|
K6 |
K1 |
K3 |
Composition |
K6 Remarks |
Addition Information After K6 |
|
Anh C 11.01 |
-- |
16b |
Symphony in C |
Only copy of 1st violin part preserved in Munich State Library; is contained in a manuscript bundle which contains 53 different numbers; Allegro and Andante on one page, and a further Allegro on next page; K3 saw stamp of Mozart's first symphony in this and placed in London 1765; first Allegro identified as composition of Leopold Mozart from 1766 Breitkopf catalogue, and other two movements should be assigned to Leopold. |
Attribution to Leopold Mozart in Breitkopf catalogue uncertain, having no demonstrable connection to him; also little reason to place three movements together (Eisen-Symphonies of Leopold Mozart PhD Diss. 1986--listed there as?C3). |
|
Anh C 11.02 |
17 |
Anh 223a |
Symphony in Bb (4 movement fragment) |
Copy purchased from Constanze Mozart by André who remarked no doubt written during Mozart's trip in 1760's; Köchel expressed doubts but placed it in main portion of K1 with works of 1765 in London; K3 removed to Anh on "inner grounds" and St.Foix believed possibly by Leopold Mozart; K3 removed to Anh on "inner grounds" |
Symphony is attributed to Leopold Mozart in Lambach catalogue and is probably genuine Leopold work; in addition theme of slow movement transposed from Eb to F appears in L.Mozart's "Violinschule" (Eisen-Symphonies of Leopold Mozart PhD Diss. 1986--listed there as Bb6 and article in Journal American Musical Society 1986). |
|
Anh C 11.03 |
Anh 216 |
74g |
Symphony in Bb |
Originally only known from incipit in B & H Manuscript catalogue; manuscript discovered and published by B & H in 1910; Einstein believed composed in Salzburg in early summer 1773 between Italian trips; K6 placed in Anh on "inner grounds" |
Zaslaw (Mozart's Symphonies 1989) sees no reason why this symphony should be considered unauthentic when others of similar source situation are considered authentic. |
|
Anh C 11.04 |
98 |
Anh 223b |
Symphony in F |
Köchel only knew in 2-piano arrangement and placed with ; copy originated from Aloys Fuch at Steiermärk; anonymous catalogue dated the symphony "Milan Nov 1771"; Abert doubted authenticity, although Wyzewa/St.Foix thought piece genuine, but K3 moved to Anh section |
Copy found in Weyarn headed "Symphonia del Signore Haydn" (Hoboken I;F:16); probably refers to Michael Haydn, but Sherman states not authentic M. Haydn; composer of this symphony unidentified (Zaslaw-Mozart's Symphonies 1989); another copy in Graz attributed to "Sigre Mozart" (Eisen-Symphonies of Leopold Mozart PhD Diss. 1986) |
|
Anh C 11.05 |
-- |
311a |
Overture in Bb |
Orchestral full score publication from between 1802 and 1806 found in Paris in 1901, believed to be 2nd Paris symphony Mozart wrote about in letters; first Hess, then others doubted authenticity on stylistic grounds. |
-- |
|
Anh C 11.06 Anh 219 |
Anh 291b |
Symphony in D |
Listed in B & H manuscript catalogue; published as work of Leopold Mozart in 1908 |
Work dates from 1751; work sold by Christoph Westphal to B & H between 1785 and 1787; lost copy cited in Signaringen catalogue of 1767 (Eisen-Symphonies of Leopold Mozart PhD Diss. 1986, listed there as *D11, and MJB 1987/88). |
|
|
Anh C 11.07 |
-- |
Mentioned in Anh223 |
Symphony in D |
Listed in B & H Manuscript catalogue (Lost) |
Possibly overture to Gaetano Martinelli's "Gli accidenti inaspetatti" (Eisen-New Mozart Documents 1991) |
|
Anh C 11.08 |
-- |
Mentioned in Anh223 |
Symphony in F |
Listed in B & H Manuscript catalogue (Lost) |
Work obtained by B & H from Westphal, a later added note remarks "according to assurance of Herrn M.D. Schwenke [music director in Hamburg] very faulty and not by Mozart" (Plath-Die Sinfonie KV 16a "del Sigr. Mozart" 1987); possible work could be by Leopold Mozart (Eisen-Symphonies of Leopold Mozart PhD Diss. 1986) |
|
Anh C 11.09 |
Anh 293 |
Anh 293 |
Symphony in G |
Listed in B & H Manuscript catalogue; supplement B & H of 1775 had listed as work of Leopold Mozart; Wyszewa/St.Foix believed Minuet is possibly composition of Wolfgang's inserted into father's work. |
Listed by Eisen as ?G8 (Symphonies of Leopold Mozart PhD Diss. 1986) |
|
Anh C 11.10 |
-- |
Anh 293c |
Grande Symphony in F |
Copy in Stams Monastary headed "Auth A.M. Mozart"; actually a work of Ignaz Pleyel first issued by André in 1787 or 1788. |
Composed by Pleyel in 1786? (Senn-MJB 1968/70) first published by Imbault in Paris in 1787 as "10th Sinfonie Periodique", also published by André in 1788 as Op.14/1 (Benton-1977 Pleyel Thematic Catalogue Nr.136) |
|
Anh C 11.11 |
-- |
Mentioned within Anh293c |
Symphony in C |
Copy in Stams Monastary attributed to Mozart; Einstein and K6 stated actual composer is Joseph Aloys Holzmann from information from W.Senn |
