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Part Five of Eight (KV 528 - KV 626)

KV6

KV1

ENTRY TITLE

WORK TITLE OR NICKNAME

KEY

#

SHORT DESCRIPTION FROM KV6

ADDITIONAL INFORMATION SINCE K6

528

528

Scene f/S

Bella mia fiamma/Resta, o cara

C

--

Dated Nov 3, 1787 in Prague; written for Josefa Duschek.

 

529

529

Song f/1 Singer w/Kybd

Des kleinen Friedrichs Geburtstag

F

--

Entered in work catalogue Nov 6, 1787 in Prague; title "Am Geburtstag des Fritzes" refers to Prince Friedrich of Anhalt-Dressau.

 

530

530

Song f/1 Singer w/Kybd

Das Traumbild

Eb

--

Entered in work catalogue on Nov 6, 1787 on Prague; in Nov 9, 1787 Mozart gave Gottfried von Jacquin a song in friendship; published around 1803 under Jacquin's name.

 

531

531

Song f/1 Singer w/Kybd

Die kleine Spinnerin

C

--

Entered in work catalogue Dec 11, 1787 in Vienna; published in children's magazine in same year.

 

532

532

Trio f/STB

Grazie agl'inganni tuoi

Bb

--

Composed supposedly 1787 in Vienna; date taken to have connection with statement of Michael Kelly that he [Kelly] wrote a little melody on "Grazie agl'inganni tuoi", on which Mozart wrote variations in 1787.

Possibly Kelly played and sang his song and Mozart orchestrated it (Zalsaw-Festschrift Gertraut Kaberkamp 2002); paper only used by Mozart in 1784 and 1785 (Tyson-Mozart Studies 1991).

533

533

Allegro & Andante f/Kybd

--

F/Bb

--

Entered in work catalogue Jan 3, 1788 in Vienna; published with Rondo KV 494 as Sonata by Hoffmeister in 1788.

 

534

534

Country Dance

Das Donnerwetter

D

--

Entered in work catalogue Jan 14, 1788; exists in orchestral and Kybd versions.

Set of parts for orchestral version discovered in Hungary titled "La tempesta" (Flothuis-NMA 1988).

535

535

Country Dance

La Bataille

C

--

Entered in work catalogue Jan 23, 1788.

Previously unknown sketch found in 1989 (Plath-Studies in Honor of Alan Tyson 1998).

535a

(K2) 535a

3 Country Dances

--

C,G,G

--

Composed probably beginning 1788 in Vienna; Artaria pulbished 6 Contredances, containing these 3 as #3, 4, 6, and KV 534, KV 462/3 and KV 535 others.

As only preserved copy is Kybd reduction, Flothuis counts as doubtful (MISM 1980).

535b

A107

Country Dance

--

Bb

--

Composed probably beginning 1788 in Vienna.

Paper studies place time of composition in last 12 months of Mozart's life (Tyson-Auto Scores 1987).

536

536

6 German Dances

--

var

--

Entered in work catalogue Jan 27, 1788.

 

537

537

Concerto f/Kybd

Coronation Concerto

D

26

Entered in work catalogue Feb 24, 1788 in Vienna; nickname from performance at coronation ceremonies in Frankfurt on Oct 15, 1790.

Much of concerto written in early 1787 (Tyson-Auto Scores 1987).

537a

A057

Concerto Mvmt f/Kybd

--

D

--

Begun probably Feb 1788 in Vienna; in connection with KV 537.

Paper shows possibly originated in summer 1786 (Tyson-Auto Scores 1987).

537b

A061

Concerto Mvmt f/Kybd

--

d

--

Begun probably Feb 1788 in Vienna; probably connected with KV 537, or perhaps KV 488.

Key and different instrumentation speak against connection with KV 537 (Rehm-NMA 1960); paper dates from Dec 1786, possibly Mozart was planning Concetrto f/Kybd in C around this time (Tyson-Auto Scores).

537d

--

Arrangement of an Aria by CPE Bach

Ich folge dir, verklärter Held

D

--

Arranged by Mozart supposedly before Feb 26, 1788 in Vienna; CPE Bach's "Auferstehung und Himmelfahrt Jesu", performed at Count Esterhazy's; Mozart modified solo Trmpt part for Cl, Fl and Ob; Valentine Adamberger was singer of part.

