Part Four of Eight (KV 417c - KV 527)
|
KV6 |
KV1 |
ENTRY TITLE |
WORK TITLE OR NICKNAME |
KEY |
# |
SHORT DESCRIPTION FROM KV6 |
ADDITIONAL INFORMATION SINCE K6 |
|
417c |
A076 |
Quartet Mvmt f/St |
-- |
d |
-- |
Composed supposedly in Jun 1783 in Vienna; no doubt study for finale of Quartet f/St KV 417b. |
Probably an independant counterpoint study (Finscher-NMA 1960); paper first used by Mozart about Dec 1785 or Jan 1786; perhaps from around time of Quartet KV 499 (Tyson-Auto Scores 1987). |
|
417d |
-- |
Quartet Mvmt f/St |
-- |
e |
-- |
Composed supposedly in Jun 1783 in Vienna; time difficult to determiine; perhaps in vicinity of Prussian Quartets or Quartet f/St KV 417b. |
Paper used by Mozart first in last months of 1789 then often in 1790-91 (Tyson-NMA 1992). |
|
417e |
178 |
Aria f/S |
Ah, spiegarti, o Dio |
A |
-- |
Composed most likely in Jun 1783 in Vienna; first version of Aria KV 418, for insert in Anfossi's opera "Il curioso indiscreto"; known only in Kybd reduction. |
|
|
418 |
418 |
Aria f/S |
Vorrei spiergarvi, o Dio/Ah conte |
A |
-- |
Dated Jun 20, 1783 in Vienna; composed for Aloysia Lange as insert into Anfossi's "Il curioso indiscreto", performed on Jun 30, 1783 at Burg Theater. |
|
|
419 |
419 |
Aria f/S |
No, no, che non sei capace |
C |
-- |
Composed in Jun 1783 in Vienna; composed for Aloysia Lange as insert into Anfossi's "Il curioso indescreto", performed on Jun 30, 1783 at Burg Theater. |
|
|
420 |
420 |
Aria f/T |
Per pietà, non ricercate |
Eb |
-- |
Dated Jun 21, 1783 in Vienna; composed for Valentin Adamberger for insert into Anfossi's "Il curioso indescreto", but not sung in opera on Jun 30, 1783. |
|
|
421a |
432 |
Rec & Aria f/B |
Così dunque tradisci/Aspri rimorsi |
f |
-- |
Composed supposedly 1783 in Vienna; no doubt composed for Ludwig Fischer. |
Graphic findings in autograph do not prevent dating as far back as 1778 (Kunze-NMA 1972). |
|
421b |
428 |
Quartet f/St |
-- |
Eb |
-- |
Composed supposedly in Jun or Jul 1783 in Vienna; fourt of 6 Quartets f/St dedicated to Joseph Haydn as Op X in 1785. |
|
|
422 |
422 |
Dramma giocoso in 2 Acts |
L'oca del Cairo |
A |
-- |
Composed in second half 1783 in Salzburg and Vienna; abandoned work by Feb 1784. |
Tyson (Mozart Studies-1991) believes first act finale possibly on paper not used by Mozart before early 1784 in Vienna. |
|
422a |
A014 |
Kyrie |
-- |
D |
-- |
Composed supposedly in summer 1783 in Salzburg; in connection with Salzburg trip, but also possibly in connection with church works of 1779, or 1780, or 1791 at the time of "Ave verum corpus", KV 618. |
Paper studies (Tyson-Auto Scores 1987) place between Dec 1787 and Feb 1789; style criteria also show later origin time (Beller-McKenna-MISM 1991). |
|
423 |
423 |
Duo f/Vn & Vl |
-- |
G |
-- |
Composed between Jul and Oct 1783 in Salzburg; written as favor to Michael Haydn who was too sick to finish commission for Archbishop. |
Recently this story doubted; Mozart asked his father for the two Vn Duets in letters of Dec 6, 1783 and Dec 24, 1784; this could possibly be KV 423 and KV 424; also in 1788 Traeg offered for sale 6 Duetti for Vn & Vl, 4 by Michael Haydn and these 2 by Mozart (Angerer-MISM 1995). |
|
424 |
424 |
Duo f/Vn & Vl |
-- |
Eb |
-- |
Composed between Jul and Oct 1783 in Salzburg; written as favor to Michael Haydn who was too sick to finish commission for Archbishop. |
See Remarks to KV 423 |
|
424a |
430 |
Opera buffa in 2 Acts |
Lo sposo deluso |
D |
-- |
Composed probably in the second half of 1783 in Salzburg and Vienna[?]; Mozart named possible singers in score. |
Tyson (Mozart Studies-1991) believes parts of autograph on paper Mozart did not use until 1784 and later. |
|
425 |
425 |
Symphony |
[Linz Symphony] |
C |
36 |
Composed end of Oct/beginning of Nov 1783 in Linz. |
Copy of symphony found in Salzburg shows changes no doubt deriving from Mozart (Eisen-Proceedings of Royal Music Assoc 1988). |
|
425a |
444 |
Intro to a Symphony by M Haydn |
-- |
G |
37 |
Composed most likely beginning Nov 1783 in Linz. |
From paper studies most likely composed Feb-April 1784 in Vienna (Zaslaw-Symphonies 1989). |
|
425b |
431 |
Rec & Aria f/T |
Misero! o sogno!/Aura, che intorno |
Eb |
-- |
Composed supposedly in Dec 1783 in Vienna; most likely for Valentin Adamberger; perhaps the "new Rodeaux" by Mozart performed in concerts of Tonkunstler Society on Dec 22 and 23, 1783. |
Author of text Caterino Mazzola (Rice-MSA Newsletter 1999). |
|
426 |
426 |
Fugue f/2 Kybd |
-- |
c |
-- |
Dated Dec 29, 1783 in Vienna |
|
|
426a |
A044 |
Allegro f/2 Kybd |
-- |
c |
-- |
Composed supposedly in Dec 1783 in Vienna; no doubt in connection with KV 426 as introduction mvmt. |