True composer is Adalbert Gyrowetz (Senn-MJB 1968/70) composed before 1796, first published by André as Gyrowetz Op.23 in 1796 (Rice-The Symphony Garland Press 1983) |
|
Anh C 11.12 |
-- |
Mentioned within Anh293c |
Symphony in F |
Copy in Stams Monastary attributed to Mozart; Einstein and K6 named Gyrowetz as author from information from Senn; LaRue cited Dittersdorf (Krebs Catalogue listing 35). |
Listed as authentic Dittersdorf, composed not later than 1772 (Eva Badura-Skoda--The Symphonies Garland Press 1985) |
|
Anh C 11.13 |
Anh 294 |
Anh 294 |
Divertimento (Sinfonia Pastorale) in G |
Copies in Vienna Gesellschaft der Musikfreunde and Prussian State Library attributed to Mozart (later in Jahn's hand); from Leopold Mozart letters of Dec 1755 of Sinfonia pastorale with similar setting; listed as work of Leopold by Seiffert |
Authentic copy from 1751 preserved in Augsburg University Library (Eisen-Symphonies of Leopold Mozart PhD Diss 1996, listed there as G3). |
|
Anh C 11.14 |
-- |
-- |
Symphony in C |
Copy in Cremona attributed to Mozart; K6 stated actual author Franz Christoph Neubauer from numerous copies in Europe. |
Symphony is work of Anton Eberl, autograph dated June 25, 1785 (Fischer-MISM 1983) |
|
Anh C 11.15 |
-- |
-- |
Symphony in C |
Copy in Prague National Musuem attributed to Mozart |
Wrapper of set of parts not original and attribution of later hand (Eisen-Symphonies of Leopold Mozart PhD Diss 1996) |
|
Anh C 11.16 |
-- |
-- |
Fragment of an Orchestral full score (Symphony) in G |
Attributed to Mozart in 1929 auction catalogue; is portion of development to Symphony in G; originates from 19th Century and has nothing to do with Mozart. |
Possibly has something to do with anecdote of Mozart concert on May 12, 1789 in Leipzig (Zaslaw-Mozart's Symphonies 1989) |
|
-- |
-- |
-- |
-- |
-- |
-- |
|
Anh C 13.01 |
(K2) 25a |
Anh 293a |
Minuet with Trio for Orchestra in C |
Alleged autograph first discovered in private possession in Constantinople, thought to be from Mozart's earliest compositions; presented to British Museum; manuscript not autograph, piece attributed to Beethoven dating to Vienna 1795 by St.Foix. Other compositions in this manuscript bundle (see Anh C24.01) found to be from Leopold Kozeluch, thus this also attributed to him. |
Actually work of Beethoven's younger brother, Kasper Anton Karl 1774-1815 (Kojima-Report of the International Beethoven Congress 1977) |
|
Anh C 13.02 |
510 |
Anh 293c |
9 Contredances or Quadrillen for Orchestra |
Manuscript--once thought autograph--in Prague University Library; Jahn reported at beginning of 1787 Mozart promised Count Pachta to write contredances and Count gave him writing material at table, Mozart wrote them on the spot; authenticity doubted in AMA and Nettl showed these are military marches and old Czech folk songs. |
-- |
|
Anh C 13.03 |
-- |
Mentioned within 61b |
4 Minuets for 2 Violins and Bass |
Manuscript discovered in 1911 with the numbers designated as 2,3,4,6; had been in the estate of Mozart's son; K3 remarked only the violin parts could have originated from Mozart but not the bass part; authenticity of whole composition doubtful. |
-- |
|
-- |
-- |
-- |
-- |
-- |
-- |
|
Anh C 14.01 |
-- |
297b |
Sinfonia Concertante for Oboe,Clarinet, Horn, Bassoon and Orchestra in Eb |
Parts found in Jahn estate in 1870, thought to be Sinfonia Concertante Mozart wrote in Paris; authenticity question debated throughout 20th Century on differing instrumentation, etc. Einstein believed it authentic and placed in main section of K3; K6 doubted authenticity and placed it in Anh C, with lost work listed as K297B in main section. |
Levin (Who Wrote The Mozart Four-Wind Concertante-1988) gives details of all theories and arguments for and against before and after K6. Levin theory is someone found solo parts, transcribed them for different instruments and added orchestration. Plath (NMA-1980) saw nothing of Mozart in the work and placed in volume Works of Doubtful Authenticity. |
|
Anh C 14.02 |
Anh 99 |
Anh 294c |
Concerto for Cello (Clarinet?) and Orchestra in F(Fragment) |
Manuscript in Vienna National Library headed probably to a Clarinet Concerto and is so listed in K1 and K2. Einstein stated handwriting of solo part and orchestral parts originate from two different hands, neither having anything to do with Mozart. |
-- |
|
Anh C 14.03 |
-- |
Anh 230a |
Concerto for Bassoon and Orchestra in Bb |
Discovered in set of parts in the Haag attributed to Mozart; Seiffert held the work authentic from the years 1780-85 and published it under Mozart's name in 1934; most everyone doubted authenticity from start. Hess (MJB 1957) attributed to Francois Devienne 1759-1803) |
-- |
|
Anh C 14.04 |
268 |
365b |
Concerto for Violin and Orchestra in Eb |