Although not in Mozart's hand, changes in parts are also in 2 Choruses and Bass Aria (Holschneider-MJB 1968/70 and Flothuis-Mozart's Arrarngements of his own Works-1969).

538

538

Aria f/S

Ah se in ciel, benigne stelle

F

--

Dated Mar 4, 1788 in Vienna; written for Aloysia Lange; autograph particella, which differs in voice part, also preserved.

Particella most likely written during Mozart's Munich stay in 1778 (Tyson-Auto Scores 1987).

539

539

A German War Song

Ich möchte wohl der Kaiser sein

A

--

Dated Mar 5, 1788 in Vienna; written for actor in Leopolstadt, Friederick Baumann; First performaned Mar 7.

 

540

540

Adagio f/Kybd

--

b

--

Dated Mar 19, 1788 in Vienna.

 

540a

--

Aria to the Opera Don Giovanni

Dalla sua pace

G

--

Entered in work catalogue Apr 24, 1788 in Vienna; replacement Aria (for "Il mio tesoro") for Vienna performance of Don Giovanni on May 7, 1788 at Burg Theater; singer was Franceso Morella.

 

540b

--

Duet for the Opera Don Giovanni

Per queste tue manine

C

--

Entered in work catalogue Apr 28, 1788, in Vienna; insert duet for Zerlina and Leoporello for Vienna performance of "Don Giovanni" on May 7, 1788 at Burg Theater. Singers were Francesco Benucci and Luisa Mombelli (née Laschi).

 

540c

--

Scena for the Opera Don Giovanni

In quali eccesi/Mi tradì quell'alma

Eb

--

Entered in work catalogue Apr 30, 1788 in Vienna; replacement Rec & Aria (for "In qual eccessi/Mi tradi") for Vienna performance of Don Giovanni on May 7, 1788 at Burg Theater; singer was Caterina Cavalieri.

 

541

541

Arietta f/B

Un bacio di mano

F

--

Entered in Work Catalogue in May 1788 in Vienna; written for Francesco Albertarelli as insert in Anfossi's opera "Le geloise fortunate", performed in Vienna Jun 2, 1788.

 

542

542

Trio f/Kybd & St

--

E

--

Entered in work catalogue Jun 22, 1788 in Vienna; possibly Puchberg trio.

Open to question if Trio for Puchburg mentioned in letter of April 16, 1789 is this or Trio f/St KV 563 (Berke-NMA 1974 and Berke-Acta Mozartiana 1982).

543

543

Symphony

--

Eb

39

Entered in work catalogue Jun 26, 1788 in Vienna.

 

544

544

Little March

--

D

--

Entered in work catalogue Jun 26, 1788 in Vienna.

 

545

545

Sonata f/Kybd

--

C

--

Entered in work catalogue Jun 26, 1788 in Vienna as "A little Klavier Sonata for Beginners".

 

546

546

Adagio & Fugue f/St

--

c

--

Entered in work catalogue Jun 26, 1788 in Vienna; String arrangement of 2-Kybd Fugue KV 426; possibly intended for small string orchestra.

 

546a

A047

Sonata Mvmt f/Kybd & Vn

--

Bb

--

Composed probably in Jun 1788 in Vienna; possibly a draft for KV 547.

On paper Mozart first used near end of 1789 and mainly in 1790-91 (Tyson-Mozart Studies 1991).

547

547

Sonata f/Kybd & Vn

--

F

--

Entered in work catalogue Jul 10, 1788, (see KV 547a and KV 547b).

 

547a

A135

Sonata f/Kybd

--

F

--

Composed probably after Jun 26, 1788 in Vienna; 1st mvmt is Kybd transcription of Allegro to Kybd & Vn Sonata KV 547; 2nd mvmt is last mvmt of Sonata KV 545.

No doubt arranged by unknown arranger after Mozart's death (Marguerre-MJB 1960); Himes (W.A. Mozart's Sonatas for solo Clavier 1988) believes these are authentic Mozart drafts of mvmts for which he later changed instrumentation.

