supposedly beginning Aug 1782 in Vienna; intended for 2nd Haffner Serenade, (see KV 385). |
|
|
385b |
393 |
Solfeggios f/1 Voice |
-- |
var |
-- |
Composed supposedly Aug 1782 in Vienna; 4 vocal exercises for Constanze Mozart, no doubt originating around 1782, as it was headed "per la mia cara Constanza", and #2 relates to Constanze's vocal part in the Kyrie of Mass in c-minor KV 427. |
All could be from 1782, except #3, on paper Mozart used in Salzburg during 1783 stay (Tyson-Mozart Studies 1991). |
|
385c |
403 |
Sonata f/Kybd & Vn |
-- |
C |
-- |
Composed supposedly in Aug or Sep 1782 in Vienna; autograph has heading 1st Sonata for "ma trés chére Epouse", thus composed after marriage on Aug 4; completed by M Stadler. |
Paper first used by Mozart early in 1784 (Tyson-Mozart Studies 1991). |
|
385d |
404 |
Andante & Allegretto f/Kl & Vn |
-- |
C |
-- |
Composed supposedly 1782 in Vienna. |
Reeser (NMA-1965) questions if two mvmts originally had anything to do with one another; paper (only Allegretto mvmt survives) used by Mozart only from end of 1785 to end of 1786 (Tyson-Mozart Studies 1991). |
|
385E |
A048 |
Sonata Mvmt f/Kybd & Vln |
-- |
A |
-- |
Composed probably 1782 in Vienna; no doubt one of the pieces for Constanze. |
Paper first used by Mozart early in 1784 (Tyson-Mozart Studies 1991). |
|
385e |
402 |
Sonata f/Kybd & Vn |
-- |
A |
-- |
Composed supposedly in Aug or Sep 1782 in Vienna; autograph headed "Sonata II" but crossed out, probably same time as KV 385c; completed by M Stadler. |
Tyson (Mozart Studies 1991) believes crossed out "Sonata II" perhaps refers to Op 2 Sonatas published in Nov 1781 (see KV 296). |
|
385f |
396 |
Sonata Mvmt f/Kybd & Vln |
-- |
c |
-- |
Composed supposedly in Aug or Sep 1782 in Vienna; autograph fragment shows Vl entry at measure 24 ff; M Stadler completed and arranged piece for publication for solo Kybd in 1802 dedicated to "Madame Constanze Mozart". |
|
|
385g |
397 |
Fantasie f/Kybd |
-- |
d |
-- |
Composed supposedly 1782 in Vienna; last 10 measures most likely by AE Müller. |
Zaslaw believes fragment probably completed by Mozart and lost (Solomon-Mozart-A Life). |
|
385h |
A034/1 |
Adagio f/Kybd |
-- |
d |
-- |
[Not dated by KV6 but placed with works of 1782 in Vienna.] On same manuscript page with KV 576a. |
Tyson (Auto Scores 1987) cannot precisely date, but seems to have been available to Mozart from Nov 1786 to the end of his life; Plath (NMA 1982) dates not earlier than 1785/86. |
|
385i |
399 |
Suite f/Kybd |
-- |
C |
-- |
Composed supposedly 1782 in Vienna; surely at the behest of Baron van Swieten. |
|
|
385k |
154 |
Fugue f/Kybd |
-- |
g |
-- |
Composed supposedly 1782 in Vienna; first published with completion of S Sechter. |
|
|
385n |
-- |
Fugue f/4 Singers (?) |
-- |
A |
-- |
Begun probably 1782 in Vienna; auction catalogue stated for Quartet f/Str, or possibly for 4 voices. |
|
|
385o |
-- |
Sketch of a Kybd Conc [KV385p/414] |
-- |
A |
-- |
Originated probably in autumn 1782 in Vienna; identical to exposition of 1st mvmt of KV 414. |
|
|
385p |
414 |
Concerto f/Kybd |
-- |
A |
-- |
Composed supposedly in autumn 1782 in Vienna; first of 3 Concertos he wrote to be performed in a subscription concert series during Lent of 1783. |
|
|
386 |
386 |
Concert Rondo f/Kybd |
-- |
A |
-- |
Dated Oct 19, 1782 in Vienna; portions of finale separated and some lost; Kybd reduction by Cipriari of mvmt scored up for editions; questionable whether originally intended as finale for KV 414 or replacement in same concerto. |