First published by André in 1799; contemporary writer stated work had been written around 1784 and played to the young Violinist Johann Friedrich Eck in Munich by Mozart, although Constanze stated if authentic it dated prior to this; K1 placed in works of 1776; in later 19th Century believed first and last movements might contain some Mozart material later reworked by unskilled hand; Oldman believed stylistically similar to Sinfonia Concertante K365 and work was completed by Eck; K3 placed in 1780; K6 removed from authentic works. |
Comparing Concerto with known Violin Concertos by Eck, Lebermann (Musikforschung-1978) concludes works is probably by Eck and written sometime before 1790. |
|
Anh C 14.05 |
-- |
Anh 294a |
Concerto for Violin and Orchestra in D "Adelaide" |
Discovered by Casedesus and published in piano reduction in 1933; autograph alleged to have dedication to Madame Adelaide, eldest daughter of Louis XV, and dated May 26, 1766 in Versailles; Einstein doubted authenticity showing Mozarts not in Versailles on May 26, not in Mozart correspondence, or Leopold's etc in addition to stylistic problems. |
Casadeus admitted work a pastiche of his own creation in July 1977 Bazzana-Notes to Ess.ay CD) |
|
Anh C 14.06 |
-- |
Anh 294b |
Concerto for Oboe in Eb (unknown accompaniment) |
Issue by C.F. Schmidt in 1899 attributed to Mozart with no further information; poor quality work is that of an unknown 19th Century musician. |
-- |
|
-- |
-- |
-- |
-- |
-- |
-- |
|
Anh C 15.01 |
-- |
-- |
Concerto for Piano and Orchestra in G |
Copy in Kremsier Monastary attributed to "Signore Amadeo Mozart"; the Concert appears to have originated about 1770, and the copy has entries by Leopold Mozart. Over the 2nd movement "Adagio variato. Del concerto de Masi"; a Masi is mentioned in Mozart letter of Jan 26, 1770. |
-- |
|
Anh C 15.02 |
-- |
43c |
Concerto for Piano and Orchestra in G (Sketches) |
Parts of scattered manuscript had been in Mozart's son estate, thought to be autograph, sketches to Allegro and Adagio; Einstein (following Haas) thought it to be Mozart's first independent Piano Concerto and dated it 1768 in Vienna; Allegro in Fuchs catalogue as "in Leopold's handwriting"; Plath (MJB 1960/61) saw no reason two pieces belong to same Concerto and discovered manuscripts not Wolfgang's, but Leopold's and concludes from technical grounds music could not be from Wolfgang. |
-- |
|
Anh C 15.03 |
-- |
-- |
Concerto for Piano in F |
Solo part only discovered in Venice in 1962. |
-- |
|
Anh C 15.10 |
-- |
626aII/E |
Cadenza to Piano Concerto |
Manuscript with heading Cadenza and "By W.A. Mozart" first thought to be partially in Leopold, partially in Wolfgang's hand discovered 1919; Plath found from neither. |
Plath of verbal opinion there are motif reminiscences to J.Schobert's Piano Concerto Op.4.2 (Berke-NMA 2000) |
|
Anh C 15.11 |
-- |
626aII/I |
Ubergang in C to Piano Concerto |
Manuscript on same page as Cadenzas to K107 version b to K271 |
Autograph located in Poland, is from Wolfgang and part of a modulating Präludium from a larger piece that probably dates from Salzburg 1777 (Plath-MJB 1982) |
|
Anh C 15.12 |
-- |
-- |
3 Cadenzas in A for 2 Violins |
Manuscript located in Hamburg University with note in Constanze's hands they are by Mozart; however Plath showed handwriting is Leopold's and has nothing to do with Wolfgang. |
-- |
|
-- |
-- |
-- |
-- |
-- |
-- |
|
Anh C 16.01 |
124c |
Church Sonata in C |
Manuscript discovered in Bologna in 1888 thought to be autograph last 8 measures of a completed sonata; K3 listed in beginning 1772 because of similarity to K145/124b; Plath (MJB 1960/61) showed handwriting and corrections make work by Leopold. |
-- |
|
|
-- |
-- |
-- |
-- |
-- |
-- |
|
Anh C 17.01 |
Anh 226 |
196e |
Divertimento for Wind Octet in Eb |
Parts printed by B & H in 1801 attributed to Mozart; K1 listed in Anhang for doubtful works because of position with many other doubtful works; St.Foix and others claimed authenticity for work in early 20th Century and K3 placed them in main catalogue dating them to carnival season 1775 in Munich; K6 put back in doubtful Anhang because of poor source handing down. |
Leeson/Whitwell (Music & Letters-1972) believed authentic and traced back to Constanze Mozart; Hellyer (Haydn Yearbook-1975) doubted authenticity and believed both this Divertimento and C17.02 written by two different composers; set of parts to C17.01 found in Kremsmünster Monastary attributed to Giuseppe Puschmann; Giegling (NMA-1993) placed in Works of Doubtful Authenticity, also believing this and C17.02 by different composers originating essentially later than the 1770's. |
|
Anh C 17.02 |
Anh 227 |
196f |
Divertimento for Wind Octet in Bb |
(See remarks to Anh C 17.01 |
(See remarks to C17.01) Giegling (NMA-1993) questions if composer could be Josef Fiala. |
|
Anh C 17.03 Anh 228 |
Anh 228 |