547b

054

5 (6?) Variations f/Kybd

--

F

--

Composed probably in Jul 1788 in Vienna; solo version of 3rd mvmt of KV 547.

No doubt arranged by unknown arranger after Mozart's death (Marguerre-MJB 1960); Himes (W.A. Mozart's Sonatas for solo Clavier 1988) believes these are authentic Mozart drafts of mvmts for which he later changed instrumentation.

548

548

Trio f/Kybd & St

--

C

--

Entered in work catalogue Jul 14, 1788.

 

549

549

Canzonetta f/2S & B

Piú non si trovano

Bb

--

Entered in work catalogue Jul 16, 1788.

 

550

550

Symphony

The Great g Minor

g

40

Dated Jul 25, 1788 in Vienna; Cls added in later revision.

 

551

551

Symphony

Jupiter Symphony

C

41

Entered into work catalogue Aug 10, 1788 in Vienna.

 

552

552

Song f/1 Singer w/Kybd

Beim Auszug in das Feld

A

--

Entered in work catalogue Aug 11, 1788 in Vienna.

 

553

553

4-Voice Canon

Alleluja

C

--

Entered in work catalogue Sep 2, 1788 in Vienna; on same manuscript page with KV 554, 555, and 557.

 

554

554

4-Voice Canon

Ave Maria

F

--

Entered in work catalogue Sep 2, 1788 in Vienna; on same manuscript page with KV 553, 555, and 557.

 

555

555

4-Voice Canon

Lacrimoso son'io

a

--

Entered in work catalogue Sep 2, 1788 in Vienna; on same manuscript page with KV 553, 554,and 557; new text added later by B&H.

 

556

556

4-Voice Canon

G'rectel's enk

G

--

Entered in work catalogue Sep 2, 1788 in Vienna; on same manuscript page with KV 561; new text added later by B&H.

 

557

557

4-Voice Canon

Nascoso é il mio sol

f

--

Entered in work catalogue Sep 2, 1788 in Vienna; on same manuscript page with KV 553, 554, and 555.

 

558

558

4-Voice Canon

Gehn wir im Prater

Bb

--

Entered in work catalogue Sep 2, 1788 in Vienna; on same manuscript page with KV 554 and 555.

 

559

559

3-Voice Canon

Difficile lectu mihi Mars

F

--

Entered in work catalogue Sep 2, 1788 in Vienna; on same manuscript page as KV 560; supposedly jotted down by Mozart as joke, directed at Johann Nepomuk Peierl.

Dunning (NMA 1973) believes probably written years earler, because story about Peierl must have taken place earlier in Vienna in early in 1786; however paper appears to be that used in 1788 (Tyson-NMA 1992).

559a

--

4-Voice Canon

O du eselhafter Peierl

F

--

Composed most likely 1785 in Vienna; another autograph with same music as KV 560, but with a name other than Martin; supposedly jotted down by Mozart as joke directed at Johann Nepomuk Peierl.

Dunning (NMA 1973) believes probably written years earler, because story about Peierl must have taken place earlier in Vienna in early in 1786; autograph KV6 states is in Winkler collection actually has name Martin and is in G; however, paper appears to be that used in 1788 (Tyson-NMA 1992); copy found at Harvard University uses name "Esel" (Ochs-MJB 1991).

560

560

4-Voice Canon

O du eselhafter Martin

F

--

Entered in work catalogue Sep 2, 1788 in Vienna; on same manuscript sheet as KV 559; (see KV 559a).

Possibly name Martin refers to composer Martin y Soler; KV6 lists autograph in collection of Stefan Zweig, but autograph there has text of K559a (Tyson-Mozart Studies 1991); paper appears to be from 1783 (Tyson NMA 1992 and Tyson-Mozart Studies 1991).

561

561

4-Voice Canon

Bona nox, bist a rechta Ox

A

--

Entered in work catalogue Sep 2, 1788 in Vienna; on same manuscript page with KV 556.

 

562

562

3-Voice Canon

Caro bell'idol mio

A

--

Entered in work catalogue Sep 2, 1788 in Vienna; new text later added by B&H.