Tyson discovered autograph ending of Rondo in 1980; now all or parts of autograph to all but 4 pages exact; no doubt not intended as finale for KV 414, since finale to that concerto starts on same leaf of paper as 2nd mvmt; also KV 382 can not be played "a quattro" as Mozart advertised that concerto could be (Tyson-Auto Scores 1987). |
|
386b |
412/514 |
Concerto f/Hn |
-- |
D |
-- |
Composed supposedly end 1782; Rondo dated Apr 6, 1787 in Vienna (autograph lost); Rondo actually dated Apr 6, 1797; composed for Joseph Leutgeb. |
Paper studies show 1st mvmt most likley started but certainly completed in 1791; 2nd mvmt Rondo draft a Mozart autograph from 1791; completed 2nd mvmt KV 514 not by Mozart, but Süßmayr, and composed by Good Friday, April 6, 1792 (Tyson-Auto Scores 1987). |
|
386c |
407 |
Quintet f/Hn & St |
-- |
Eb |
-- |
Composed supposedly end of 1782 in Vienna. |
|
|
386d |
A025 |
Sineds' (Denis') Poet Song |
O Calpe! dir donnerts am Fuße |
D |
-- |
Composed end of Dec 1782 in Vienna; Mozart mentions in letter of Dec 28, 1782; written at request of Hungarian woman living in Vienna in honor of Admirals Howe and Elliot breaking Spanish blockade at Gilbrator. |
|
|
387 |
387 |
Quartet f/St |
-- |
G |
-- |
Dated Dec 31, 1782 in Vienna; first of 6 Quartets f/St dedicated to Joseph Haydn as Op X in 1785. |
|
|
387a |
413 |
Concerto f/Kybd |
-- |
F |
Composed supposedly Winter 1782/83 in Vienna; one of the 3 concertos Mozart wrote to be performed in a subscription concert series during Lent of 1783. |
||
|
387b |
415 |
Concerto f/Kybd |
-- |
C |
13 |
Composed supposedly Winter 1782/83 in Vienna; one of the 3 concertos Mozart wrote to be performed in a subscription concert series during Lent of 1783; cancelled draft of a slow mvmt in autograph. |
Parts in St. Peter's in Salzburg show Mozart and his father thoroughly revised parts for Salzburg performance of Oct 1, 1783 (Wolff-NMA 1975). |
|
404a |
-- |
6 3-Voice Fugues |
-- |
var |
-- |
Composed or arranged supposedly 1782 in Vienna; arragements of 5 Fugues of JS Bach and 1 by WF Bach for string trio with 6 newly composed slow introductions; probably made for Sunday matinees at van Swieten's. |
Holschneider (Musikforschung 1964) doubted authenticity due to various poor sources; Flothuis doubted authenticity on stylistic grounds (Mozart's Arrangements 1969); Tomita suggests K404a composed later than KV 405, and new sources weaken Mozart's position as author/arranger; possibly arranged as late as 1801 (A New Light Shed on Origin of KV 404a and 405--paper read at British Musicology Concerence 1996; Music & Letters, 2000) |
|
404b |
443 |
Fugue (Trio Movement) |
-- |
G |
-- |
Composed probably 1782 in Vienna; completed by M Stadler; Nissen and Jahn designated piece for Vin, Vl and Vc. |
|
|
405 |
405 |
5 4-Voice Fugues after JS Bach |
-- |
var |
-- |
Arranged supposedly 1782 in Vienna; arrangemnt for string quartet of 5 JS Bach Fugues; probably made for Sunday matinees at van Swieten's; title page of André edition of 9 famous quartets states from the same publisher 6[!] Fugues of JS Bach. |
Croll (ÖMz 1966) found fragmentary autograph transcription for String Quartet of J.S.Bach Fugue BWV891 transposed to c and believed 6th Fugue. Fragment completed by M. Stadler; Plath believed 6th Fugue was Mozart's transcription of Froberger Fantasia K.Anh A 60 (Plath-Festschrift Gerhard Croll 1992). |
|
405a |
A077 |
Fugue f/St |
-- |
C |
-- |
Begun supposedly 1782 in Vienna; no doubt in time of KV 405, possibly arrangement of another composer's work. |
Perhaps a study piece for canonic technique rather than a quartet mvmt (Finscher-NMA 1960); paper used by Mozart first near end of 1789 and mainly in 1790-91, perhaps associated with Prussian Quartets (Tyson-Mozart Studies 1991). |
