|
KV6 |
KV1 |
ENTRY TITLE |
WORK TITLE OR NICKNAME |
KEY |
# |
SHORT DESCRIPTION FROM KV6 |
ADDITIONAL INFORMATION SINCE K6 |
|
528 |
528 |
Scene f/S |
Bella mia fiamma/Resta, o cara |
C |
-- |
Dated Nov 3, 1787 in Prague; written for
Josefa Duschek. |
|
|
529 |
529 |
Song f/1 Singer w/Kybd |
Des kleinen Friedrichs Geburtstag |
F |
-- |
Entered in work catalogue Nov 6, 1787 in
Prague; title "Am Geburtstag des Fritzes" refers to Prince
Friedrich of Anhalt-Dressau. |
|
|
530 |
530 |
Song f/1 Singer w/Kybd |
Das Traumbild |
Eb |
-- |
Entered in work catalogue on Nov 6, 1787 on
Prague; in Nov 9, 1787 Mozart gave Gottfried von Jacquin a
song in friendship; published around 1803 under Jacquin's
name. |
|
|
531 |
531 |
Song f/1 Singer w/Kybd |
Die kleine Spinnerin |
C |
-- |
Entered in work catalogue Dec 11, 1787 in
Vienna; published in children's magazine in same year. |
|
|
532 |
532 |
Trio f/STB |
Grazie agl'inganni tuoi |
Bb |
-- |
Composed supposedly 1787 in Vienna; date
taken to have connection with statement of Michael Kelly
that he [Kelly] wrote a little melody on "Grazie agl'inganni
tuoi", on which Mozart wrote variations in 1787. |
Possibly Kelly played and sang his song and
Mozart orchestrated it (Zalsaw-Festschrift Gertraut
Kaberkamp 2002); paper only used by Mozart in 1784 and 1785
(Tyson-Mozart Studies 1991). |
|
533 |
533 |
Allegro & Andante f/Kybd |
-- |
F/Bb |
-- |
Entered in work catalogue Jan 3, 1788 in
Vienna; published with Rondo KV 494 as Sonata by Hoffmeister
in 1788. |
|
|
534 |
534 |
Country Dance |
Das Donnerwetter |
D |
-- |
Entered in work catalogue Jan 14, 1788;
exists in orchestral and Kybd versions. |
Set of parts for orchestral version
discovered in Hungary titled "La tempesta" (Flothuis-NMA
1988). |
|
535 |
535 |
Country Dance |
La Bataille |
C |
-- |
Entered in work catalogue Jan 23, 1788. |
Previously unknown sketch found in 1989
(Plath-Studies in Honor of Alan Tyson 1998). |
|
535a |
(K2) 535a |
3 Country Dances |
-- |
C,G,G |
-- |
Composed probably beginning 1788 in Vienna;
Artaria pulbished 6 Contredances, containing these 3 as #3,
4, 6, and KV 534, KV 462/3 and KV 535 others. |
As only preserved copy is Kybd reduction,
Flothuis counts as doubtful (MISM 1980). |
|
535b |
A107 |
Country Dance |
-- |
Bb |
-- |
Composed probably beginning 1788 in Vienna. |
Paper studies place time of composition in
last 12 months of Mozart's life (Tyson-Auto Scores 1987). |
|
536 |
536 |
6 German Dances |
-- |
var |
-- |
Entered in work catalogue Jan 27, 1788. |
|
|
537 |
537 |
Concerto f/Kybd |
Coronation Concerto |
D |
26 |
Entered in work catalogue Feb 24, 1788 in
Vienna; nickname from performance at coronation ceremonies
in Frankfurt on Oct 15, 1790. |
Much of concerto written in early 1787
(Tyson-Auto Scores 1987). |
|
537a |
A057 |
Concerto Mvmt f/Kybd |
-- |
D |
-- |
Begun probably Feb 1788 in Vienna; in
connection with KV 537. |
Paper shows possibly originated in summer
1786 (Tyson-Auto Scores 1987). |
|
537b |
A061 |
Concerto Mvmt f/Kybd |
-- |
d |
-- |
Begun probably Feb 1788 in Vienna; probably
connected with KV 537, or perhaps KV 488. |
Key and different instrumentation speak
against connection with KV 537 (Rehm-NMA 1960); paper dates
from Dec 1786, possibly Mozart was planning Concetrto f/Kybd
in C around this time (Tyson-Auto Scores). |
|
537d |
-- |
Arrangement of an Aria by CPE Bach |
Ich folge dir, verklärter Held |
D |
-- |
Arranged by Mozart supposedly before Feb 26,
1788 in Vienna; CPE Bach's "Auferstehung und Himmelfahrt
Jesu", performed at Count Esterhazy's; Mozart modified solo
Trmpt part for Cl, Fl and Ob; Valentine Adamberger was
singer of part. |
Although not in Mozart's hand, changes in
parts are also in 2 Choruses and Bass Aria (Holschneider-MJB
1968/70 and Flothuis-Mozart's Arrarngements of his own
Works-1969). |
|
538 |
538 |
Aria f/S |
Ah se in ciel, benigne stelle |
F |
-- |
Dated Mar 4, 1788 in Vienna; written for
Aloysia Lange; autograph particella, which differs in voice
part, also preserved. |
Particella most likely written during
Mozart's Munich stay in 1778 (Tyson-Auto Scores 1987). |
|
539 |
539 |
A German War Song |
Ich möchte wohl der Kaiser sein |
A |
-- |
Dated Mar 5, 1788 in Vienna; written for
actor in Leopolstadt, Friederick Baumann; First performaned
Mar 7. |
|
|
540 |
540 |
Adagio f/Kybd |
-- |
b |
-- |
Dated Mar 19, 1788 in Vienna. |
|
|
540a |
-- |
Aria to the Opera Don Giovanni |
Dalla sua pace |
G |
-- |
Entered in work catalogue Apr 24, 1788 in
Vienna; replacement Aria (for "Il mio tesoro") for Vienna
performance of Don Giovanni on May 7, 1788 at Burg Theater;
singer was Franceso Morella. |
|
|
540b |
-- |
Duet for the Opera Don Giovanni |
Per queste tue manine |
C |
-- |
Entered in work catalogue Apr 28, 1788, in
Vienna; insert duet for Zerlina and Leoporello for Vienna
performance of "Don Giovanni" on May 7, 1788 at Burg
Theater. Singers were Francesco Benucci and Luisa Mombelli
(née Laschi). |
|
|
540c |
-- |
Scena for the Opera Don Giovanni |
In quali eccesi/Mi tradì quell'alma |
Eb |
-- |
Entered in work catalogue Apr 30, 1788 in
Vienna; replacement Rec & Aria (for "In qual eccessi/Mi
tradi") for Vienna performance of Don Giovanni on May 7,
1788 at Burg Theater; singer was Caterina Cavalieri.