Divertimento for Wind Octet in Bb |
Parts printed by B & H in 1801 attributed to Mozart; K1 listed in Anhang for doubtful works because of position with many other doubtful works; Einstein kept in Anhang in K3 believing an imitation of Mozart. |
Leeson/Whitwell believed authentic (Music & Letters 1972); set of parts at Donaueschingen attributed Ignaz Pleyel as composer (Hellyer-Haydn Yearbook 1975) |
|
|
Anh C 17.04 |
Anh 224 |
Anh 224 |
Divertimento for Wind Octet in Eb |
Only known to K1 from Fuch catalogue; Einstein knew copy in Prussian State Library in Berlin and called work Mozartian, but surely not by Mozart. |
Set of parts in Prague and advertisement of Traeg in 1792 show this Divertimento ("Parthia") part of Mozart material sold for Constanze Mozart's behalf as Parthie III with Rondo in Eb K.deest as its Finale, and believed authentic (Leeson/Whitwell-Music & Letters 1972) |
|
Anh C 17.05 |
Anh 225 |
Anh 225 |
Divertimento for Wind Octet in F |
Only known to K1 from Fuch catalogue; Einstein knew copy in Prussian State Library in Berlin and called work an imitation of Mozart |
Set of parts in Prague and advertisement of Traeg in 1792 show this Divertimento ("Parthia") part of Mozart material sold for Constanze Mozart's behalf as Parthie I,along with Minuet and Rondo K.deest and believed authentic (Leeson/Whitwell-Music & Letters 1972) |
|
Anh C 17.06 |
-- |
-- |
Variations of Wind Sextet |
Parts in Kremsier headed "Serenade de Sig. Kromer-Variaziioni del Sig. Mozart"; only 2nd Clarinet part designated as by Mozart; theme is actually from Ignaz Umlauf. |
-- |
|
Anh C 17.07 |
Adagio and Allegro for 8 Winds in Eb |
Copy in Prague University Library as last movement of Partita Nr.1 (first two movement movements of C17.05. |
This movement may not be part of material advertised by Traeg in 1792 (see above C17.04) and could be work unidentified which Constanze referred to as "unfinished Harmoniestük" (Leeson/Whitwell-Music & Letters 1972) |
||
|
Anh C 17.08 |
-- |
-- |
Parthia for 5 Winds in F |
Copy in Moravské Museum |
-- |
|
Anh C 17.09 |
-- |
-- |
Wind Sextet in Bb |
Copy in Moravské Museum |
Also found under Mozart's name in Raigern Monastary, but under Joseph Haydn's name in many other locations (Hellyer-Haydn Yearbook 1975) |
|
Anh C 17.10 |
-- |
-- |
Partita Nr. 2 for 6 Winds in Eb |
Copy in Vienna National Library headed "4 Parthien in Eb, the second probably by Mozart". |
Copy in Vienna actually states only for 5 winds; 6 other copies are attributed to Pleyel (Hellyer-Haydn Yearbook 1975) |
|
Anh C 17.11 |
-- |
-- |
Cassation for 4 Winds in Eb |
Discovered in 1910, with no further source information printed in 1936 by Andraud. |
Composer is actually Georg Lickl (Birsak-Jahresschrift Salzburger Museums Carolino Augusteum 1977/78) |
|
Anh C 17.12 |
187 |
159c |
Ten Pieces for 2 Flutes, 5 Trumpets, 4 Drums |
Based an alleged autograph in Prussian State Library K1 placed "Divertimento" in 1773--pieces number 1-10 with Nr.8 missing; K3 moved to anniversary of the installation of the Archbishop on March 14, 1773; later established pieces are arrangements of ballet music of Joseph Starzer and Gluck; Plath showed handwriting of these 9 is Leopold Mozart's. (See K626b/28 in main section for missing Nr.8) |
-- |
|
-- |
-- |
-- |
-- |
-- |
-- |
|
Anh C 20.01 |
Anh 210 |
Anh 210 |
String Quartet in Bb |
Full score copy (along with C20.02- 20.04) in collection of Fuchs with copies of K155 and K159 received from Salzburg; St.Foix and others believed authentic and from time of K155-160 or K168-173; Einstein believed possibly authentic but not enough proof to place in main portion of K3; in 1957 C20.02 found to be quartet of Joseph Schuster (1748-1832) and attributed all four to Schuster. |
All four Quartets discovered in Narodni Museum in Prague attributed to Schuster. Nr.1 (C20.01) is dated 1780. (Finscher-Musikforschung 1966) These same 4 Quartets found in archives of St.Anthony in Padua with 2 additional--in g-minor and d-minor--with Schuster's name. Also a document dated June 16, 1780 shows Schuster paid for these 6 Quartets and they originated in 1780 (CD notes by Paola Catelan to Symphonia recording of 6 Quartets by Schuster). |
|
Anh C 20.02 |
Anh 211 |
Anh 211 |
String Quartet in C |
(See remarks to C 20.01) |
(See remarks to C 20.01) |
|
Anh C 20.03 |
Anh 212 |
Anh 212 |
String Quartet in A |
(See remarks to C 20.01) |
(See remarks to C 20.01) |
|
Anh C 20.04 |
Anh 213 |
Anh 213 |
String Quartet in Eb |
(See remarks to C 20.01) |
(See remarks to C 20.01) |
|
Anh C 20.05 |
-- |
Anh 291a |
6 String Quartets in C, G, Eb, f, D, Bb |
Set of parts in Berlin State Library attributed to W.A. Mozart; Kinsky attributed Quartets to Beethoven (Anh 2) and these Quartets are also attributed to F.J. Haydn in a Spanish manuscript; Quartets work of a not unskilled imitator of Mozart. |