Paper only used by Mozart between Dec 1785 and Dec 1786 (Tyson-Auto Scores 1987). |
|
436 |
436 |
Notturno f/2S & 2B |
Ecco quel fiero istante |
F |
-- |
Composed supposedly 1783 in Vienna; dating according to André; composed for Jacquin circle, as Constanze wrote in 1800 that the voice parts were by Gotfried Jacquin. |
Autograph rediscovered in 1980s and found to date from no earlier than 1787, and perhaps later (Tyson-Auto Scores 1987). |
|
437 |
437 |
Notturno f/2S & 2B |
Mi lagnerò tacendo |
G |
-- |
Composed supposedly 1783 in Vienna; dating according to André; composed for Jacquin circle, as Constanze wrote in 1800 that the voice parts were by Gotfried Jacquin. |
See KV 436. |
|
438 |
438 |
Notturno f/2S & 2B |
Se lontan, ben mio, tu sei |
Eb |
-- |
Composed supposedly 1783 in Vienna; dating according to André; composed for Jacquin circle, as Constanze wrote in 1800 that the voice parts were by Gotfried Jacquin. |
See KV 436. |
|
439 |
439 |
Notturno f/2S & 2B |
Due pupile amabili |
F |
-- |
Composed supposedly 1783 in Vienna; dating according to André; composed for Jacquin circle, as Constanze wrote in 1800 that the voice parts were by Gotfried Jacquin. |
See KV 436. |
|
439a |
346 |
Notturno f/2S & 2B |
Luci care, luci belle |
F |
-- |
Composed supposedly 1783 in Vienna; dating according to André; composed for Jacquin circle, as Constanze wrote in 1800 that the voice parts were by Gotfried Jacquin. |
See KV 436. |
|
439b |
A229 |
5 Divertimenti f/2 Bthn or Cl & Bn |
-- |
Bb |
-- |
Composed supposedly in 1783 in Vienna; butr time determination not certain; perhaps originally written for 3 bassetthorns . |
No doubt written originally for 3 Bthns, but early publications for various instruments for performer preferrence; division of pieces into 5 Divertimenti no doubt put together by Simrock in publication around 1806; originally 25 individual mvmts; origin time undetermined but probably later in Vienna perhaps 1787 or 1788 (Flothuis-MJB 1973/74). |
|
441 |
441 |
Humerous Trio f/STB |
Das Bandel |
G |
-- |
Composed supposedly 1783 in Vienna; must fall between Mozart's wedding, (Aug 1782), and start of his work catalogue, (Feb 1784); prompted by ribbon incident involving Mozart, Constanze and Gottfried Jacquin. |
Tyson believes possibly originated in 1786 (Tyson-Auto Scores); recently auctioned autograph portion sugests work originated earlier with string accompaniment possibly added later (Sotheby- London 1993). |
|
441a |
-- |
Humorous Song f/B |
Ja! grüß dich Gott |
A |
-- |
Composed supposedly 1783 in Vienna. |
Musical contents make authenticity doubtful; possibly a draft to a melody from other composer's Singspiel, noted down by Mozart for Kybd improvation or variations (Ballin-NMA Crit. Rep 1963). |
|
442 |
442 |
3 Trio Movements f/Kybd & St |
-- |
d,G,D |
-- |
Composed supposedly1783 in Vienna; although 3 mvmts do not belong together, all originated from same time; fragments completed by M Stadler. |
1st mvmt probably beginning of Allegro from 1785/86, 2nd no doubt a middle mvmt from same time, 3rd is probably an opening mvmt originating from 1788 or later (Plath/Rehm-NMA 1965); paper studies also indicate later datings of 1st mvmt 1785 through 1787, 2nd mvmt July 1786 to middle 1787 and even once in 1791, 3rd mvmt first in 1787 then until 1791 (Tyson-Mozart Studies 1991). |
|
447 |
447 |
Concerto f/Hn |
-- |
Eb |
-- |
Composed supposedly 1783 in Vienna; probably for Joseph Leutgeb; not in Mozart's work catalogue, so it is placed before its start in Feb 1784. |
Plath placed in 1787 (Giegling-NMA 1986) and paper studies confirm this (Tyson-Auto Scores 1987). |
|
448a |
461 |
5 (6) Minuets |
-- |
var |
-- |
Dated 1784 in Vienna; supposedly Jan as not in work catalogue. |
|
|
448b |
462 |
6 Countrty Dances |
-- |
var |
-- |
Composed supposedly Jan 1784 in Vienna; as not in work catalogue, so assumed composed before Feb 9. |
|
|
448c |
463 |
2 Minuets w/ Country Dance |
-- |
F/Bb |
-- |
Composed supposedly Jan 1784 in Vienna; as not in work catalogue, so assumed composed before Feb 9. |
|
|
449 |
449 |
Concerto f/Kybd |
-- |
Eb |
14 |
Dated Feb 9, 1784 in Vienna; for Barbara Ployer who first played it at her residence on Mar 23, 1784. |
Tyson believes started work in second half of 1782 and finished it in early 1784 (Tyson-Mozart Studies 1991). |
|
450 |
450 |
Concerto f/Kybd |
-- |
Bb |
15 |
Entered in work catalogue Mar 15, 1784 in Vienna; Mozart first played Mar 24 in Burg Theater; original beginning of andante can be seen in autograph under newer version. |
|
|
451 |
451 |
Concerto f/Kybd |
-- |
D |
16 |
Entered in work catalogue Mar 22, 1784 in Vienna; first played by Mozart on Mar 31, 1784; Mozart sent ornamentation of 8 measures for andante to sister in 1784. |