 

562a

--

4-Voice Canon w/out Text

--

Bb

--

Composed [?] in Vienna.

Paper used by Mozart mainly in 1785 and perhaps occasionally in 1786 and 1787 (Tyson-Mozart Studies 1991).

562b

--

Canon Study

--

F

--

Composed [?] in Vienna.

Actually a work of Michael Haydn, "Adam hat sieben Söhn" [MH 699, composed according to Sherman ca. 1795-1799 Salzburg]; Dunning (NMA-1973) believed this is Mozar'ts copy of Michael Haydn's canon.

562c

A191

4-Voice Canon

--

C

--

Composed [?] in Vienna [?]; headed by Mozart with "13 Canone a due Violini, Viola, e Basso"; on same manuscript page as KV 384B.

Paper studies show paper used by Mozart only in 1782 (Tyson-NMA 1992); in addition to KV 384B are 3-part counterpoint studies (Konrad-Schaffensweise 1992).

562e

A066

Trio f/St

--

G

--

Composed supposedly in Sep 1788 n Vienna; no doubt earlier attempt at Trio f/St KV 563.

Work could just as well originate after KV 563 as before, for a planned series of Trios (Berke-NMA 1974); paper used by Mozart first near end of 1789 and in 1790-91 (Tyson-Mozart Studies 1991).

563

563

Divertimento f/St Trio

--

Eb

--

Entered in work catalogue Sep 27, 1788; written for Michael Puchburg.

Open to question if Trio for Puchburg mentioned in letter of April 16, 1789 is this or Trio f/Kybd & St KV 542 (Berke-NMA 1974 and Berke-Acta Mozartiana 1982).

564

564

Trio f/Kybd & St

--

G

--

Entered in work catalogue Oct 27, 1788 in Vienna.

 

565

565

2 Country Dances

--

Eb/D

--

Entered in work catalogue Oct 30, 1788.

 

565a

--

Country Dance

--

D

--

[No dating in KV6.] Fragment consists of only 2nd Vn part.

Original setting would have been 2 Obs, 2 Bns, 2 Hns, 2 Vns, and Bs (Flothuis-NMA Crit.Rep 1988).

566

566

Arrangement of a Handel Pastorale

Acis and Galathea

var

--

Entered in work catalogue in Nov 1788 in Vienna; commissioned by Baron van Swieten for Association of Cavaliers; reorchestration of Händel's oratorio.

Mozat not only added wind parts, but changed or added some string parts and dynamics; Musette from Händel's Op 6/6 with additional wind parts also in score, but in copyist hand (Holschneider-NMA 1972).

567

567

6 German Dances

--

var

--

Entered in work catalogue Dec 6, 1788.

 

568

568

12 Minuets

--

var

--

Entered in work catalogue Dec 24, 1788; intended for balls in Redoutensaal.

 

569

569

Aria f/S (?)

Ohne Zwang, aus eignem Triebe

F

--

Entered Work Cataologue in Jan 1789 in Vienna; nothing known of occasion.

Text matches first lines of Aria in Johann Heinrich Faber's translation of opera comique, "Le roi et le fermier" (Der König und er Pächter) (Edge-Essays on Life 1996).

569a

A031

Sonata Mvmt f/Kybd

--

Bb

--

Composed most likely beginning 1789 in Vienna; probably a draft for Sonata KV 570, but possibly for KV 454.

From paper studies appears to date between 1787 and 1789 in Vienna. (Plath-NMA 1986).

570

570

Sonata f/Kybd

--

Bb

--

Entered in work catalogue Feb 1789 in Vienna; first published edition by Artaria in 1796 contained Vn part that did not originate from Mozart.

 

571

571

6 German Dances

--

var

--

Entered in work catalogue Feb 21, 1789.

 

571A

A106

Minuet

--

A

--

Originated probably in Feb 1789 in Vienna; in his biography Nissen listed Minuet in A with only 11 measures completed.

 

571a

A005

Humerous Qrt

Caro mio Druck und Schluck

Eb

--

Composed supposedly beginning 1789 in Vienna; dating based on Mozart's use of phrase "Schluck und Druck" in letter of Apr 13, 1789.