-- |
|
Anh C 20.06 |
-- |
Mentioned within Anh291a |
6 Quartetti Capricciosi |
Copy in possession of Heinemann in Berlin attributed to W.A. Mozart allegedly going back to Andre; Pfannhauser identified composer as Johann (Gallus) Mederitsch (1752-1835) |
The statement in K6 that 3 of the quartets in C 20.05 are attributed to F.J. Haydn should belong to three of these Quartets (Hoboken III:G5, III:C8, III:B4) |
|
Anh C 20.07 |
-- |
-- |
String Quartet in C |
Copy in Prague National Museum |
Work of Ignaz Pleyel from Op.9 of 1803 dedicated to "Louis Bocherini" (Benton-Pleyel Thematic Catalogue 1977) |
|
-- |
-- |
-- |
-- |
-- |
-- |
|
Anh C 22.01 |
(K2) Anh52a |
Anh 284h |
Piano Trio in D |
Alleged autograph first discovered in private possession in Constantinople, presented to British Museum; placed by K2 in Anhang for fragments; found to be not autograph and attributed to Beethoven by St.Foix; one of piano pieces in bundle (see C24.01) found to be transcription of ballet of Kozeluch and all pieces attributed to Kozeluch, although never proven; Kinsky listed in Beethoven Thematic Catalogue as Anhang 3 |
-- |
|
Anh C 22.02 |
Anh 291 |
Anh 291 |
Piano Trio in C |
Published by Artaria as Op.41 in 1797 and others in the next year; work is by Anton Eberl as he stated as early as 1798. |
-- |
|
-- |
-- |
-- |
-- |
-- |
-- |
|
Anh C 23.01 |
55 |
Anh 209c |
Sonata for Piano and Violin in F |
Sonatas C23.01- 23.06 issued in B & H "Oeuvres Complettes" 1801 from copies received from Constanze; K1 placed in 1768; Wyzewa/St.Foix saw the sonatas as being in Mozart's "great romantic crisis" and moved them to Milan Nov 1772-March 1773; Einstein removed from K3, believing Joseph Schuster composer, but this proven incorrect, and Einstein then believed a Mozart pupil their author; K6 kept Sonatas in Anh C. |
Lost manuscripts of sonatas found in Frankfurt State University Library and are not in hand of copyist known to have worked for Mozart; the sonatas are numbered Nr.1,5,6,10,11,12--thus appearing to have been part of a series of 12 and showed corrections that make it appear writer and composer are the same (Plath-MJB 1968/70) |
|
Anh C 23.02 |
56 |
Anh 209d |
Sonata for Piano and Violin in C |
(See remarks to C23.01) |
(See remarks to C23.01) |
|
Anh C 23.03 |
57 |
Anh 209e |
Sonata for Piano and Violin in F |
(See remarks to C23.01) |
(See remarks to C23.01) Another manuscript in Frankfurt has parts for 2 Horns and Bass ad lib. to this Sonata (Plath-MJB 1968/70) |
|
Anh C 23.04 |
58 |
Anh 209f |
Sonata for Piano and Violin in Eb |
(See remarks to C23.01) |
(See remarks to C23.01) |
|
Anh C 23.05 |
59 |
Anh 209g |
Sonata for Piano and Violin in c |
(See remarks to C23.01) |
(See remarks to C23.01) |
|
Anh C 23.06 |
60 |
Anh 209h |
Sonata for Piano and Violin in e |
(See remarks to C23.01) |
(See remarks to C23.01) |
|
Anh C 23.07 |
61 |
Anh 290a |
Sonata for Piano and Violin in A |
Issued in B & H "Oeuvres Complettes" in 1804; Wyzewa/St.Foix discovered true author Hermann Fr. Raupach and believed most likely copied by young Mozart. |
Sonata listed under Mozart's name in old B& H manuscript catalogue with remark obtained from Baron von Dürnitz. No doubt Dürnitz became acquainted with sonata through Mozart in a copy, and this copy was later assumed to be a Mozart composition (Plath-Acta Mozartiana 1974) |
|
Anh C 23.08 |
-- |
Anh 290b |
Sonata for Cembalo and Violin in C |
Manuscript in private possession in Vienna; Pfannhauser reported probably by Joseph Hoffmann (1765-1843), Violin player in Court Capelle. |
-- |
|
Anh C 23.09 |
-- |
Anh 290c |
Sonata for Violin and Bass in A |
Set of parts from middle of 18th Century in Gesellschaft der Musikfreunde had later added heading "Del Sig. W. Amad: Mozart". The shallow virtuoso pieces has nothing to do with Mozart. |
-- |
|
-- |
-- |
-- |
-- |
-- |
-- |
|
Anh C 24.01 |
(K2) Anh41a |
Anh 284g |
Gavotte in F, Allegro in Bb and Marcia lugubre in c for Piano 4-hands |
Alleged autograph first discovered in private possession in Constantinople, presented to British Museum; placed by K2 in Anhang for fragments; found to be not autograph and attributed to Beethoven by St.Foix; Deutsch discovered these are 4-hand reductions of sections from ballet "La Ritrovata Figlia de Ottone II" of Leopold Anton Kozeluch from 1794 in Vienna. (Also see C13.01, C22.01, C25.02) |
-- |
|
Anh C 24.02 |
Anh 146 |
Anh 146 |
Large Fugue for Piano 4-hands in D |
Issued by Haslinger in Vienna in 1835 and stated it was "performed in the Concerts spirtuels in Vienna". Work is a 4-hand reduction of Symphony finale of K291 (Anh A52=Mozart copy of Michael Haydn Symphony; see A52 in main Köchel section) finished by Simon Sechter and provided with introduction by him. |
-- |
|
-- |
-- |
-- |
-- |
-- |
-- |
|
Anh C 25.01 |