|
|
452 |
452 |
Quintet f/Kybd & Winds |
-- |
Eb |
-- |
Entered in work catalogue Mar 30, 1784 in Vienna; first performed on Apr 1, 1784 at Burg Theater. |
|
|
452a |
A054 |
Quintet f/Kybd & Winds |
-- |
unk |
-- |
Composed probably in spring 1784 in Vienna; known only from mention in Nissen's biography. |
Discovered at auction in Nov 1990 and sold to Mozarteum; paper also used in Mass in c KV 417a, Concerto f/Hn KV 447 and Quartet f/St KV 458; no tempo marking but appears to be slow introduction for chamber work (Sotheby, London auction catalogue Nov 21, 1990). |
|
452b |
A055 |
Chamber Music Mvmt (w/Kybd) |
-- |
D |
-- |
Begun most probably in 1784. |
|
|
452c |
A065 |
Middle Mvmt to a Kybd Concerto |
-- |
C |
-- |
Begun probably in Apr 1784 in Vienna; probably beginning of slow mvmt to KV 453, or, a lesser possibility, to KV 459. |
|
|
453 |
453 |
Concerto f/Kybd |
-- |
G |
17 |
Dated Apr 12, 1784 in Vienna; writtten for Barbara Ployer who premiered it Jun 13, 1784 in Döbling. |
|
|
453a |
-- |
Little Funeral March f/Kybd |
-- |
c |
-- |
Composed supposedly 1784 in Vienna; pasted in album for Barbara Ployer; headed "Marche funèbre del Sigr Maestro Contrapunto". |
|
|
453b |
-- |
Practice Notebook f/Barbara Ployer |
-- |
n/a |
-- |
Originated 1784 in Vienna; contained exercises in harmony, thoroughbass, small quartets and choral pieces started by Mozart and filled in by Barbara Ployer. |
|
|
454 |
454 |
Sonata f/Kybd & Vn |
-- |
Bb |
-- |
Entered in work catalogue Apr 21, 1784 in Vienna; composed for Regina Strinasacchi to be performed at concert at Burg Theater on Apr 29. |
|
|
454a |
460 |
Variations f/Kybd |
Come un agnello |
A |
-- |
Composed probably in Jun 1784 in Vienna; based on Aria from Sarti opera "Fra I due litiganti il terzo gode"; Mozart's autograph only consists of theme and 2 Variations; on Jun 9/12, 1784 Mozart wrote that he played variations on Sarti's theme; Artaria published a set of 8 variations under Mozart's name in 1803. |
Fischer (NMA Crit Rep. 1962 and MJB 1978/79) doubts printed variations by Mozart, and are another composer's transcription of Mozart improvisations; Armbruster (MJB 1997) shows author of printed variations is apparently Joseph Sardi. |
|
455 |
455 |
10 Variations f/Kybd |
Unser dummer Pöbel meint |
G |
-- |
Dated Aug 25, 1784 in Vienna; based on Arietta from Gluck's opera, "Die Pilgrime von Mekka"; Mozart had played variations on same theme in concert of Mar 23, 1783. |
Incomplete autograph exists of theme, first 4 variations and start of fifth that probably is a sketch that originated before or after 1783 concert (Fischer-NMA Crit Rep 1962). |
|
456 |
456 |
Concerto f/Kybd |
-- |
Bb |
18 |
Entered in work catalogue Sep 30, 1784; probably written for Maria Theresia Paradis, according to Leopold Mozart's letter of Feb 13, 1785. |
|
|
457 |
457 |
Sonata f/Kybd |
-- |
c |
-- |
Entered in work catalogue Oct 14, 1784 in Vienna; published with Fantasia KV 475 in Dec 1785, with dedication to Madame Thérèse de Trattner. |
Autograph rediscovered in 1990; appears slow mvmt composed first as teaching piece for Theresia Trattner; numerous revisions and differences exist from that of published edition (Wolf-Journal of Musicology 1992). |
|
458 |
458 |
Quartet f/St |
Hunt Quartet |
Bb |
-- |
Entered in work catalogue Nov 9, 1784 in Vienna; third of 6 Quartets f/St dedicated to Joseph Haydn as Op X in 1785. |
|
|
458a |
A075 |
Minuet f/St Qrt |
-- |
Bb |
-- |
Composed probably beginning Nov 1784 in Vienna; possibly a draft to Minuet of KV 458. |
Paper not found in any Mozart work before "Così fan tutte", January 1790; probably related to Prussian Quartets (Tyson-Auto Scores 1987). |
|
458b |
A071 |
Quartet Mvmt f/St |
-- |
Bb |
-- |
Composed probably beginning Nov 1784 in Vienna; might be draft to Rondo of KV 458. |
Paper not found in any Mozart work before "Così fan tutte", January 1790; probably related to Prussian Quartets (Tyson-Auto Scores 1987). |
|
459 |
459 |
Concerto f/Kybd |
-- |
F |
19 |
Entered in work catalogue Dec 11, 1784 in Vienna. |
Edge (Haydn Yearbook 1992) believes likely first played in Advent concert in Trattner Casino on Dec 12, 1784. |
|
459a |
A059 |
Concerto Mvmt f/Kybd |
-- |
C |
-- |
Composed most likely in Dec 1784 in Vienna; possibly abandoned middle mvmt for KV 459. |
Paper used almost entirely between Feb-April 1784, probably draft for 2nd mvmt of KV 453. |
|
464 |
464 |
Quartet f/St |
-- |
A |
-- |
Entered in work catalogue Jan 10, 1785; fifth of 6 Quartets f/St dedicated to Joseph Haydn as OpX in 1785. |
|
|
464a |
A072 |
Quartet Mvmt |
-- |
A |
-- |