|
|
|
541 |
541 |
Arietta f/B |
Un bacio di mano |
F |
-- |
Entered in Work Catalogue in May 1788 in
Vienna; written for Francesco Albertarelli as insert in
Anfossi's opera "Le geloise fortunate", performed in Vienna
Jun 2, 1788. |
|
|
542 |
542 |
Trio f/Kybd & St |
-- |
E |
-- |
Entered in work catalogue Jun 22, 1788 in
Vienna; possibly Puchberg trio. |
Open to question if Trio for Puchburg
mentioned in letter of April 16, 1789 is this or Trio f/St
KV 563 (Berke-NMA 1974 and Berke-Acta Mozartiana 1982). |
|
543 |
543 |
Symphony |
-- |
Eb |
39 |
Entered in work catalogue Jun 26, 1788 in
Vienna. |
|
|
544 |
544 |
Little March |
-- |
D |
-- |
Entered in work catalogue Jun 26, 1788 in
Vienna. |
|
|
545 |
545 |
Sonata f/Kybd |
-- |
C |
-- |
Entered in work catalogue Jun 26, 1788 in
Vienna as "A little Klavier Sonata for Beginners". |
|
|
546 |
546 |
Adagio & Fugue f/St |
-- |
c |
-- |
Entered in work catalogue Jun 26, 1788 in
Vienna; String arrangement of 2-Kybd Fugue KV 426; possibly
intended for small string orchestra. |
|
|
546a |
A047 |
Sonata Mvmt f/Kybd & Vn |
-- |
Bb |
-- |
Composed probably in Jun 1788 in Vienna;
possibly a draft for KV 547. |
On paper Mozart first used near end of 1789
and mainly in 1790-91 (Tyson-Mozart Studies 1991). |
|
547 |
547 |
Sonata f/Kybd & Vn |
-- |
F |
-- |
Entered in work catalogue Jul 10, 1788, (see
KV 547a and KV 547b). |
|
|
547a |
A135 |
Sonata f/Kybd |
-- |
F |
-- |
Composed probably after Jun 26, 1788 in
Vienna; 1st mvmt is Kybd transcription of Allegro to Kybd &
Vn Sonata KV 547; 2nd mvmt is last mvmt of Sonata KV 545.
|
No doubt arranged by unknown arranger after
Mozart's death (Marguerre-MJB 1960); Himes (W.A. Mozart's
Sonatas for solo Clavier 1988) believes these are authentic
Mozart drafts of mvmts for which he later changed
instrumentation. |
|
547b |
054 |
5 (6?) Variations f/Kybd |
-- |
F |
-- |
Composed probably in Jul 1788 in Vienna;
solo version of 3rd mvmt of KV 547. |
No doubt arranged by unknown arranger after
Mozart's death (Marguerre-MJB 1960); Himes (W.A. Mozart's
Sonatas for solo Clavier 1988) believes these are authentic
Mozart drafts of mvmts for which he later changed
instrumentation. |
|
548 |
548 |
Trio f/Kybd & St |
-- |
C |
-- |
Entered in work catalogue Jul 14, 1788. |
|
|
549 |
549 |
Canzonetta f/2S & B |
Piú non si trovano |
Bb |
-- |
Entered in work catalogue Jul 16, 1788. |
|
|
550 |
550 |
Symphony |
The Great g Minor |
g |
40 |
Dated Jul 25, 1788 in Vienna; Cls added in
later revision. |
|
|
551 |
551 |
Symphony |
Jupiter Symphony |
C |
41 |
Entered into work catalogue Aug 10, 1788 in
Vienna. |
|
|
552 |
552 |
Song f/1 Singer w/Kybd |
Beim Auszug in das Feld |
A |
-- |
Entered in work catalogue Aug 11, 1788 in
Vienna. |
|
|
553 |
553 |
4-Voice Canon |
Alleluja |
C |
-- |
Entered in work catalogue Sep 2, 1788 in
Vienna; on same manuscript page with KV 554, 555, and 557.
|
|
|
554 |
554 |
4-Voice Canon |
Ave Maria |
F |
-- |
Entered in work catalogue Sep 2, 1788 in
Vienna; on same manuscript page with KV 553, 555, and 557. |
|
|
555 |
555 |
4-Voice Canon |
Lacrimoso son'io |
a |
-- |
Entered in work catalogue Sep 2, 1788 in
Vienna; on same manuscript page with KV 553, 554,and 557;
new text added later by B&H. |
|
|
556 |
556 |
4-Voice Canon |
G'rectel's enk |
G |
-- |
Entered in work catalogue Sep 2, 1788 in
Vienna; on same manuscript page with KV 561; new text added
later by B&H. |
|
|
557 |
557 |
4-Voice Canon |
Nascoso é il mio sol |
f |
-- |
Entered in work catalogue Sep 2, 1788 in
Vienna; on same manuscript page with KV 553, 554, and 555. |
|
|
558 |
558 |
4-Voice Canon |
Gehn wir im Prater |
Bb |
-- |
Entered in work catalogue Sep 2, 1788 in
Vienna; on same manuscript page with KV 554 and 555. |
|
|
559 |
559 |
3-Voice Canon |
Difficile lectu mihi Mars |
F |
-- |
Entered in work catalogue Sep 2, 1788 in
Vienna; on same manuscript page as KV 560; supposedly jotted
down by Mozart as joke, directed at Johann Nepomuk Peierl.