 

572

572

Arrangement of a Handel Oratorio

Messiah

G

--

Entered in work catalogue in Mar 1789; commissioned by Baron van Swieten for Association of Cavaliers; reorchestration of Händel's oratorio, performed on Mar 6 and Apr 7 at residence of Count Johann Esterházy.

Numerous changes, cuts and additions of winds (Schildkret-Essays in honor of George J Buelow 1995).

572a

A004

6-Voice Double Canon

Lebet wohl/Heult noch gar

unk

--

Composed supposedly on Apr 22, 1789 in Leipzig; according to anedcote of Rochlitz, composed as farewell for the retiring Thomaskirche cantor, Friedrich Doles.

Dunning (NMA-1973) doubts authenticity of Rochlitz anedcote.

573

573

9 Variations f/Kybd

Duport Variationen

D

--

Entered in work catalogue Apr 29, 1789 in Potsdam; entered in work catalogue as "6 Variations", though possibly Mozart added 3 later, as it was printed by Artaria in 1792 with 9; copy by Lausch from Aug 1791 has 6 variations; no doubt composed duriing his stay in Berlin where Duport was director of Friedrich Wilhelm's chamber music.

 

574

574

Little Gigue f/Kybd

--

G

--

Dated May 1, 1789 in Vienna; written in diary of court organist to Elector of Saxony, Karl Immanuel Engel.

 

575

575

Quartet f/St

--

D

--

Entered in work catalogue Jun 1789 in Vienna as being for His Majesty the King of Prussia; in letter of Jul 12, 1789 Mozart wrote that he planned to compose 6 quartets f/St for King Friedrich Wilhelm.

 

576

576

Sonata f/Kybd

--

D

--

Entered in work catalogue Jul 1789 in Vienna; one of the 6 Sonatas in projected series of works for Princess Friederike of Prussia.

Work too demanding for one of "easy" Sonatas for Princess Friederike. Occasion not known (Plath-NMA 1986).

576a

A034/2

Minuet f/Kybd

--

D

--

[Not dated by KV6, but placed immediately after Sonata KV 576, which was dated Jul 1789 in Vienna.] On same manuscript page with KV 385h.

Tyson (Auto Scores) cannot precisely date, but seems to have been available to Mozart from Nov 1786 to the end of his life; Plath (NMA 1982) dates not earlier than 1785/86; Plath also believes this could be set for a string setting, possibly a Trio f/St.

576b

355

Minuet f/Kybd

--

D

--

Composed probably 1789 in Vienna; Einstein thought was i3rd movement Menuet to K576; although K6 doubts this, it is still placed in connection to this Sonata; M. Stadler added a Trio.

Possibly a transcription of a Minuet for quartet f/St either by Mozart or M Stadler (Plath-MJB 1982); Oster (Journal of Music Theory 1966) believes originated around 1782, and the Minuet that was left as fragment by Mozart was completed by M Stadler.

577

577

Rondo f/S

Al desio, di chi t'adora

F

--

Entered in Work Catalogue in Jul 1789 in Vienna; known only in Kybd reduction; replacement aria for Adriana Ferraresi del Bene for Susanna's "Deh vieni" in "Le nozze di Figaro".

Previously unknown sketch to work found (Page/Edge MT 1991).

578

578

Aria f/S

Alma grande e nobil core

Bb

--

Entered in Work Catolgue in Aug 1789 in Vienna; written for Louise Villeneuve as replacement in Cimarosa's opera buffa "I due baroni di Rocca Azzurra", performed in Vienna on Sep 6 and 13.

 

579

579

Aria f/S

Un moto di gioia mi sento

G

--

Composed probably in Aug 1789 in Vienna; written as replacement aria for Adriana Ferraresi del Bene for Susanna's "Venite inginocchiatevi" in "Le nozze di Figaro"; Kybd reduction by Mozart also exists.

 

580

580

Aria f/S

Schon lacht der holde Frühling

Bb

--

Entered in work catalogue Sep 17, 1789 in Vienna; written for Joespha Hoffer as insert into German version of Paisiello's "Balbier von Seviglien". No record of opera being performed, which may explain why the Aria was not finished.