Composed most likely end of 1784 or Jan 1785 in Vienna; most likely discarded Rondo mvmt to KV 464. |
|
|
465 |
465 |
Quartet f/St |
Dissonance Quartet |
C |
-- |
Entered in work catalogue Jan 14, 1785; sixth of 6 Quartets f/Stdedicated to Joseph Haydn as OpX in 1785. |
|
|
466 |
466 |
Concerto f/Kybd |
-- |
d |
20 |
Entered in work catalogue Feb 10, 1785 in Vienna; first played in Burg Theater by Mozart on Feb 11, 1785. |
|
|
467 |
467 |
Concerto f/Kybd |
-- |
C |
21 |
Dated Feb 1785, but entered in work catalogue Mar 9, 1785 in Vienna. |
|
|
468 |
468 |
Masonic Fellowship Song |
Gesellenreise |
Bb |
-- |
Entered in work catalogue Mar 26, 1785; probably composed for Leopold Mozart's elevation to 2nd degree of Masonry in True Concord Lodge on Apr 16, 1785. |
|
|
468a |
429 |
Cantata |
Dir, Seele des Weltalls |
Eb |
-- |
Composed probably 1785 in Vienna; Mozart admitted to Beneficence Lodge on Dec 14,1784, and first composition written for lodge was KV 468, thus this probably shorly after; Mozart only drafted first 2 mvmts; 3rd mvmt broke off after 17 measures; M Stadler completed mvmts in different versions. |
Autograph rediscovered in 1978; it appears to date from 1791 from paper and style criteria (Zeileis-MISM 1985); paper used by Mozart in 1st and 2nd Acts of "Le nozze di Figaro" (end of 1785 and also in 1786), and another type from middle of 1786 to middle of 1787, as well as 1791 (Tyson-NMA 1992). |
|
469 |
469 |
Cantata |
Davidde penitente |
c |
-- |
Composed Mar 1785 in Vienna; reworked portions of Mass KV 427 and 2 newly composed Arias (Aria for Valentin Adamberger, entered in Work Catalogue on Mar 6, and Aria for Caterina Cavalieri, entered on Mar 11); performed at Burg theater on Mar 13 and 15, 1786. |
|
|
470 |
470 |
Andante to a Vn Concerto |
-- |
A |
-- |
Entered in work catalogue Apr 1, 1785 in Vienna; probably for Heinrich Marchand, perhaps as replacement mvmt in Concerto f/Vn KV 218. |
|
|
470a |
-- |
Trumpet and Drum Parts to Vn Concerto |
-- |
unk |
-- |
Written out supposedly in Apr 1785 in Vienna; additiions to GB Viotti's Concerto f/Vn #16 in e. |
C White (Fontes Artis Musicae 1973) dates Viotti's concerto probably 1789-90 for Versailles, but possibly 1784-86; either way, no doubt KV6 dating incorrect, most likely written out by Mozart 1790 or 1791. |
|
471 |
471 |
Cantata f/T w/Male Chorus |
Die Maurerfreude |
Eb |
-- |
Entered in work catalogue Apr 20, 1785; performed at lodge Zur gekrönten Hoffnung on Apr 24. |
|
|
472 |
472 |
Song f/1 Singer w/Kybd |
Der Zauberer |
g |
-- |
Entered in work catalogue May 7, 1785. |
|
|
473 |
473 |
Song f/1 Singer w/Kybd |
Die Zufriedenheit (Wie sanft...) |
Bb |
-- |
Entered in work catalogue May 7, 1785. |
|
|
474 |
474 |
Song f/1 Singer w/Kybd |
Die betrogene Welt |
G |
-- |
Entered in work catalogue May 7, 1785. |
|
|
475 |
475 |
Fantasie f/Kybd |
-- |
c |
-- |
Entered in work catalogue May 20, 1785 in Vienna; published with Sonata KV 457 in Dec 1785 with dedication to Madame Thérèse de Trattner. |
Autograph rediscovered in 1990; numerous revisions and differences exist from that of published edition (Wolf-Journal of Musicology 1992). |
|
475a |
A026 |
Song |
Einsam bin ich |
d |
-- |
Composed supposedly 1785 in Vienna. |
|
|
476 |
476 |
Song f/1 Singer w/Kybd |
Das Veilchen |
G |
-- |
Entered in work catalogue Jun 8, 1785. |
|
|
477a |
(K2) A011a |
Cantata |
-- |
unk |
-- |
Composed most likely in Sep 1785 in Vienna; advertised in Vienna paper on Sep 26, 1785, "Per la ricuperata salute di Ophelia", on recovery of Madame Storace, with music by Salieri, Mozart, Cornetti; could be purchased at Artaria & Co. |
Nancy Storce lost her voice and could not perform for a time, she had sung Ofelia in Salieri's "La grotta di Trofonio" in private performance at Emperor's summer residence (Braunkehrens-Salieri Maligned Master 1992 and Rice-Salieri and Viennese Opera 1998). |
|
478 |
478 |
Quartet f/Kybd & St |
-- |
g |
-- |
Dated Oct 16, 1785 In Vienna; however entered in work catalogue under "in the month of July"; published in Vienna by Hoffmeister as first of 3 in projected cycle. |
|
|
479 |
479 |
Quartet f/ST & 2B |
Dite almeno, in che mancai |
Eb |
-- |
Dated Nov 5, 1785 in Vienna; insert in Bianchi's opera buffa "La villanella rapita"; performed Nov 28, 1785 at Burg Theater. |
|
|
479a |
477 |
Masonic Funeral Music |
-- |
c |
-- |
Composed most likely around Nov 10, 1785 in Vienna; entered in work catalogue in Jul as funeral music for 2 Masonic brothers; however these 2 did not die until Nov 6 and 7, 1785. |
Perhaps originally written in vocal version in July 1785 and performed at elevation ritual in True Harmony Lodge on Aug 12, then performed Nov 17, 1785 as funeral music, and again on Dec 7, 1785 as funeral music with supplemented wind setting (Autexier-MJB 1984/85). |