Anh 204 |
(K2 and K3) Anh 284a |
Piano Sonata in c-minor |
Issued by Artaria as Mozart's Op.31 in 1794 and by Andre as Op.47 in 1795; Pleyel added Violin and Cello for Paris issue of 1797; Artaria published Sonata in 1798 as Anton Eberl's Op.1 dedicated to Madame Madelaine de Jacobi; On July 15, 1798 Eberl gave notice in Hamburg paper he was author of 3 works printed as Mozart's (also see C26.04 and C 26.05) |
Eberl's autograph dated July 18, 1792 (A.White-PhD dissertation Piano music of Eberl, 1971) |
|
Anh C 25.02 |
(K2) 511a |
Anh 284i |
Rondo for Piano in Bb |
Alleged autograph first discovered in private possession in Constantinople and presented to British Museum; only knowing 3 measure incipit K2 placed in vicinity of Rondo K511; found to be not autograph and attributed to Beethoven by St.Foix; one of piano pieces in bundle (see C24.01) found to be transcription of ballet of Kozeluch and all pieces attributed to Kozeluch, although never proven (see C13.01, C22.01, C24.01) |
-- |
|
Anh C 25.03 |
-- |
Anh 284k |
Sonata for Piano in F |
Copy in Donaueschingen headed "Trio(!)…del Sigr. Mr. Mozzart"; work consists of 6 movements; this work of an amateur has nothing to do with Mozart. |
-- |
|
Anh C 25.04 |
Anh 136 |
498a |
Sonata Movement (Allegro) for Piano in Bb |
4-movement Sonata published by Thonus in Leipzig in 1798 and then others as Mozart; 1806 issued by Kühnel attributed Sonata to August Eberhard Müller--Sonata's 2nd movement set of variations form K450, 4th movement used themes of K450,K456,K595, other movements original; K1 listed in Anhang for transcriptions;Nottebohm and K2 believe Sonata to be work of Müller; K3 moved Sonata into main section with speculative dating Aug 1786; K6 placed 1st movement and 3rd movement into Anhang C section as a doubtful work. |
An analysis of Sonata with works of Müller (including 4 movement structure) shows more likely work by Müller than Mozart (Marguerre-MISM 1978) |
|
Anh C 25.05 |
Anh 137 |
498a |
Minuet for Piano in Bb |
(See remarks to C25.04) Einstein expressed possibility this could be transcription of lost Minuet from K525 |
(See remarks to C25.04) |
|
-- |
-- |
-- |
-- |
-- |
-- |
|
Anh C 26.01 |
(K2) Anh209b |
Anh 284n |
Pastorale variee for piano in Bb |
First issued Durand & Schoenewerk in Paris about 1870 and later in London and New York; has no connection to Mozart |
-- |
|
Anh C 26.02 |
Anh 285 |
Anh 285 |
7 Variations for Piano in C on "Une fievre brulante" from Grétry's opera 'Richard Löwenherz' |
First issued by Rellstab in Berlin in 1792 and again in B & H's Oeuvres Complette in 1798; Constanze Mozart expressed doubts on authenticity; Grétry's opera premiered in Paris in 1784 and these variations not listed in Mozart own Work Catalogue. |
-- |
|
Anh C 26.03 |
Anh 286 |
Anh 286 |
9 Variations for Piano in F on Andante from Mozart's Divertimento K287 |
First issued by Thonus in Leipzig in 1798 and later others; a B & H catalogue attributed work to A.E. Müller; Mozart never used a theme from one of his works for variations. |
-- |
|
Anh C 26.04 |
Anh 287 |
Anh 287 |
12 Variations for Piano in D on Andantino "Freundin saufter Herzenstriebe" from Dittersdorf opera 'Der Gutsherr' |
First issued in Musikal Magazin in Vienna in 1794, then Artaria, André and others including B & H Oeuvres complettes in 1799; work is Anton Eberl's Op.6; on July 15, 1798 Eberl gave notice in Hamburg paper he was author of 3 works printed as Mozart's (also see C25.01 and C 26.05) |
A.White (PhD dissertatiion Piano Works of Eberl, 1971) gives no Op.Nr. for this work, Eberl's Op.6 is another work; states written 1798 |
|
Anh C 26.05 |
Anh 288 |
Anh 288 |
12 Variations for Piano in Eb for Piano on Aria "Zu Steffen sprach im Traume" from Umlauf's opera 'Das Irrlicht oder Irrwisch' |
First issued by Günther & Böhme around 1788 and then numerous others; work is Anton Eberl's Op.5; on July 15, 1798 Eberl gave notice in Hamburg paper he was author of 3 works printed as Mozart's (also see C25.01 and C26.04); In his encyclopedia Gerber reported Mozart used these variations as a favorite teaching piece. |
All published versions of these variations contain only 10 variations, leaving out the Adagio variation; cadenza and coda no doubt served as 12th variation. Set never published under Eberl's name (A.White-PhD dissertation Piano Works of Eberl, 1971) |
|
Anh C 26.06 |
Anh 289 |
Anh 289 |
10 Variations for Piano in A on Allegretto from Sarti's opera 'I finti eredi' |
First issued by André in 1798 as Mozart's Op.66, B & H's Oeuvres complettes in 1799 and numerous others; is work of Emanuel Aloys Förster (1748-1823) who protested to B & H in 1800 he composed the variations in 1788; Constanze and Nannerl Mozart agreed with Förster. |
-- |
|
Anh C 26.07 |
-- |
Anh 289a |
Variations for Piano in F on "Freut euch des Lebens" (composer unknown) |