|
Dunning (NMA 1973) believes probably written
years earler, because story about Peierl must have taken
place earlier in Vienna in early in 1786; however paper
appears to be that used in 1788 (Tyson-NMA 1992). |
|
559a |
-- |
4-Voice Canon |
O du eselhafter Peierl |
F |
-- |
Composed most likely 1785 in Vienna; another
autograph with same music as KV 560, but with a name other
than Martin; supposedly jotted down by Mozart as joke
directed at Johann Nepomuk Peierl. |
Dunning (NMA 1973) believes probably written
years earler, because story about Peierl must have taken
place earlier in Vienna in early in 1786; autograph KV6
states is in Winkler collection actually has name Martin and
is in G; however, paper appears to be that used in 1788
(Tyson-NMA 1992); copy found at Harvard University uses name
"Esel" (Ochs-MJB 1991). |
|
560 |
560 |
4-Voice Canon |
O du eselhafter Martin |
F |
-- |
Entered in work catalogue Sep 2, 1788 in
Vienna; on same manuscript sheet as KV 559; (see KV 559a). |
Possibly name Martin refers to composer
Martin y Soler; KV6 lists autograph in collection of Stefan
Zweig, but autograph there has text of K559a (Tyson-Mozart
Studies 1991); paper appears to be from 1783 (Tyson NMA 1992
and Tyson-Mozart Studies 1991). |
|
561 |
561 |
4-Voice Canon |
Bona nox, bist a rechta Ox |
A |
-- |
Entered in work catalogue Sep 2, 1788 in
Vienna; on same manuscript page with KV 556. |
|
|
562 |
562 |
3-Voice Canon |
Caro bell'idol mio |
A |
-- |
Entered in work catalogue Sep 2, 1788 in
Vienna; new text later added by B&H. |
|
|
562a |
-- |
4-Voice Canon w/out Text |
-- |
Bb |
-- |
Composed [?] in Vienna. |
Paper used by Mozart mainly in 1785 and
perhaps occasionally in 1786 and 1787 (Tyson-Mozart Studies
1991). |
|
562b |
-- |
Canon Study |
-- |
F |
-- |
Composed [?] in Vienna. |
Actually a work of Michael Haydn, "Adam hat
sieben Söhn" [MH 699, composed according to Sherman ca.
1795-1799 Salzburg]; Dunning (NMA-1973) believed this is
Mozar'ts copy of Michael Haydn's canon. |
|
562c |
A191 |
4-Voice Canon |
-- |
C |
-- |
Composed [?] in Vienna [?]; headed by Mozart
with "13 Canone a due Violini, Viola, e Basso"; on same
manuscript page as KV 384B. |
Paper studies show paper used by Mozart only
in 1782 (Tyson-NMA 1992); in addition to KV 384B are 3-part
counterpoint studies (Konrad-Schaffensweise 1992). |
|
562e |
A066 |
Trio f/St |
-- |
G |
-- |
Composed supposedly in Sep 1788 n Vienna; no
doubt earlier attempt at Trio f/St KV 563. |
Work could just as well originate after KV
563 as before, for a planned series of Trios (Berke-NMA
1974); paper used by Mozart first near end of 1789 and in
1790-91 (Tyson-Mozart Studies 1991). |
|
563 |
563 |
Divertimento f/St Trio |
-- |
Eb |
-- |
Entered in work catalogue Sep 27, 1788;
written for Michael Puchburg. |
Open to question if Trio for Puchburg
mentioned in letter of April 16, 1789 is this or Trio f/Kybd
& St KV 542 (Berke-NMA 1974 and Berke-Acta Mozartiana 1982). |
|
564 |
564 |
Trio f/Kybd & St |
-- |
G |
-- |
Entered in work catalogue Oct 27, 1788 in
Vienna. |
|
|
565 |
565 |
2 Country Dances |
-- |
Eb/D |
-- |
Entered in work catalogue Oct 30, 1788. |
|
|
565a |
-- |
Country Dance |
-- |
D |
-- |
[No dating in KV6.] Fragment consists of
only 2nd Vn part. |
Original setting would have been 2 Obs, 2
Bns, 2 Hns, 2 Vns, and Bs (Flothuis-NMA Crit.Rep 1988). |
|
566 |
566 |
Arrangement of a Handel Pastorale |
Acis and Galathea |
var |
-- |
Entered in work catalogue in Nov 1788 in
Vienna; commissioned by Baron van Swieten for Association of
Cavaliers; reorchestration of Händel's oratorio. |
Mozat not only added wind parts, but changed
or added some string parts and dynamics; Musette from
Händel's Op 6/6 with additional wind parts also in score,
but in copyist hand (Holschneider-NMA 1972). |
|
567 |
567 |
6 German Dances |
-- |
var |
-- |
Entered in work catalogue Dec 6, 1788. |
|
|
568 |
568 |
12 Minuets |
-- |
var |
-- |
Entered in work catalogue Dec 24, 1788;
intended for balls in Redoutensaal. |
|
|
569 |
569 |
Aria f/S (?) |
Ohne Zwang, aus eignem Triebe |
F |
-- |
Entered Work Cataologue in Jan 1789 in
Vienna; nothing known of occasion. |
Text matches first lines of Aria in Johann
Heinrich Faber's translation of opera comique, "Le roi et le
fermier" (Der König und er Pächter) (Edge-Essays on Life
1996). |
|
569a |
A031 |
Sonata Mvmt f/Kybd |
-- |
Bb |
-- |
Composed most likely beginning 1789 in
Vienna; probably a draft for Sonata KV 570, but possibly for
KV 454. |
From paper studies appears to date between
1787 and 1789 in Vienna. (Plath-NMA 1986). |
|
570 |
570 |
Sonata f/Kybd |
-- |
Bb |
-- |
Entered in work catalogue Feb 1789 in
Vienna; first published edition by Artaria in 1796 contained
Vn part that did not originate from Mozart. |
|
|
571 |
571 |
6 German Dances |
-- |
var |
-- |
Entered in work catalogue Feb 21, 1789. |
|
|
571A |
A106 |
Minuet |
-- |
A |
-- |
Originated probably in Feb 1789 in Vienna;
in his biography Nissen listed Minuet in A with only 11
measures completed. |
|
|
571a |
A005 |
Humerous Qrt |
Caro mio Druck und Schluck |
Eb |
-- |
Composed supposedly beginning 1789 in