|
480 |
480 |
Trio f/STB |
Mandina amabile |
A |
-- |
Dated Nov 21, 1785 in Vienna; insert in Bianchi's opera buffa "La villanella rapita" performed Nov 28, 1785 at Burg Theater. |
|
|
480b |
434 |
Trio f/T & 2B |
Del gran regno delle amazoni |
Bb |
-- |
Composed probably end of 1785 in Vienna; introduction ensemble to opera "Il regno delle amazzoni" that Mozart was apparently considering. |
Tyson (Auto Scores 1987) believed written possibly after "Le nozze di Figaro", in the summer, fall or winter of 1786. |
|
481 |
481 |
Sonata f/Kybd & Vn |
-- |
Eb |
-- |
Entered in work catalogue Dec 12, 1785 in Vienna. |
|
|
482 |
482 |
Concerto f/Kybd |
-- |
Eb |
22 |
Dated Dec 16, 1785 in Vienna; performed Dec 23, 1785 at Burg Theater when andante was repeated. |
Possibly played Dec 23, 1785 at Burg Theatre between acts of Dittersdorf's oratorio "Esther" (Heussner and Engel-NMA 1961). |
|
483 |
483 |
Song f/3-Voice Choir & Org |
Zerfließet heut', geliebte Brüder |
Bb |
-- |
Composed supposedly in Dec 1785 in Vienna; text related to the consolidating of Masonic lodges in Vienna by Emperor Joseph II in Dec 1785. |
|
|
484 |
484 |
Song f/3-Voice Choir & Org |
Ihr unsre neuen Leiter |
G |
-- |
Composed supposedly in Dec 1785 in Vienna; text related to the consolidating of Masonic lodges in Vienna by Emperor Joseph II in Dec 1785. |
|
|
484a |
411 |
Adagio f/2 Cl & 3 Bthn |
-- |
Bb |
-- |
Composed probably end of 1785 in Vienna; no doubt for M+G634asonic festivities; although probably in same time as KVK484b, K484c not intended as one Sonata. |
Paper appears to date from 1783 or 1784 (Tyson-NMA 1992). |
|
484b |
A095 |
Allegro assai f/2 Cl & 3 Bthn |
-- |
Bb |
-- |
Composed probably end of 1785 in Vienna; beginning of Cl part also found on manuscript page 3 of KV 484a. |
Paper not used by Mozart prior to 1786 (Tyson-Mozart Studies 1991), |
|
484c |
A093 |
Adagio f/Cl & 3 Bthn |
-- |
F |
-- |
Originated probably end of 1785 in Vienna. |
Paper used by Mozart from Dec 1787 to Feb 1789. |
|
484d |
410 |
Adagio f/2 Bthn & Bn |
-- |
F |
-- |
Composed probably end of 1785 in Vienna; later published with text by B&H. |
Paper used mainly in the second half of 1782 (Tyson-Mozart Studies 1991).Edge, (Mozart's Viennese Copyists 2001) casts doubt, believing it could have originated as late as March 1785 |
|
484e |
-- |
Allegro f/Bthn(?) & ? |
-- |
F |
-- |
[Not dated by KV6, but grouped with 4 previous pieces.] |
As only portion of autograph single part has been handed down, piece probably completed, as Mozart would not make a set of parts for an incomplete work; Plath refered to similiarity with fragment KV 615a, signifying originated substantially later (Leeson/Zaslw NMA 1978). |
|
485 |
485 |
Rondo f/Kybd |
-- |
D |
-- |
Dated Jan 10, 1786; in autograph dedication to "Madselle Charlotte de Wü…", possibly Würben. |
|
|
486 |
486 |
Comedy w/Music in 1 Act |
Der Schauspieldirektor |
C |
-- |
Entered in work catalogue Feb 3, 1786 in Vienna; within autograph Terzett #3 is dated Jan 18, 1786; first performed Feb 7, 1786 at the Orangery at Schönbrunn Palace in Vienna, after Salieri's "Prima la musica, e poi le parole", for entertainment in honor of Emperor Joseph II's sister. |
|
|
488 |
488 |
Concerto f/Kybd |
-- |
A |
23 |
Entered in work catalogue Mar 2, 1786. |
Tyson believes work started in 1784 or early 1785, then finished 1786 (Tyson-Mozart Studies 1991). |
|
488a |
A058 |
Concerto Mvmt f/Kybd |
-- |
D |
-- |
Composed probably in Feb/Mar 1786 in Vienna; from scoring for 2 Cls and no Obs, likely middle mvmt is draft to KV 488; title "Davide penitente" in Mozart's hand over measures 7-9. |
|
|
488b |
A063 |
Concerto Mvmt f/Kybd |
-- |
A |
-- |
Composed probably in Feb/Mar 1786 in Vienna; from scoring for 2 Cls and no Obs, likely is final mvmt draft to KV 488. |
|
|
488c |
A064 |
Concerto Mvmt f/Kybd |
-- |
A |
-- |
Composed probably in Feb/Mar 1786 in Vienna; from scoring for 2 Cls and no Obs, likely is final mvmt draft to KV 488. |
Additional 7 measures (additional to 20 listed in KV6) found in [what used to be called?] Karl Marx Library in Leipzig (Tyson-Auto Scores 1987). |
|
488d |
-- |
Rondo f/a Kybd Concerto |
-- |
A |
-- |
Begun probably Feb/Mar 1786 in Vienna; connected to KV 488. |
|
|
489 |
489 |
Duet f/ST |
Spiergarti, no poss' io |
A |
-- |
Dated Mar 10, 1786 in Vienna; replaced duet in Act II Scene 20 for private performance of "Idomeneo" in palace of Prince Karl Auersperg on Mar 13, 1786. |
|
|
490 |
490 |
Scena w/Rondo f/T w/Vn Solo |
Non piú/Non temer, amato bene |
Bb |
-- |