First issued by Monzani in London around 1805; variations probably originate from Johann Michael Lanz in Hannover in 1796; in addition A.E. Müller (op.9, 1796), Friedrich Gottlob Hayn (1797), and Carl Christian Meinhold (1797) composed variations on this theme, but not able to determine if had anything to do with C26.07 |
-- |
|
Anh C 26.08 |
-- |
Anh 289b |
12 Variations for Piano in G on "Das klinnget so herlich" (Glockenspiel theme) from Zauberflöte |
Copies in Library della Casa di Ricovero and Graz and other locations attributed to Mozart; composer unknown but surely not Mozart. |
-- |
|
Anh C 26.09 |
Anh 290 |
Anh 290 |
10 Variations for Piano in A on "Malbrough s'en va-t-en guerre" |
First issued by Schott in Mainz "par Mozard" around 1800, then Artaria 1804; both K3 and K6 cite Eberl as composer without source. |
Eberl's set has no Op. Nr.; written 1797 (A.White-PhD dissertation Piano Works of Eberl, 1971) |
|
Anh C 26.10 |
-- |
Anh 207a |
Theme for Harp in F |
First issued as Theme for Piano-forte by W.A. Mozart with variations on theme of Joseph Häusler in 1848 in Prague; letter to F.W. Pixis stated Mozart played a 12-measure variation theme for the harpist Haussler while in Prague sometime between Jan 11 and middle of Feb 1787; also printed in slightly different form in Freissauf's 'Mozart's Don Juan' in 1887. |
-- |
|
Anh C 26.11 |
-- |
-- |
Theme for Harp in F |
According to report of 1892 Mozart added this theme as beginning to variations the Prague harpist Joseph Häusler composed on theme from Figaro during his trip to Prague in early 1787 |
-- |
|
Anh C 26.12 |
-- |
-- |
9 Variations for Piano in D |
Copy found in Kremsier Monastary |
Variations are actually fine movement of K284/205b, shortened by 4 variations (Plath-Opera Incerta 1988) |
|
Anh C 26.13 |
-- |
-- |
10 Variations for Piano in G on "Unser dummer Pöbel meint" by Gluck |
Copies found in Graz and Kremsier Monastary; Lausch offered 10 variations in G by Sardj on April 2, 1785, probably this work. Sardj is Giuseppe Sarti. |
The copies in Graz and Kremsier are first attributed to Mozart, then that crossed out and Sarti named--in Graz then changed back to Mozart again. The actually composer is not Giuseppe Sarti, but the Vienna composer Joseph Sardi (Armbruster-MJB 1997) |
|
Anh C 26.14 |
-- |
-- |
12 Variations for Piano in G on "Nel cor píu non mi sento" by Paisiello |
Copy in Conservatoire G. Verdi in Milan attributed to Mozart; work no doubt originated from early 19th Century, Fischer in NMA thought perhaps Hummel comes into question. |
-- |
|
Anh C 26.15 |
-- |
-- |
5 Variations for Piano in D on a melody from Joseph Weigl's opera 'L'amor marinaro' |
Copy in Conservatory Pietro a Majella headed "Del Sig. Giorgio Mozart". Weigl's opera did not premiere until 1797; Eybler, J. Gelinek, Hummel and J. Wölfl composed variations on this theme and work most likely is from one of them. |
-- |
|
Anh C 26.16 |
-- |
-- |
6 Variations for Piano in G on on Glockenspiel theme fro Zauberflöte |
Copy Conservatory Library Paris attributed to Sigr. Mozart, collected with works of numerous other composers titled "Diverse Suanate per il Piano Forte di Diversi Autoir, 1826"; another copy in Lucca, |
-- |
|
Anh C 26.17 |
-- |
-- |
5 Variations for Piano in C on the Figaro Minuet |
Issued in monthly journal "Apollo" with title "Minuett mid 5 Variations of W.A. Mozart"; variations are on "Se vuol ballare, signor contino", certainly not by Mozart |
-- |
|
Anh C 26.18 |
-- |
-- |
Variations for Piano in G on "Der Vogelfänger bin ich ja" from Zauberflöte |
Known only from from listing in Whistling's 'Handbuch der musikalischen Literatur' of 1828; listed as issued by André, possibly by Auernhammer according to Weinmann. |
-- |
|
Anh C 26.19 |
-- |
-- |
Variations for Piano in Eb on "Bei Männeren, welche Liebe" from 'Zauberflöte' |
Known only from from listing in Whistling's 'Handbuch der musikalischen Literatur' of 1828; listed as issued by André, possibly by Anton Eberl according to Weinmann |
Eberl's variations on this theme date from perhaps 1791, and have no Op.Nr. (A.White-PhD dissertation Piano Works of Eberl, 1971) |
|
Anh C 26.20 |
-- |
-- |
Variations for Piano on "Alles fühlt der Liebe Freuden" from 'Zauberflöte' |
Known only from from listing in Whistling's 'Handbuch der musikalischen Literatur' of 1828; listed as issued by Berra in Prague |
-- |
|
Anh C 26.21 |
-- |
-- |
Variations for Piano in C on "Ich bin der Schnider Wetz" from Wenzel's Müller's Singspiel 'Das neue Sonntagsking' |
Known from listing in Whistling's 'Handbuch der musikalischen Literatur' of 1828; variations appeared in Kozeluch's Musikal Magazin in 1795; Müller's opera first performed in 1793. |
-- |
|
Anh C 26.22 |
-- |
-- |
Variations for Piano on "L'Homme est honnete" |