Vienna; dating based on Mozart's use of phrase "Schluck und
Druck" in letter of Apr 13, 1789. |
|
|
572 |
572 |
Arrangement of a Handel Oratorio |
Messiah |
G |
-- |
Entered in work catalogue in Mar 1789;
commissioned by Baron van Swieten for Association of
Cavaliers; reorchestration of Händel's oratorio, performed
on Mar 6 and Apr 7 at residence of Count Johann Esterházy. |
Numerous changes, cuts and additions of
winds (Schildkret-Essays in honor of George J Buelow 1995). |
|
572a |
A004 |
6-Voice Double Canon |
Lebet wohl/Heult noch gar |
unk |
-- |
Composed supposedly on Apr 22, 1789 in
Leipzig; according to anedcote of Rochlitz, composed as
farewell for the retiring Thomaskirche cantor, Friedrich
Doles. |
Dunning (NMA-1973) doubts authenticity of
Rochlitz anedcote. |
|
573 |
573 |
9 Variations f/Kybd |
Duport Variationen |
D |
-- |
Entered in work catalogue Apr 29, 1789 in
Potsdam; entered in work catalogue as "6 Variations", though
possibly Mozart added 3 later, as it was printed by Artaria
in 1792 with 9; copy by Lausch from Aug 1791 has 6
variations; no doubt composed duriing his stay in Berlin
where Duport was director of Friedrich Wilhelm's chamber
music. |
|
|
574 |
574 |
Little Gigue f/Kybd |
-- |
G |
-- |
Dated May 1, 1789 in Vienna; written in
diary of court organist to Elector of Saxony, Karl Immanuel
Engel. |
|
|
575 |
575 |
Quartet f/St |
-- |
D |
-- |
Entered in work catalogue Jun 1789 in Vienna
as being for His Majesty the King of Prussia; in letter of
Jul 12, 1789 Mozart wrote that he planned to compose 6
quartets f/St for King Friedrich Wilhelm. |
|
|
576 |
576 |
Sonata f/Kybd |
-- |
D |
-- |
Entered in work catalogue Jul 1789 in
Vienna; one of the 6 Sonatas in projected series of works
for Princess Friederike of Prussia. |
Work too demanding for one of "easy" Sonatas
for Princess Friederike. Occasion not known (Plath-NMA
1986). |
|
576a |
A034/2 |
Minuet f/Kybd |
-- |
D |
-- |
[Not dated by KV6, but placed immediately
after Sonata KV 576, which was dated Jul 1789 in Vienna.] On
same manuscript page with KV 385h. |
Tyson (Auto Scores) cannot precisely date,
but seems to have been available to Mozart from Nov 1786 to
the end of his life; Plath (NMA 1982) dates not earlier than
1785/86; Plath also believes this could be set for a string
setting, possibly a Trio f/St. |
|
576b |
355 |
Minuet f/Kybd |
-- |
D |
-- |
Composed probably 1789 in Vienna; Einstein
thought was i3rd movement Menuet to K576; although K6 doubts
this, it is still placed in connection to this Sonata; M.
Stadler added a Trio. |
Possibly a transcription of a Minuet for
quartet f/St either by Mozart or M Stadler (Plath-MJB 1982);
Oster (Journal of Music Theory 1966) believes originated
around 1782, and the Minuet that was left as fragment by
Mozart was completed by M Stadler. |
|
577 |
577 |
Rondo f/S |
Al desio, di chi t'adora |
F |
-- |
Entered in Work Catalogue in Jul 1789 in
Vienna; known only in Kybd reduction; replacement aria for
Adriana Ferraresi del Bene for Susanna's "Deh vieni" in "Le
nozze di Figaro". |
Previously unknown sketch to work found
(Page/Edge MT 1991). |
|
578 |
578 |
Aria f/S |
Alma grande e nobil core |
Bb |
-- |
Entered in Work Catolgue in Aug 1789 in
Vienna; written for Louise Villeneuve as replacement in
Cimarosa's opera buffa "I due baroni di Rocca Azzurra",
performed in Vienna on Sep 6 and 13. |
|
|
579 |
579 |
Aria f/S |
Un moto di gioia mi sento |
G |
-- |
Composed probably in Aug 1789 in Vienna;
written as replacement aria for Adriana Ferraresi del Bene
for Susanna's "Venite inginocchiatevi" in "Le nozze di
Figaro"; Kybd reduction by Mozart also exists. |
|
|
580 |
580 |
Aria f/S |
Schon lacht der holde Frühling |
Bb |
-- |
Entered in work catalogue Sep 17, 1789 in
Vienna; written for Joespha Hoffer as insert into German
version of Paisiello's "Balbier von Seviglien". No record of
opera being performed, which may explain why the Aria was
not finished. |
Autograph found in 1989 (Angermüller-Edition
1993). |
|
580a |
A094 |
Adagio f/Winds |
-- |
C |
-- |
Composed supposedly in Sep 1789 in Vienna;
besides English Hn, no other instruments noted, but on
technical grounds it appears to be 2 Hns, (or Bthns), and
Bn. |
Designation English Hn is not authentic;
technical grounds show most likely for Cl and 3 Bthn
(Flothuis-MISM 1967); NMA (Leeson/Zaslaw 1978) brings forth
time end of 1783 to end of 1785. |
|
580b |
A090 |
Quintet Mvmt f/Cl, Bthn & St |
-- |
F |
-- |
Composed probably in Sep 1789 in Vienna. |
Paper used by Mozart mainly in 1787
(Tyson-Mozart Studies 1991). |
|
581 |
581 |
Quintet f/Cl & St |
-- |
A |
-- |
Entered in work catalogue Sep 29, 1789;
first performed Dec 22, 1789 at Burg Theater in Vienna in
concert by Tonkünstler Society with Anton Stadler the
clarinetist. |
|
|
581a |
A088 |
Quintet-Concerto Mvmt f/Cl |
-- |
A |
-- |
Composed probably in Sep 1787, or later, in
Vienna; has a resemblance to theme of one of Ferrado's arias
in "Così fan tutte", but unable to determine if written down
before or after opera; perhaps has some connection to Rondo
with Bthn played in concert on Apr 26, 1791 in Prague.