Dated Mar 10, 1786 in Vienna; insert to begin Act II for private performance of "Idomeneo" in palace of Prince Karl Auersperg on Mar 13, 1786; singer Baron Pulini, violiinist Count Hatzfeld. |
|
|
491 |
491 |
Concerto f/Kybd |
-- |
c |
24 |
Entered in work catalogue Mar 24, 1786; played by Mozart in Apr 3, 1786 subscription concert. |
|
|
491a |
A062 |
Concerto Mvmt f/Kybd |
-- |
Eb |
-- |
Composed probably Mar 1786 in Vienna; abandoned draft of middle mvmt of KV 491. |
|
|
492 |
492 |
Opera buffa in 4 Acts |
Le Nozze di Figaro |
D |
-- |
Completed Apr 19, 1786 in Vienna, begun probably end of Oct 1785; first performed May 1, 1786 at Burg Theater in Vienna. |
|
|
493 |
493 |
Quartet f/Kybd & St |
-- |
Eb |
-- |
Entered in work catalogue Jun 3, 1786 in Vienna; written as second in planned cycle of 3 to be published by Hoffmeister, who did not publish it; published by Artaria in 1787. |
|
|
493a |
A053 |
Quartet Mvmt f/Kybd & St |
-- |
Eb |
-- |
[Not dated in KV6.] Original final mvmt of KV 493. |
|
|
494 |
494 |
Rondo f/Kybd |
-- |
F |
-- |
Entered in work catalogue Jun 10, 1786 in Vienna; published by Hoffmeister in 1788 with 2 mvmts KV 533 as Sonata; Mozart composed additional 27 measure "Cadenza" to Rondo for publication. |
|
|
494a |
(K2) A098a |
Concerto Mvmt f/Hn |
-- |
E |
-- |
Begun probably Jul 1786 in Vienna. |
Paper studies suggest written middle or later half of 1785; however middle 1786 canot be ruled out (Tyson-Auto Scores 1987); probably not written for Joseph Leutgeb, but perhaps for Giovanni Punto or Jakob Eisen (Giegling-NMA 1986). |
|
495 |
495 |
Concerto f/Hn |
-- |
Eb |
-- |
Entered in work catalogue Jun 26, 1786; written for Joseph Leutgeb. |
|
|
495a |
A052 |
Trio Mvmt f/Kybd & St |
-- |
G |
-- |
Composed most likely in Jun/Jul 1786 in Vienna; probably intended as opening mvmt for KV 496. |
Paper appears to be used by Mozart in 1787 and earlier 1788, perhaps not connected with KV 496 (Tyson-Auto Scores 1987); handwriting suggests later dating and connection to Trio KV 564 (Plath/Rehm-NMA 1965). |
|
496 |
496 |
Trio f/Kybd & St |
-- |
G |
-- |
Entered in work ctalogue Jul 8, 1786 in Vienna. |
|
|
496a |
487 |
12 Duos f/2 Winds |
-- |
C |
-- |
Autograph of #1, 3 and 6 headed by unknown hand Jul 27, 1786, in Vienna during a game of skittles; first published (12 pieces) in edition for 2 Hns about 1810, but also published in 19th Century in editions for 2 Vns and for 2 Bthns. |
NMA gives details that pieces can only be for 2 Hns; although skittle party not verified, it is possible; at any rate, no doubt 3 written down on some concrete occasion, and the remainder at later time for a cycle of 12 (Berke-NMA 1974). |
|
497 |
497 |
Sonata f/Kybd 4-Hands |
-- |
F |
-- |
Entered in work catalogue Aug 1, 1786 in Vienna. |
|
|
497a |
357/1 |
Allegro f/Kybd 4-Hands |
-- |
G |
-- |
Composed probably in late summer 1786 in Vienna; from letter of Constanze Mozart to André in 1800, connected with Variations KV 501; Mozart apparently planning 4-hand Sonata. |
Autograph rediscovered in 1989, on paper type used by Mozart after his return from Prague, in Dec 1787 and later (Tyson-NMA 1992). |
|
498 |
498 |
Trio f/Kybd, Cl & Vl |
"Kegelstatt Trio" |
Eb |
-- |
Entered in work catalogue Aug 5, 1786 in Vienna; written for Franziska von Jacquin; also called "Kegelstatt", as Mozart was, legend has it, bowling while composing. |
|
|
499 |
499 |
Quartet f/St |
-- |
D |
-- |
Entered in work catalogue Aug 19, 1786; published by Hoffmeister in Sep 1786. |
|
|
500 |
500 |
12 Variations f/Kybd |
-- |
Bb |
-- |
Entered in work catalogue Sep 12, 1786 in Vienna; theme origin unknown possibly original. |
|
|
500a |
357/2 |
Variations & Coda f/Kybd 4 Hands |
-- |
G |
-- |
Composed before Nov 4, 1786 in Vienna; from Constanze Mozart letter to André in 1800, appears to be connected with a planned Sonata. |
Autograph rediscovered in 1989; paper first used by Mozart in Mar 1791 (Tyson-NMA 1992). |
|
501 |
501 |
5 Variations f/Kybd 4-Hands |
-- |
G |
-- |
Entered in work catalogue Nov 4, 1786 in Vienna; crossed out in autograph is "Cembalo 1mo and 2do", and replaced with "Mano diritta" and "Mano sinistra", showing that Mozart originally conceived piece for Kybd-4-Hands. |
|
|
501a |
A051 |
Trio Mvmt f/Kybd & St |
-- |
Bb |
-- |
Composed most likely in Nov 1786 in Vienna; connected to KV 502. |
Paper studies place in 1784 or early 1785 (Tyson-Auto Scores 1987). |
|
502 |
502 |
Trio f/Kybd & St |
-- |
Bb |
-- |
Entered in work catalogue Nov 18, 1786 in Vienna. |
|
|
502a |
A060 |
Concerto Mvmt f/Kybd |
-- |
C |
-- |
Composed most likely Nov 1786 in Vienna; no doubt draft to KV 503. |
Paper used by Mozart from Mar 1784 to Feb 1785; either connected to Concerto f/Kybd in C KV 467, or around the same time (Tyson-Auto Scores 1987). |