Autograph found in 1989 (Angermüller-Edition 1993).

580a

A094

Adagio f/Winds

--

C

--

Composed supposedly in Sep 1789 in Vienna; besides English Hn, no other instruments noted, but on technical grounds it appears to be 2 Hns, (or Bthns), and Bn.

Designation English Hn is not authentic; technical grounds show most likely for Cl and 3 Bthn (Flothuis-MISM 1967); NMA (Leeson/Zaslaw 1978) brings forth time end of 1783 to end of 1785.

580b

A090

Quintet Mvmt f/Cl, Bthn & St

--

F

--

Composed probably in Sep 1789 in Vienna.

Paper used by Mozart mainly in 1787 (Tyson-Mozart Studies 1991).

581

581

Quintet f/Cl & St

--

A

--

Entered in work catalogue Sep 29, 1789; first performed Dec 22, 1789 at Burg Theater in Vienna in concert by Tonkünstler Society with Anton Stadler the clarinetist.

 

581a

A088

Quintet-Concerto Mvmt f/Cl

--

A

--

Composed probably in Sep 1787, or later, in Vienna; has a resemblance to theme of one of Ferrado's arias in "Così fan tutte", but unable to determine if written down before or after opera; perhaps has some connection to Rondo with Bthn played in concert on Apr 26, 1791 in Prague.

Paper not found in any dated autographs prior to "Così fan tute"; not a serious piece of music, was no doubt intended for domestic amusement, perhaps for discomfort of Anton Stadler (Tyson-Auto Scores 1987).

582

582

Aria f/S

Chi sà, chi sà, qual sia

C

--

Dated in Oct 1789 in Vienna; written for Louise Villeneuve as insert in Martin & Soler's "Il burbero di buon core", performed at Burg Theater on Nov 9, 1789.

 

583

583

Aria f/S

Vado, ma dove? - oh Dei!

Eb

--

Dated in Oct 1789 in Vienna; written for Louise Villeneuve as insert in Martin & Soler's "Il burbero di buon core", performed at Burg Theater on Nov 9, 1789.

Unknown Accompanied Recitative "Ah cosa veggio" found in manuscipt copy, attributed to Mozart by Link (COJ 2000), but doubted by Zeiss (COJ 2000) and Eisen (COJ 2001).

584

584

Aria f/B

Rivolgete a lui lo sguardo

D

--

Entered in work catalogue Dec 1789 in Vienna; aria originally to have been in "Così fan tutte", and sung by Benucci; replaced by Aria "Non siate ritrosi".

 

585

585

12 Minuets

--

var

--

Entered in work catalogue Dec 1789.

 

586

586

12 German Dances

--

var

--

Entered in work catalogue Dec 1789.

 

587

587

Country Dance

Der Sieg vom Helden Coburg

C

--

Entered in work catalogue Dec 1789; Mozart cited a marching song about General Colburg-Saalfeld, who achieved a victory over the Turks on Sep 22, 1789 at Martinestie.

 

587a

A074

Quartet Mvmt f/St

--

g

--

Composed probably end of 1789 in Vienna; on same manuscript page with sketches to Canon in 2nd Act finale of "Così fan tutte".

On front of sheet with "Così fan tutte" sketches and possibly written down in 1786 in connection with Hoffmesiter Quartet, then Mozart thought of using it again for minor key quartet in Prussian series (Tyson-Auto Scores 1987).

588

588

Opera buffa in 2 Acts

Così fan Tutte

C

--

Completed in Jan 1790 in Vienna; first performed Jan 26, 1790 at Burg Theater in Vienna.

Libretto first offered to Antonio Salieri who set portions to music (Brown/Rice-Cambridge Opera Journal 1996).

588a

106

Overture & 3 Country Dances

--

var

--

Composed supposedly in Jan 1790.

Conisdered not authentic due to primative handling of Overture, and poor key structure (Flothuis-MISM 1980).

588b

236

Andantino f/Kybd

--

Eb

--

[Not dated by KV6, but placed just before Quartet KV 589 dated May 1790.] Theme to Aria "Non vi turbate" from Gluck's opera "Alceste", possibly for variations.