|
Paper not found in any dated autographs
prior to "Così fan tute"; not a serious piece of music, was
no doubt intended for domestic amusement, perhaps for
discomfort of Anton Stadler (Tyson-Auto Scores 1987). |
|
582 |
582 |
Aria f/S |
Chi sà, chi sà, qual sia |
C |
-- |
Dated in Oct 1789 in Vienna; written for
Louise Villeneuve as insert in Martin & Soler's "Il burbero
di buon core", performed at Burg Theater on Nov 9, 1789.
|
|
|
583 |
583 |
Aria f/S |
Vado, ma dove? - oh Dei! |
Eb |
-- |
Dated in Oct 1789 in Vienna; written for
Louise Villeneuve as insert in Martin & Soler's "Il burbero
di buon core", performed at Burg Theater on Nov 9, 1789.
|
Unknown Accompanied Recitative "Ah cosa
veggio" found in manuscipt copy, attributed to Mozart by
Link (COJ 2000), but doubted by Zeiss (COJ 2000) and Eisen
(COJ 2001). |
|
584 |
584 |
Aria f/B |
Rivolgete a lui lo sguardo |
D |
-- |
Entered in work catalogue Dec 1789 in
Vienna; aria originally to have been in "Così fan tutte",
and sung by Benucci; replaced by Aria "Non siate ritrosi". |
|
|
585 |
585 |
12 Minuets |
-- |
var |
-- |
Entered in work catalogue Dec 1789. |
|
|
586 |
586 |
12 German Dances |
-- |
var |
-- |
Entered in work catalogue Dec 1789. |
|
|
587 |
587 |
Country Dance |
Der Sieg vom Helden Coburg |
C |
-- |
Entered in work catalogue Dec 1789; Mozart
cited a marching song about General Colburg-Saalfeld, who
achieved a victory over the Turks on Sep 22, 1789 at
Martinestie. |
|
|
587a |
A074 |
Quartet Mvmt f/St |
-- |
g |
-- |
Composed probably end of 1789 in Vienna; on
same manuscript page with sketches to Canon in 2nd Act
finale of "Così fan tutte". |
On front of sheet with "Così fan tutte"
sketches and possibly written down in 1786 in connection
with Hoffmesiter Quartet, then Mozart thought of using it
again for minor key quartet in Prussian series (Tyson-Auto
Scores 1987). |
|
588 |
588 |
Opera buffa in 2 Acts |
Così fan Tutte |
C |
-- |
Completed in Jan 1790 in Vienna; first
performed Jan 26, 1790 at Burg Theater in Vienna. |
Libretto first offered to Antonio Salieri
who set portions to music (Brown/Rice-Cambridge Opera
Journal 1996). |
|
588a |
106 |
Overture & 3 Country Dances |
-- |
var |
-- |
Composed supposedly in Jan 1790. |
Conisdered not authentic due to primative
handling of Overture, and poor key structure (Flothuis-MISM
1980). |
|
588b |
236 |
Andantino f/Kybd |
-- |
Eb |
-- |
[Not dated by KV6, but placed just before
Quartet KV 589 dated May 1790.] Theme to Aria "Non vi
turbate" from Gluck's opera "Alceste", possibly for
variations. |
Autograph discovered and, after removal of
pasted-on backing of sketches to opera "l'Oca del Cairo",
found; compostion now dated 1783 (Konrad-NMA 1998). |
|
589 |
589 |
Quartet f/St |
-- |
Bb |
-- |
Entered in work catalogue May 1790 in
Vienna; second of the planned 6 quartets f/St for King of
Prussia. |
|
|
589a |
A068 |
Quartet Mvmt f/St |
-- |
Bb |
-- |
Composed probably in May or Jun 1790 in
Vienna; piece is a Polonaise intended either for KV 589 or
slow mvmt of KV 590. |
No doubt originally planned as finale Rondo
to KV 589 (Finscher-NMA 1960); paper shows used by Mozart
only in 1782 and 1783, no doubt draft for finale of Quartet
KV 458 (Tyson-Auto Scores 1987). |
|
589b |
A073 |
Quartet Mvmt f/St |
-- |
F |
-- |
Composed probably in Jun 1790 in Vienna; no
doubt in connection with KV 590. |
|
|
590 |
590 |
Quartet f/St |
-- |
F |
-- |
Entered in work catalogue Jun 1790 in
Vienna; third of the 6 planned Quartets for King of Prussia. |
|
|
590a |
A029 |
Sonata Mvmt f/Kybd |
-- |
F |
-- |
Composed probably in Jun 1790 in Vienna;
drafts for Kybd sonatas Mozart writes of in letter to
Puchburg of Jun 12, 1790. |
Possibly connected with projected cycle of
sonatas for Princess Friederika of Prussia, but Plath thinks
musical content too demanding; Tyson places before trip to
Potsdam in 1789. (Plath-NMA 1986 and Tyson-Auto Scores
1987). |