|
503 |
503 |
Concerto f/Kybd |
-- |
C |
25 |
Entered in work catalogue Dec 4, 1786; composed for one of the 4 Advent concerts of 1786. |
Tyson believes started in 1784 or early 1785 and finished in 1786 (Tyson-Mozart Studies 1991). |
|
504 |
504 |
Symphony |
[Prague Symphony] |
D |
38 |
Entered in work catalogue Dec 6, 1786 in Vienna; first performed in Prague on Jan 19, 1787. |
|
|
504a |
A105 |
Symphony Mvmt |
-- |
G |
-- |
Probably begun beginning Dec 1786 in Vienna; rejected slow mvmt of Prague Symphony. |
|
|
505 |
505 |
Scene w/Rondo f/S w/Kybd Solo |
Ch'io mi scordi di te/Non temer |
Eb |
-- |
Dated Dec 26, 1786 in Vienna; composed for Nancy Storace with himself playing Kybd obbligato. |
|
|
506 |
506 |
Song f/1 Singer w/Kybd |
Lied der Freiheit |
F |
-- |
Composed supposedly 1786(?) in Vienna; appeared in Wienerischen Musenalmanach for 1786. |
|
|
506a |
-- |
Study Notebook of Thomas Attwood |
-- |
n/a |
-- |
The instruction lasted from autumn 1785 to Aug 1786; booklet contains instructions beginning with elementary theory problems and progressing; contains handwriting of both Mozart and Atwood. |
Manuscript listed as #4 in KV6 is a Mozart ossia version to the Duet #12b in F.J. Hadyn's "Armida" (Landon-Golden Years 1989); paper used by Mozart between July 1786 to middle of 1787, and again in 1791 (Tyson-MJB 1992). |
|
507 |
507 |
3-Voice Canon w/out Text |
-- |
F |
-- |
Composed supposedly after Jun 3, 1786 in Vienna; on same manuscript page with draft to finale of Quartet f/Kybd & St KV 493, (also KV 508, 508A), thus dated after that, however dating uncertain; text added later by B&H. |
|
|
508 |
508 |
3-Voice Canon w/out Text |
-- |
F |
-- |
Composed supposedly after Jun 3, 1786 in Vienna; on same manuscript page with draft to finale of Quartet f/Kybd & St KV 493, (also KV 507, 508A), thus dated after that, however dating uncertain; text added later by B&H. |
|
|
508A |
-- |
3-Voice Canon w/out Text |
-- |
C |
-- |
Composed supposedly after Jun 3, 1786 in Vienna; on same manuscript page with draft to finale of Quartet f/Kybd & St KV 493, (also KV 507, 508), thus dated after that, however dating uncertain; text added later by B&H. |
|
|
508a |
-- |
8 Canons |
-- |
var |
-- |
Composed supposedly after Jun 3, 1786 in Vienna; on same manuscript page with draft to finale of Quartet f/Kybd & St KV 493, (different from KV 507,508, & 508A), thus dated after that, however dating uncertain. |
|
|
509 |
509 |
6 German Dances |
-- |
var |
-- |
Entered in work catalogue Feb 6, 1787 in Prague; Kybd version in Mozart's hand also preserved. |
Plath (NMA-1982) believes Kybd version originated first. |
|
509a |
232 |
Canon f/4 Singers |
Lieber Freistädler, lieber ... |
G |
-- |
Composed most likely in spring 1787 in Vienna; name "Gaulimauli" connected with Mozart letter of Jan 14, 1787, referring to Franz Jakob Freystädtler; new text by B&H for publication. |
probably originated after death of Freystädtler's father on July 4, 1787, and Mozart's trip to Prague on Oct 1, 1787 (Dunning-NMA 1973). |
|
509b |
-- |
Comedy |
Der Salzburger Lump in Wien |
n/a |
-- |
[Not dated by KV6, but placed at time of Canon KV 509a because of similarity of names in text.] Is outline of first 4 scenes of a spoken comedy. |
Dating also secured by scene of death of father (see remarks to KV 509a) (Hamann-Acta Musicologica 1962); Briefe und Afzeichnungen (v.6 1963) comments that, as there is mention of Joseph Fiala, perhaps originated in time Fiala left Salzburg in Sept 1785 and visited Mozart, thus beginning 1786. |
|
509c |
A028 |
Comedy in 3 Acts |
Die Liebesprobe |
n/a |
-- |
[Not dated by KV6, but stated might be in the same time as KV 509b.] Referred to as a "draft for German operette". |
Is 3 fully written out scenes of 1st Act of a comedy in 3 Acts (Branscombe-Relationship between Spoken Theatre and Music-Theatre). |
|
511 |
511 |
Rondo f/Kybd |
-- |
a |
-- |
Dated Mar 11, 1787 in Vienna. |
|
|
512 |
512 |
Rec & Aria f/B |
Alcandro, lo confesso/Non so d'onde |
F |
-- |
Dated Mar 19, 1787 in Vienna; written for Ludwig Fischer who sang it on Mar 21, 1787 in Kärntnertor Theater. |
|
|
513 |
513 |
Aria f/B |
Mentre ti lascio, o figlia |
Eb |
-- |
Dated Mar 1787 in Vienna; written for Gottfried von Jacquin. |
|
|
514a |
A080 |
Quintet Mvmt f/St |
-- |
Bb |
-- |
Composed probably beginning 1787 in Vienna; no doubt belonged in circle of great Quintets. |
|
|
515 |
515 |
Quintet f/St |
-- |
C |
-- |
Entered in work catalogue Apr 1787 in Vienna. |
|
|
515a |
A087 |
Quintet Mvmt f/St |
-- |
F |
-- |
Composed most likely in Apr 1787 in Vienna; probably orginally beginning of slow mvmt of KV 515. |