Known from listing in Whistling's 'Handbuch der musikalischen Literatur' of 1828; listed as issued by LeDuc in Paris. |
-- |
|
-- |
-- |
-- |
-- |
-- |
-- |
|
Anh C 27.01 |
-- |
Mentioned within Anh284n |
Andante favori for Piano |
Issue by Cranz in Hamburg a crude forgery. |
-- |
|
Anh C 27.02 |
-- |
Mentioned within Anh284n |
Fantasia Impromptu for Piano |
Printing by Williams in London as "A Relic…by Mozart' a naïve forgery. |
Story on title page states after a visit to a friends and a pleasant trip on a lake, amidst great beauty, Mozart opened the lady's spinet and played his impressions of nature's magnificence (title page of George Willig & Co. Publishers, Baltimore) |
|
Anh C 27.03 |
-- |
528a |
Fantasy for Organ in Bb |
In letter from the chorus director of Stravhav Monastery in Prague from 1818 is stated Mozart come to Monastery in June 1787 and played this piece and described it. However Mozart not in Prague until June of that year and there are misgivings because of differences from the description and handed down music. |
Included in NMA main volume, although admitted doubtful because of dreadful musical contents (Plath-MJB 1982) |
|
Anh C 27.04 |
Anh 205 |
Anh 205 |
Romanze for Piano in Ab |
First issued by Mollo & Co in 1802 with dedication to Madame Lefebrve, and again many times later; the charming piece shows too clearly knowledge of Beethoven |
Plath believed Romanze a piano reduction of the lost Mozart fragment of a Piano/Wind Quintet K.Anh/54/452a. When this fragment discovered in 1990 and found to be different, Plath reported he still thought it could be a transcription of another lost Mozart piano/wind piece. (Plath-MJB 1965/66 and Mozart Schriften 1990) |
|
Anh C 27.05 |
-- |
Mentioned within Anh207 |
Rondo Allegro for Piano in G |
Copy in Berlin State Library in collection of "Little Pieces for the Pianoforte, 3rd Collection" with works of other composers which in form and style the same as Anh C26.06; music to this Rondo is same as K496a Nr.8 however enlarged by cadenza and rests to 33 measures from 31. |
-- |
|
Anh C 27.06 |
Anh 207 |
Anh 207 |
9 Pieces for Piano |
Probably composed for a musical almanac around 1780 or 1790, but most likely composed by Hiller or Naumann than Mozart; Nr.3 is found under Mozart's name in B & H catalogue used in variations found in Graz that are not very Mozartian. |
Nrs.4 and 5 of these 9 Piano pieces are identical with Nrs. 2 and 3 of the 8 numbers of ballet to Ascanio in Alba known only from Basso part in copyist's hand; Plath believed Mozart was requested to re-write Ballet music and this is Mozart's music for the second version in which the two above pieces were retained. Some unknown musician made piano reduction of ballet music, which is this; variations on Nr.3 mentioned in K6 would be a tribute to this musical event (Plath-MJB 1964); Nr.6 of these 9 pieces has been found to be a piece from ballet by Florian Deller "Orphee et Euridice; appears 9 pieces a pasticco ballet (Sibylle Dahms-MJB 1993) |
|
Anh C 27.07 |
-- |
Mentioned within Anh284n |
Polonaise favorite for Piano in C |
Issue by Böhme in Hamburg attributed to Mozart. Possibly by Franz Xavier Mozart. |
-- |
|
Anh C 27.08 |
-- |
Mentioned within Anh284n |
"Adieu/Derniére pensée de W.A. Mozart" for Piano |
Issue by Mackar in Paris; is a free arrangement of Aria K621a provided with a introductory Andante. |
-- |
|
Anh C 27.09 |
-- |
Mentioned within Anh284n |
Children's Piece "La Tartine de Beurre" for Piano |
Issued by Litolff in Braunschweig; the "tempo di Valse" can be played with only one finger on the right hand; also called the Butterfly" |
-- |
|
Anh C 27.10 |
-- |
Mentioned within Anh109viii |
Fugue a due for Piano |
Copy in Berlin State Library from possession of Fuchs, who reported by Mozart and completed by Al. Klengl. |
-- |
|
Anh C 27.11 |
-- |
-- |
Floh-Minuet for Piano in C |
Issue by Steiner in Vienna in 1824 attributed to Mozart with two solo Trios for the "Phys-Harmonika or Pianoforte" by Joseph Wilde. |
-- |
|
Anh C 27.12 |
-- |
-- |
Adagio for Piano in Eb |
Manuscript from F.S. Silverstolpe in Stockholm |
-- |
|
-- |
-- |
-- |
-- |
-- |
-- |
|
Anh C 29.02 |
-- |
Mentioned under 176 |
5 Ländler for Piano |
Manuscript whereabouts unknown to K6 but had been on exhibition in 1956; not a Mozart autograph and musically a typical amateur product of 19th Century; Engl in 1891 provided statement dances originated around 1772 and were for Josepha Gall, who could have been Mozart's pupil or sweetheart. Certainly Mozart was not giving lessons in 1772 in Salzburg. |
-- |
|
Anh C 29.03 |
-- |
-- |
Waltzes for Piano |
Issued by Simrock in Bonn in 1801 as 12 Waltzes for Piano with Flute or Violin by W.A. Mozart--also contained C27.08, K536/1-3, K567/1-5, K536/6, K567/6 and Coda of K567. |
-- |
|
Anh C 29.04 |
-- |
-- |