|
590b |
A030 |
Sonata Mvmt f/Kybd |
-- |
F |
-- |
Composed probably in Jun 1790 in Vienna;
drafts for Kybd sonatas Mozart writes of in letter to
Puchburg of Jun 12, 1790. |
Possibly connected with projected cycle of
sonatas for Princess Friederika of Prussia, but Plath thinks
musical content too demanding; Tyson places before trip to
Potsdam in 1789. (Plath-NMA 1986 and Tyson-Auto Scores
1987). |
|
590c |
A037 |
Rondo f/Kybd |
-- |
F |
-- |
Composed probably in Jun 1790 in Vienna;
drafts for Kybd sonatas Mozart writes of in letter to
Puchburg of Jun 12, 1790. |
Possibly connected with projected cycle of
sonatas for Princess Friederika of Prussia, but Plath thinks
musical content too demanding; Tyson places before trip to
Potsdam in 1789. (Plath-NMA 1986 and Tyson-Auto Scores
1987). |
|
590d |
312 |
Sonata Mvmt f/Kybd |
-- |
g |
-- |
Composed probably in summer 1790 in Vienna,
probably for projected cycle of sontas for Princess
Friederika of Prussa. |
Only first 105 (out of 178) measures
completed by Mozart, remainder by unknown hand (Plath-NMA
1982); paper studies places piece in time period 1790-91
(Tyson-NMA 1992) |
|
591 |
591 |
Arrangement of a Handel Oratorio |
Alexander's Feast |
var |
-- |
Entered in work catalogue Jul 1790 in
Vienna; Bernardt spoke of a performance in 1791. |
As both St. Caecilien-Day and Alexanderfest
celebrate same theme, and Alexanderfest is very short; both
likely performed together; no doubt not in summer but either
on Nov 22, the name day of the saints of the music, or
around Christmas (Holschneider-NMA 1961 and 1969). |
|
592 |
592 |
Arrangement of a Handel Oratorio |
Ode to St Caecilia |
var |
-- |
Entered in work catalouge Jul 1790 in
Vienna; Bernardt spoke of a performance in 1791 |
As both Alexanderfest and St. Caecilien-Day
celebrate same theme, and Alexanderfest is very short, both
likely performed together; no doubt not in summer but either
on Nov 22, the name day of the saints of the music, or
around Christmas (Holschneider-NMA 1961 and 1969).
|
|
592a |
625 |
Comic Duet f/SB |
Nun, liebes Weibchen |
D |
-- |
Originated probably end of Aug 1790 in
Vienna; composed for insert in Schikaneder's "Stein der
Weisen", first performed in Theater auf der Wieden on Sep
11, 1790; probably a written by another composer, (Benedikt
Schack); Mozart completed orchestration. |
Full set of parts to "Stein der Weisen"
found, and Duet (and portions of 2nd Act finale) attributed
to Mozart (Buch-Cambridge Opera Journal 1997); autograph of
Deut in Paris shows handwriting of 3 different people,
unknown hand wrote 2 voices and first 16 measures of string
parts; Mozart's hand shows corrections and additions for
winds from measure 17 and strings after measure 52
(Buch-Journal of Royal Musical Assoc 1999). |
|
592b |
A083 |
Quintet Mvmt f/St |
-- |
D |
-- |
Composed most likely end of 1790 in Vienna;
draft for KV 593. |
On paper used by Mozart from Dec 1787 to Feb
1789, so probably written earlier than KV6 dating
(Tyson-Auto Scores 1987). |
|
593 |
593 |
Quintet f/St |
-- |
D |
-- |
Entered in work catalogue Dec 1790 in
Vienna; unknown person altered shape of theme of finale in
Mozart's autograph; this used in first edition by Artaria; first edition by Artaria states it was composed for
"Amatore Ongarese". |
"Amatore Ongarese" probably refers to
Violinist Johann Tost (Hess-NMA 1967). |
|
593a |
A035 |
Adagio f/Org Wrks (Clock) |
-- |
d |
-- |
Composed most llikely end of 1789 in Vienna;
no doubt a draft for KV 594. |
|
|
594 |
594 |
Adagio & Allegro f/Org Wrks (Clock) |
-- |
f |
-- |
Entered in work catalogue at the end of
1790; begun in Oct during trip to Frankfurt, and completed
in Dec in Vienna; commissioned by Count Josef Deym von
Stritetz for his wax museum in Vienna. |
That work begun in Oct in Frankfurt deduced
from Mozart letter is probably incorrect, as pitch of
instrument there is not consistent with this piece.