|
416 |
416 |
Rec & Aria f/S |
Mia speranza adorata/Ah, non sai |
Bb |
-- |
Dated Jan 8, 1783 in Vienna; for Aloysia Lange; first performance took place in Mehlmarkt on Jan 11. |
|
|
416a |
-- |
German Opera |
-- |
unk |
-- |
Planned in beginning Feb 1783 in Vienna; Mozart's letter of Feb 5, 1783 stated writing German opera a Goldoni's "Il servitore di due padroni". |
Kunz (NMA-1971) believes 2 Aria fragments, KV 416b and 416c, are apparently in connection with planned German Opera. Agrees with Einstein that it is unlikely Mozart would have planned inserts into the German operas of others; Konrad (Schaffensweise-1992) lists melody sketch to a Bass Aria as probably belonging to music of lost German opera. |
|
416b |
435 |
Aria f/T |
Müßt' ich auch durch 1000 Drachen |
D |
-- |
Composed supposedly 1783 in Vienna; possibly for insert into unknown German opera; also possibly for planned German opera KV 416a. |
|
|
416c |
433 |
Aria f/B |
Männer suchen stets zu naschen |
F |
-- |
Composed supposedly 1783 in Vienna; possibly for insert into unknown German opera; also possibly for planned German opera KV 416a. |
|
|
416d |
446 |
Music to a Pantomime |
-- |
D |
-- |
Composed in Feb 1783 in Vienna; reported by Mozart in letters in Feb and Mar 1783 as a pantomime for small company of masqueraders, which was performed by Mozart and friends on Carnival Monday in the Redoutensaal. |
|
|
416e |
398 |
6 Variations f/Kybd |
Salve tu, Domine |
F |
-- |
Composed probably in Mar 1783 in Vienna; based on Aria from Paisiello's opera "I filosofi immaginarii"; played by Mozart in his concert of Mar 23, 1783. |
|
|
416f |
293 |
Concerto f/Ob |
-- |
F |
-- |
Composed supposedly in Feb or Mar 1783 in Vienna; per Mozart's letter of Feb 15, 1783, composed for Prince Esterhazy's Oboist. |
Paper and handwriting show composition earlier; from handwriting Nov 1778 while watermarks most likely shortly before Mozart left Paris, but perhaps as he was returning to Mannheim. (Giegling-NMA 1981 and Tyson-Auto Scores 1987). |
|
417 |
417 |
Concerto f/Hn |
-- |
Eb |
-- |
Dated May 27, 1783 in Vienna; for Joseph Leutgeb. |
|
|
417a |
427 |
Missa |
The Great Mass |
c |
-- |
Composed between summer 1782 and May 1783 in Vienna; performed at St. Peter's in Salzburg on Oct 26, 1783, with Constanze singing Soprano. |
NMA (1983) believes Credo not completed because not sung in Mass on a Saint's day; Landon (Essays LaRue-1990) states Credo was sung if a Sunday; varous sketches printed in NMA to "Laudamus te", "Cum Sancto Spirtu", and "Dona nobis pacem"; most of the extra wind parts are on Salzburg paper, no doubt other parts written in Salzburg (Tyson-Mozart Studies 1991). |
|
417B |
(K2) A023a and A109fA-C |
Sketches & Fragments |
-- |
var |
-- |
6 sketches and fragments probably to Mass KV 417B. |
Only first part, (to "Cum Sancto"), can be brought into connection with Mass KV 417a; #2 is a 5m sketch for chorus dating from 1770; #3 is a 12m sketch to a choral fugue also dating from 1770; #4 is a 4-part sketch or chorus from 1770; #5 is an 8-part Fugato sketch dating to 1784; and #6 is a 4-part Fugue sketch dating to second half of 1783, which perhaps is a copy of a work of another composer (Konrad-Schaffensweise 1992). |
|
417b |
421 |
Quartet f/St |
-- |
d |
-- |
Composed probably middle Jun 1783 in Vienna; 2nd of 6 Quartets f/St dedicated to Joseph Haydn as Op X in 1785; according to Constanze Mozart, composed while she was delivering first child on Jun 17, 1783. |
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