Autograph discovered and, after removal of pasted-on backing of sketches to opera "l'Oca del Cairo", found; compostion now dated 1783 (Konrad-NMA 1998).

589

589

Quartet f/St

--

Bb

--

Entered in work catalogue May 1790 in Vienna; second of the planned 6 quartets f/St for King of Prussia.

 

589a

A068

Quartet Mvmt f/St

--

Bb

--

Composed probably in May or Jun 1790 in Vienna; piece is a Polonaise intended either for KV 589 or slow mvmt of KV 590.

No doubt originally planned as finale Rondo to KV 589 (Finscher-NMA 1960); paper shows used by Mozart only in 1782 and 1783, no doubt draft for finale of Quartet KV 458 (Tyson-Auto Scores 1987).

589b

A073

Quartet Mvmt f/St

--

F

--

Composed probably in Jun 1790 in Vienna; no doubt in connection with KV 590.

 

590

590

Quartet f/St

--

F

--

Entered in work catalogue Jun 1790 in Vienna; third of the 6 planned Quartets for King of Prussia.

 

590a

A029

Sonata Mvmt f/Kybd

--

F

--

Composed probably in Jun 1790 in Vienna; drafts for Kybd sonatas Mozart writes of in letter to Puchburg of Jun 12, 1790.

Possibly connected with projected cycle of sonatas for Princess Friederika of Prussia, but Plath thinks musical content too demanding; Tyson places before trip to Potsdam in 1789. (Plath-NMA 1986 and Tyson-Auto Scores 1987).

590b

A030

Sonata Mvmt f/Kybd

--

F

--

Composed probably in Jun 1790 in Vienna; drafts for Kybd sonatas Mozart writes of in letter to Puchburg of Jun 12, 1790.

Possibly connected with projected cycle of sonatas for Princess Friederika of Prussia, but Plath thinks musical content too demanding; Tyson places before trip to Potsdam in 1789. (Plath-NMA 1986 and Tyson-Auto Scores 1987).

590c

A037

Rondo f/Kybd

--

F

--

Composed probably in Jun 1790 in Vienna; drafts for Kybd sonatas Mozart writes of in letter to Puchburg of Jun 12, 1790.

Possibly connected with projected cycle of sonatas for Princess Friederika of Prussia, but Plath thinks musical content too demanding; Tyson places before trip to Potsdam in 1789. (Plath-NMA 1986 and Tyson-Auto Scores 1987).

590d

312

Sonata Mvmt f/Kybd

--

g

--

Composed probably in summer 1790 in Vienna, probably for projected cycle of sontas for Princess Friederika of Prussa.

Only first 105 (out of 178) measures completed by Mozart, remainder by unknown hand (Plath-NMA 1982); paper studies places piece in time period 1790-91 (Tyson-NMA 1992)

591

591

Arrangement of a Handel Oratorio

Alexander's Feast

var

--

Entered in work catalogue Jul 1790 in Vienna; Bernardt spoke of a performance in 1791.

As both St. Caecilien-Day and Alexanderfest celebrate same theme, and Alexanderfest is very short; both likely performed together; no doubt not in summer but either on Nov 22, the name day of the saints of the music, or around Christmas (Holschneider-NMA 1961 and 1969).

592

592

Arrangement of a Handel Oratorio

Ode to St Caecilia

var

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Entered in work catalouge Jul 1790 in Vienna; Bernardt spoke of a performance in 1791

As both Alexanderfest and St. Caecilien-Day celebrate same theme, and Alexanderfest is very short, both likely performed together; no doubt not in summer but either on Nov 22, the name day of the saints of the music, or around Christmas (Holschneider-NMA 1961 and 1969).

592a

625

Comic Duet f/SB

Nun, liebes Weibchen

D

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Originated probably end of Aug 1790 in Vienna; composed for insert in Schikaneder's "Stein der Weisen", first performed in Theater auf der Wieden on Sep 11, 1790; probably a written by another composer, (Benedikt Schack); Mozart completed orchestration.

Full set of parts to "Stein der Weisen" found, and Duet (and portions of 2nd Act finale) attributed to Mozart (Buch-Cambridge Opera Journal 1997); autogr