(Plath-NMA 1982 and Zaslaw-Rosaleen Moldenhauer Memorial
2000). |
|
595 |
595 |
Concerto f/Kybd |
-- |
Bb |
27 |
Entered in work catolgue Jan 5, 1791 in
Vienna; played by Mozart on Mar 4, 1791 in concert of Joseph
Beer. |
Perhaps first performed in concerts in Jan
and Feb 1791 during Vienna viist of King and Queen of Naples
(Edge-Haydn Yearbook 1992); Tyson (Auto Scores 1987)
believes 1st, 2nd and start of 3rd mvmts written down as
fragment in 1788, then finished in 1791. |
|
596 |
596 |
Song f/1 Singer w/Kybd |
Sehnsucht nach dem Frühling |
F |
-- |
Entered in work catalogue Jan 14, 1791 in
Vienna; commissioned by Ignaz Alberti for collection of
songs for children. |
|
|
597 |
597 |
Song f/1 Singer w/Kybd |
Im Frühlingsanfang |
Eb |
-- |
Entered in work catalogue Jan 14, 1791 in
Vienna; commissioned by Ignaz Alberti for collection of
songs for children. |
|
|
598 |
598 |
Song f/1 Singer w/Kybd |
Das Kinderspiel |
A |
-- |
Entered in work catalogue Jan 14, 1791 in
Vienna; commissioned by Ignaz Alberti for collection of
songs for children. |
|
|
599 |
599 |
6 Minuets |
-- |
var |
-- |
Entered in work catalogue Jan 23, 1791 in
Vienna. |
These Minuets and those of KV 601 and KV 604
probably were later combined in one 12-part cycle
(Flothuis-NMA 1988). |
|
600 |
600 |
6 German Dances |
-- |
var |
-- |
Entered in work catalogue Jan 29, 1791 in
Vienna. |
|
|
601 |
601 |
4 Minuets |
-- |
var |
-- |
Entered in work catalogue Feb 5, 1791 in
Vienna. |
These Minuets and those of KV 599 and KV 604
probably were later combined in one 12-part cycle
(Flothuis-NMA 1988). |
|
602 |
602 |
4 German Dances |
-- |
var |
-- |
Entered in work catalogue Feb 5, 1791 in
Vienna. |
|
|
603 |
603 |
2 Country Dances |
-- |
D,Bb |
-- |
Entered in work catalogue Feb 5, 1791 in
Vienna. |
|
|
604 |
604 |
2 Minuets |
-- |
Bb,Eb |
-- |
Entered in work catalogue Feb 12, 1791 in
Vienna. |
These Minuets and those of KV 599 and KV 601
probably were later combined in one 12-part cycle
(Flothuis-NMA 1988). |
|
605 |
605 |
2 (3) German Dances |
-- |
var |
-- |
Entered in work catalogue Feb 12, 1791 in
Vienna. |
|
|
605a |
607 |
Country Dance |
[ll trionfo delle donne] |
Eb |
-- |
Entered in work catalogue Feb 28, 1791 in
Vienna; theme used is from Antossi's opera buffa "Il trionfo
delle donne". |
|
|
606 |
606 |
6 Country Dances |
-- |
var |
-- |
Entered in work catalogue Feb 28, 1791 in
Vienna. |
Autograph unknown, and incipit in work
catalogue differs from Artaria's first edition (for Kybd);
printed versioins use differing scores, so unable to tell
original instrumentation; possibly what we know are
arrangments of Mozart's original (Flothuis-NMA 1988).
|
|
608 |
608 |
Organ Piece for a Clock |
-- |
f |
-- |
Entered in work catalogue Mar 3, 1791 in
Vienna; commissioned by Count Josef Deym von Stritetz for an
exhibit in his Vienna wax museum honoring Field Marshall
Laudon. |
|
|
609 |
609 |
5 Country Dances |
-- |
var |
-- |
Composed probably 1791 in Vienna; not
entered in work catalogue, but #5 entered alone under date
Mar 6, (see KV 610). |
Paper used by Mozart almost entirely in 1787
(Tyson-Mozart Studies 1991). |
| |
610 |
Country Dance |
Les filles malicieuses |
G |
-- |
Entered in work catalogue Mar 6, 1791 in
Vienna; heading on autograph "Les filles malicieuses" not
clear; instrumentation in this autograph different from that
of KV 609/5 |
Handwriting and paper studies show probably
written down as early as 1783 in Salzburg; see KV 609 for
possible 1787 version; perhaps 1791 third version.
(Tyson-Mozart Studies 1991). |
|
611 |
611 |
German Dance |
Die Leyerer |
C |
-- |
Entered in work catalogue Mar 6, 1791 in
Vienna; music identical to KV 602/3 but instrumentation
different; " Leyerer" in work catalogue refers to
organ-grinders |
|
|
612 |
612 |
Aria f/B |
Per questa bella mano |
D |
-- |
Entered in work catalogue Mar 8, 1791;
written for Franz Gerl with Friedrich Pischlberge,
Contrabass. |
From text, no doubt intended as insert into
an opera buffa (Kunze-NMA 1972); text from comic opera "Le
vicende d'amore", libretto by Giambattista Neri, performed
in Vienna numerous times between June 1784 and 1786
(Lipton-Opera buffe of Guglielmi 1995). |
|
613 |
613 |
8 Variations f/Kybd |
Ein Weib ist das herrlichste Ding |
F |
-- |
Entered in work catalogue in Mar 1791 in
Vienna; based on song from singspiel "Der dumme Gärtner";
song perhaps originated from Benedikt Schack or Franz Gerl. |
|
|
613a |
A081 |
Quintet Mvmt f/St |
-- |
Eb |
-- |
Composed most likely Apr 1791 in Vienna;
probably as first draft to Minuet of Quintet f/St KV 614. |
On paper type mainly used by Mozart at end
of 1784 and in 1785 (Tyson-Mozart Studies 1991). |
|
613b |
A082 |
Quintet Mvmt f/St |
-- |
Eb |
-- |
Composed most likely Apr 1791 in Vienna; no
doubt in vicinity of KV 614. |
On paper used by Mozart in 1786 and 1787 and
once in 1790 (Tyson-Mozart Studies 1991). |
|
614 |
614 |
Quintet f/St |
-- |
Eb |
-- |
Entered in work catalogue Apr 12, 1791;
first edition by Aratria, who stated it was composed for
"Amatore Ongarese', who was thought by Schmid to be the
violinsit Johann Tost, but not confirmed. |
"Amatore Ongarese" probably does refer to
Tost (Hess-NMA 1967). |
|
615 |
615 |
Final Chorus to an Opera |
Viviamo felici in dolce contento |
G |
-- |
Entered in work catalogue Apr 20, 1791 in
Vienna; intended for Sarti's "Geloise villane"; no
performance listed at Burg, most likely performed by an
amateur group in Vienna. |
|
|
615a |
-- |
Andante(?) to Waltz in a Small Org |
-- |
F |
-- |
Begun probably in Apr or May 17921 in
Vienna. |
|
|
616 |
616 |
Andante to Waltz in a Small Org |
-- |
F |
-- |
Entered in work catalogue Mar 4, 1791 in
Vienna; commissioned by Count Josef Deym von Stritetz
[Müller] for wax his museum in Vienna. |
Most likely the piece Mozart wrote of having
trouble with in Oct 1790 from Frankfurt (Zaslaw-Rosaleen
Moldenhauer Memorial 2000). |
|
616a |
A092 |
Fantasie f/Glass Harmonica,fl,ob,vl,vc |
-- |
C |
-- |
Composed most likely about May 23, 1791 in
Vienna; probably first draft for KV 617 |
|
|
617 |
617 |
Adagio & Rondo f/Glass Harmonica,fl,ob,vl,vc |
-- |
c |
-- |
Entered in work catalogue May 23, 1791 in
Vienna; written for Marianne Kirchgäßner; first played in
concert at Burg Theater on Aug 19, 1791 |
|
|
617a |
356 |
Adagio f/Glass Harmonica |
-- |
C |
-- |
Composed probably in first half of 1791 in
Vienna; no doubt composed for Marianne Kirchgessner, for
whom also KV 617 was written. |
|
|
618 |
618 |
Motet |
Ave verum corpus |
D |
-- |
Dated Jun 17, 1791 in Baden; written for
Anton Stoll, organist and choir director of church in Baden.