Paper type confined to works by Mozart in 1791; perhaps with KV 515c for a planned Quintet f/St in a (Tyson-Auto Scores 1987). |
|
515b/1 |
-- |
Double Canon for 4 Voices |
-- |
Bb |
-- |
Dated in album of Joseph Franz von Jacquin Apr 24, 1787 in Vienna, along with English sentence "Don't never forget your true and faithful friend". |
|
|
515b/2 |
228 |
Double Canon for 4 Voices |
Ach, zu kurz ist unsers Lebens Lauf |
F |
-- |
Copy of KV 516b/1 by Albrechtsberger but with changes; text added later by B&H. |
|
|
515c |
A079 |
Quintet Mvmt f/St |
-- |
a |
-- |
Composed probably in May 1787 in Vienna; probably from time between Quintets f/St KV 515 & KV 516. |
On paper Mozart did not use until Mar 1791; perhaps with KV 515a for a planned Quintet f/St in a (Tyson-Auto Scores 1987). |
|
516 |
516 |
Quintet f/St |
-- |
g |
-- |
Dated May 16, 1787 in Vienna |
|
|
516a |
A086 |
Quintet Mvmt f/St |
-- |
g |
-- |
Composed most likely in May 1787 in Vienna; abandoned finale of Quintet f/St KV 516. |
|
|
516b |
406 |
Quintet f/St (arrangement) |
-- |
c |
-- |
Arranged most likely in spring 1787 in Vienna; Mozart's own arrangement of Wind Serenade KV 384a; no doubt arranged with series of 3 quintets, (with KV 515 & KV 516), in order. |
Probably finished early in 1788 (Tyson-Mozart Studies 1991). |
|
516c |
A091 |
Quintet Mvmt f/Cl & St |
-- |
Bb |
-- |
Composed probably in spring 1787 in Vienna. |
Paper first used by Mozart near end of 1789 and mainly in 1790-91 (Tyson-Mozart Studies 1991); Levin completion of work (MJB 1968/70) shows intended for same instrument that Anton Stadler used for KV581, KV 622 and "La clemenza di Tito"; Levin also believes work was completed and that remainder is lost. |
|
516d |
-- |
Rondo f/Cl & St |
-- |
Eb |
-- |
Begun probably in spring 1787 in Vienna; on same manuscript page with sketch to KV 516, (in addition to KV 537 and others); structure of piece shows possibly on a Divertimento. |
|
|
516e |
A089 |
Rondo f/Cl & St |
-- |
Eb |
-- |
[Not dated in KV6.] No doubt in time of KV 516c and KV 516d. |
|
|
516f |
-- |
Musical Dice Game |
-- |
C |
-- |
Originated most likely after May 16, 1787 in Vienna; on same manuscript page with beginning to Adagio of KV 516. |
Noguchi (MISM 1990) believes some type of alphabet game on name Francisca, no doubt Francisca von Jacquin. |
|
517 |
517 |
Song f/1 Singer w/Kybd |
Die Alte |
e |
-- |
Entered in work catalogue May 18, 1787 in Vienna. |
|
|
518 |
518 |
Song f/1 Singer w/Kybd |
Die Verschweigung |
F |
-- |
Entered in work catalogue May 20, 1787 in Vienna. |
Actually a fragment, Kybd part completed by André (konrad-MJB 1989/90). |
|
519 |
519 |
Song f/1 Singer w/Kybd |
Das Lied der Trennung |
f |
-- |
Entered in work catalogue May 23, 1787 in Vienna. |
|
|
520 |
520 |
Song f/1 Singer w/Kybd |
Als Luise die Briefe ... verbrannte |
c |
-- |
Entered in work catalogue May 26, 1787 in Vienna; autograph states written in room of Gottfried von Jacquin; published in Mar 1791 under Jacquin's name. |
|
|
521 |
521 |
Sonata f/Kybd 4-Hands |
-- |
C |
-- |
Dated May 29, 1787 in Vienna; sent to Franziska von Jacquin immediately after completion, but dedicated to Babette and Nanette Natorp when published a year later. Two Kybrds designated in autograph Kybrd parts. |
|
|
522 |
522 |
A Musical Joke |
-- |
F |
-- |
Entered in work catalogue Jun 14, 1787 in Vienna. |
Possibly started in late 1785 or early 1786, set aside and finished June 1787 (Tyson-Auto Scores 1987). |
|
522a |
A108 |
Rondo f/Orch |
-- |
F |
-- |
Composed most likley first half Jun 1787 in Vienna; setting and character of work connect it to KV 522. |
|
|
523 |
523 |
Song f/1 Singer w/Kybd |
Abendempfindung |
F |
-- |
Entered in work catalogue Jun 24, 1787 in Vienna. |
|
|
524 |
524 |
Song f/1 Singer w/Kybd |
An Chloe |
Eb |
-- |
Entered in work catalogue Jun 24, 1787 in Vienna. |
|
|
525 |
525 |
A Little Night Music |
-- |
G |
-- |
Entered in work catalouge Aug 10, 1787 in Vienna; entered as 5-mvmt work; first of 2 Minuets is missing. |
|
|
525a |
A069 |
Larghetto f/St |
-- |
C |
-- |
Composed most likely beginning Aug 1787 in Vienna; draft for 2nd mvmt of KV 525. |
|
|
526 |
526 |
Sonata f/Kybd & Vn |
-- |
A |
-- |
Entered in work catalogue Aug 24, 1787. |
|
|
526a |
A050 |
Sonata Mvmt f/Kybd & Vln |
-- |
A |
-- |
Originated probably in summer 1787 in Vienna; draft for Sonata KV 526; on same manuscript page with sketches to "Don Giovanni", KV 587. |
|
|
527 |
527 |
Dramma giocoso in 2 Acts |
Don Giovanni |
d |
-- |
Entered in work catalogue Oct 28, 1787 in Prague; first performed Oct 29, 1787 at National Theater in Prague. |
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