|
|
|
619 |
619 |
Little German Cantata |
Die ihr des unermeßlichen Weltalls |
C |
-- |
Entered in work catalogue in Jul 1791 in
Vienna; commissioned by FH Ziegenhagen, a Mason from
Regensburg. |
|
|
620 |
620 |
German Opera in 2 Acts |
Die Zauberflöte |
Eb |
-- |
Overture and March of Priests dated Sep 28,
1791 in Vienna; first performed Sep 30, 1791 at Theater auf
der Wieden in Vienna. |
|
|
620a |
A102 |
Overture |
-- |
Eb |
-- |
Composed probably in Sep 1791 in Vienna; no
doubt it is a draft of Overture to Zauberflöte. |
Another autograph leaf in Berlin of last 8
measures contains sketches of Overture to Zauberflöte and
Requiem to help confirm draft to Zauberflöte (Gruber-NMA
1969). |
|
620b |
A078 |
Contrapuntal Study |
-- |
b |
-- |
Originated most likely in Sep 1791 in
Vienna; sketch for scene of Armoured Men in Zauberflöte;
completed by S. Sechter. |
Musical sketch page appears to date from
1782 in Vienna; possibly in some type of connection to Mass
in c KV 427 (Konrad-Mozarts Schaffensweise 1992). |
|
621 |
621 |
Opera seria in 2 atti |
La Clemenza di Tito |
C |
-- |
Entered in work catalogue Sep 5, 1791; first
performed Sep 6, 1791at National Theater in Prague; for
festivities for coronation of Leopold II as King of Bohemia.
|
Commission first offered to Antonio Salieri
who turned it down (Landon-Mozart's Last Year 1988); "Non
più di fiori" possibly performed on April 26, 1791 by
Josepha Duschek in concert in Prague (Volek-MJB 1959 and
Giegling NMA-1970), but disputed by Flothuis (MISM 1989) and
Arthur (Wolfgang Amadé Mozart Essays-1996). |
|
621a |
A245 |
Aria f/B |
Io ti lascio, o cara, addio |
Eb |
-- |
Composed supposedly in Sep 1791 in Prague;
for farewell occasion for Countess Hatzfeld; Constanze
Mozart wrote it was music by Gottfried von Jacquin with only
Vn part by Mozart, but the autograph shows the composition
is Mozart's. |
Tyson (Auto Scores 1987) places Aria in
Vienna between end of 1787 and spring 1789. |
|
621b |
-- |
Concerto Mvmt f/Bthn |
-- |
G |
-- |
Composed most likely 1791 in Vienna; 199
measures almost identical to 1st mvmt of Concerto f/Cl KV
622. |
Konrad (Acta Mozartiana 1992) shows started
between 1787 and 1789 and stopped after measure 179; then
taken up again in 1791 in A with Bassett Clarinet
substituted for Bthn; paper also appears to be earlier
(Tyson-Mozart Studies 1991). |
|
622 |
622 |
Concerto f/Cl |
-- |
A |
-- |
Composed probably beginning Oct 1791 in
Vienna; entered in work catalogue between entries for Sep 28
and Nov 15, 1791; written for Anton Stadler; Mozart states
in letter of Oct 7, 1791 he completed Rondo for Stadler.
Only known in later version, (by unknown arranger), for
A-Clarinet. |
|
|
623 |
623 |
Freemason Cantata |
Laut verkünde unsre Freude |
C |
-- |
Dated Nov 15, 1791 in Vienna; presumed to be
written for opening of the temple of New Crowned Hope Lodge,
as it was performed there Nov 18. |
|
|
623a |
-- |
Masonic Song |
Laßt uns mit geschlungen Händen |
F |
-- |
Composed supposedly in Nov 1791 in Vienna;
intended as final chorus for KV 623. |
Authenticity of piece called doubtful on
style and manuscript grounds by most; Strebel (MJB-1989/90)
believes piece is authentic Mozart, put it as originating
shortly after Mozart's acceptance into lodge "Zur
Wohltatigkeit" on Dec 14, 1784. |
|
626 |
626 |
Requiem |
-- |
d |
-- |
Composed 1791 in Vienna; completed by Eybler(?)
and Franz Xavier Süßmayr. |
|
